"Schmitke" is a 2014 German/Czech co-production that plays in both countries and includes both languages, even if the German parts are way more frequent. The lead actor is Peter Kurth and he is also easily the most known cast member here, probably because of his success as Herbert not much later, so this film here was a bit of the shape of things to come. It runs for roughly 1.5 hours and was written and directed by Stepan Altrichter, his most recent and most known work. Kurth basically is the movie and while I am not sure if he is really the greatest actor, his likable presence helps a lot as usual. It is the story of a worker who gets sent to the Czech Republic by his company and while he struggles initially with this task, the longer it goes the more he warms up to it and the film becomes a journey to self for the protagonist. But this is also almost a negative deal-breaker here as I already explained in the title of my review. This is a good film early on when he is still in Germany with nice love to detail, also the scenes with his daughter, it is also okay when he is looking for his colleague who mysteriously disappeared. But from the perspective of Kurth's character finding himself, it is not a strong achievement at all and it feels even slightly pretentious to be honest at times. I am pretty generous here giving this one three stars out of five as it is certainly nowhere near the level of Schultze finding his blues for example. Still Kurth's performance mostly makes it difficult to be any harsher overall here on the project, even if I really had hoped for a stronger final 30 minutes that really could have turned the film into something special. The way it actually turned out it just isn't really memorable at all. I recommend seeing this one, but just cautiously.
3 Reviews
Pretty ambitious and sometimes well done, but ultimately comes pretty short with its main premise
Horst_In_Translation24 April 2017
Warning: Spoilers
in the woods
dromasca28 August 2016
The second film that I have seen in the Czech film festival at our local cinematheque was a first long feature film by director Stepan Altrichter, actually a co-production between the German and Czech studios, mostly spoken in German, as the lead character, herr Schmitke is German. The use of the language is justified by the story which has as one of its themes the encounter between the Eastern and Western worlds at the fall of the Iron Curtain.
Herr Schmitke is an engineer, a smart one, but a little bit overcome by the technology, or the society around or both. He invented or had a great contribution in the invention of the wind turbines that populate the hills of Europe, but now he is suddenly retrograded to the position of maintaining and fixing the old models, and on the first assignment is sent across the border in the Czech Republic, together with a young colleague. There is more than one border to cross - there are borders in language, in age, in attitude to work, but the most obvious one is the change of landscape. We are in the Czech mountains, the forest surrounds everything, spirits are haunting it, people disappear.
The premises are quite good and the film succeeds to maintain interest for about half of its duration. The low-key style of acting of Peter Kurth actually helps, I liked it. The problem is that after setting the stage for a mountain mystery, or a forest horror movie (anybody remembers The Blair Witch Project?), or maybe even better - a political metaphor about the abyss yet to be filled between the Western and Eastern sectors of the not-so-unified Europe, the story becomes completely confused, the action divides into 3 or 4 threads, none makes too much senses, none provides any answer to the questions that the viewer may have about the fate of the characters (or even of the wind turbine). It's like several endings were put filmed, and the director could not decide which one to leave, so he left them all. The non-German characters are presented in a stereotypical and negative manner - if this was supposed to be some political comment, it was quite gross to my taste.
'Schmitke' starts well, but confuses and even bores towards the end.
Herr Schmitke is an engineer, a smart one, but a little bit overcome by the technology, or the society around or both. He invented or had a great contribution in the invention of the wind turbines that populate the hills of Europe, but now he is suddenly retrograded to the position of maintaining and fixing the old models, and on the first assignment is sent across the border in the Czech Republic, together with a young colleague. There is more than one border to cross - there are borders in language, in age, in attitude to work, but the most obvious one is the change of landscape. We are in the Czech mountains, the forest surrounds everything, spirits are haunting it, people disappear.
The premises are quite good and the film succeeds to maintain interest for about half of its duration. The low-key style of acting of Peter Kurth actually helps, I liked it. The problem is that after setting the stage for a mountain mystery, or a forest horror movie (anybody remembers The Blair Witch Project?), or maybe even better - a political metaphor about the abyss yet to be filled between the Western and Eastern sectors of the not-so-unified Europe, the story becomes completely confused, the action divides into 3 or 4 threads, none makes too much senses, none provides any answer to the questions that the viewer may have about the fate of the characters (or even of the wind turbine). It's like several endings were put filmed, and the director could not decide which one to leave, so he left them all. The non-German characters are presented in a stereotypical and negative manner - if this was supposed to be some political comment, it was quite gross to my taste.
'Schmitke' starts well, but confuses and even bores towards the end.
An Air of Twin Peaks
haselant25 March 2020
This should be a great movie for you if you enjoy slow authorial cinema. It starts like a character study of an elderly, somewhat simple-minded and taciturn engineer of wind turbines. When the engineer is sent from the city he lives in to a small Czech village surrounded by woods and mountains, the movie slowly develops into something different, building up a unique haunting athmosphere in its exploration of the village and the woods. Very intriguing. Recommended to fans of David Lynch or Andrei Tarkovsky, and also to fans of Peter Kurth (once a member of the ensemble of the Thalia theatre in Hamburg).
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