Directed by
| Savvas D. Michael | ||
Writing Credits (in alphabetical order)
| Savvas D. Michael | ||
Cast (in credits order)
Produced by
| Andrew Downer | ... | executive producer |
| Andrew Georgiou | ... | executive producer |
| Costas Georgiou | ... | executive producer |
| Katerina Georgiou | ... | executive producer |
| Benjamin Ross Lyerly | ... | associate producer |
| Savvas D. Michael | ... | producer |
| Lara Minassian | ... | executive producer |
| Andrew Neophytou | ... | producer |
| Steven Paul | ... | executive producer |
| John Pavlakos | ... | producer |
| Helen Stafford | ... | associate producer |
| Pat Wintersgill | ... | executive producer |
Cinematography by
| Oli Williams | ||
Editing by
| Kant Pan | ||
Casting By
| Helen Stafford | ||
Art Direction by
| Matthew Scipio | ||
Makeup Department
| Jodie Al-Saiegh | ... | assistant makeup artist |
| Alexandra Ellison | ... | makeup department head |
| Valerie Oladeinde | ... | assistant makeup artist |
| Maria Stafford | ... | assistant makeup artist |
Production Management
| Stephanie Grace | ... | production manager |
Second Unit Director or Assistant Director
| Umi Gilbert | ... | second assistant director |
| Benjamin Ross Lyerly | ... | first assistant director |
| Rhys Wilson Plant | ... | third assistant director |
Art Department
| Geraint Humphries | ... | set dresser |
| Demetrios Michael | ... | construction coordinator |
Sound Department
| Jono Cary | ... | sound recordist |
| Nickolas Cooks | ... | dialogue editor |
| Dan De Pasquale | ... | supervising sound editor |
| Ben Hossle | ... | boom operator |
| Russ James | ... | boom operator |
| William King | ... | sound trainee |
| Frederick Roche | ... | boom operator |
Visual Effects by
| Jonathan Abbas-Klahr | ... | visual effects supervisor |
| Scott Leicester Boyce | ... | rotoscoping artist (as Scott Leicester-Royce) |
| Liam Capper-Starr | ... | rotoscoping artist |
| Monica Laita | ... | matte painting artist |
| Andrew MacLeod | ... | visual effects artist |
| Dan Pryor | ... | visual effects artist |
| Berta Valverde | ... | visual effects artist |
Camera and Electrical Department
| Pete Blakemore | ... | first assistant camera |
| Siobhán Cox | ... | second assistant camera |
| Callum Crisell | ... | camera intern |
| James Ian Gray | ... | digital imaging technician |
| Oliver Hadlow-Martin | ... | digital imaging technician |
| Rory Harborne | ... | gaffer |
| Alix Milan | ... | digital imaging technician |
| Bianca Pierre | ... | still photographer |
| Blaine Rennicks | ... | second assistant camera |
| Graham Smout | ... | camera trainee |
Animation Department
| Yu Knifeson | ... | key animator |
Editorial Department
| Berta Valverde | ... | on-line editor |
| Pat Wintersgill | ... | colorist |
Script and Continuity Department
| Sam Hulme | ... | continuity (as Sammy The Bull) |
| Nassim Rahmane | ... | script supervisor |
Additional Crew
| William Daniels | ... | production assistant |
| Angela Georgiou | ... | caterer |
| Izbel Ozkolaci | ... | production assistant |
| Sarah Pender | ... | production assistant |
| Gustavo Restrepo | ... | head runner |
| Nico J. Socratous | ... | production assistant |
| Matthew Strange | ... | armourer (as Mathew Strange) |
| Sheniz Suleiman | ... | assistant to the director / turkish translator |
| Tulay Suleiman | ... | turkish translator |
| Jaroslav Svoboda | ... | production assistant |
| Cameron Taylor | ... | assistant armourer |
| Riley Wong | ... | production assistant |
Thanks
| Stephen Dixon | ... | thanks to: Metropolitan Police Film Unit |
| Max O'Neill | ... | the producers wish to thank: For letting us borrow his dad on the day he was born |
