Directed by
| Quinn Shephard | ||
Writing Credits
| Quinn Shephard | ... | (written by) |
| Laurie Shephard | ... | (story by) and |
| Quinn Shephard | ... | (story by) |
Cast (in credits order)
Produced by
| Imraan Farukhi | ... | associate producer |
| Michael Jefferson | ... | line producer |
| Larissa Rhodes | ... | co-producer: preproduction |
| Laurie Shephard | ... | producer (produced by) |
| Quinn Shephard | ... | producer (produced by) |
Music by
| Pierre-Philippe Côté | ... | (Peter Henry Phillips) |
Cinematography by
| Aaron Kovalchik | ... | director of photography |
Editing by
| Quinn Shephard | ||
Casting By
| Laurie Shephard | ||
Art Direction by
| Lucy Goldberg | ||
Costume Design by
| Celeste Montalvo | ||
Makeup Department
| Talia Arochas | ... | additional makeup artist |
| Steph Hui | ... | hair department head |
| Lia Micol | ... | makeup department head |
| Patrice Pugh | ... | additional makeup artist |
Second Unit Director or Assistant Director
| Adam Bailey | ... | second assistant director |
| Isabella Olaguera | ... | second second assistant director |
| Andrew Sherwood | ... | first assistant director |
Art Department
| Marissa Fu | ... | cover art: "The Crucible" and "Sybil" |
| Norm Halverson | ... | set production assistant |
| Saffa Khan | ... | cover art: "The Glass Menagerie" |
| Erin O'Brien | ... | set dresser |
| Kathryn R. Sweatman | ... | props apprentice |
Sound Department
| Alessandro Altman | ... | additional boom operator |
| Ilan Bemaman | ... | production sound mixer |
| Sylvain Brassard | ... | re-recording mixer: SPR / sound design: SPR / sound effects editor: SPR / sound supervisor: SPR |
| Isabelle Favreau | ... | audio post-production coordinator: SPR |
| Nicolas Gagnon | ... | foley artist: SPR |
| Kat Jirles | ... | boom operator |
| Benoit Leduc | ... | foley recordist: SPR |
| Gaël Poisson Lemay | ... | dialogue editor: SPR (as Gael Poisson Lemay) / sound effects editor: SPR (as Gael Poisson Lemay) |
| Eliot Lukacs | ... | additional boom operator (as Kym Lukacs) |
| Francis Mercier | ... | sound effects editor: SPR |
| David Rosenberg | ... | additional boom operator |
Camera and Electrical Department
| Keith Anderson | ... | additional assistant camera |
| Tom Atwell | ... | first assistant camera |
| Nick Bartram | ... | dolly grip |
| Garland Berenzy | ... | best boy grip |
| Eric Bujnowski | ... | electric |
| Jimmy DeMarco | ... | gaffer |
| Troy Dobbertin | ... | additional assistant camera |
| Timur Gavrilenko | ... | additional camera operator: "b" camera |
| Grace Giffune | ... | grip apprentice |
| Rob Keller | ... | additional set photographer |
| Corey Licameli | ... | second assistant camera |
| Greg Meola | ... | key grip |
| Stephen Rathier | ... | best boy electric |
| Sean Rogan | ... | additional set photographer |
| Albi Sala | ... | dolly grip (as Alberto Sala) |
| Nikolai Vanyo | ... | digital imaging technician / set photographer |
| G.T. Womack | ... | camera operator: "b" camera |
| Shirley Yu | ... | promotional photographer |
Costume and Wardrobe Department
| Celina Brogan | ... | wardrobe assistant |
| Rosemary Jacobsen | ... | wardrobe assistant |
| Stacy Jansen | ... | assistant costume designer |
| Anna Kukla | ... | wardrobe assistant |
Editorial Department
| Julien Alix | ... | colorist: Post-Moderne |
| Étienne Beaupré | ... | on-line editor: Post-Moderne (as Etienne Beaupre) |
| Cara di Staulo | ... | post-production coordinator: Post-Moderne (as Cara Di Staulo) |
| Shawn Pavlin | ... | assistant editor: Post-Moderne |
| Myriam Therrien | ... | post-production coordinator: Post-Moderne |
| Stéphanie Vaillancourt | ... | assistant editor: Post-Moderne |
| Josh Fleury | ... | digital coordinator: Samuel Goldwyn fFlms (uncredited) |
Music Department
| Emmanuel Crombez | ... | soundtrack recording assistant: Studio Le Mid |
| David L. Martin | ... | additional soundtrack recording: DLM Studios |
| Peter Henry Phillips | ... | soundtrack recording: Studio Le Nid |
| Mark Plati | ... | additional soundtrack recording: Alice's Restaurant NYC |
Script and Continuity Department
| Charmeka Fox | ... | script supervisor |
Additional Crew
| Ben Braun | ... | sales and distribution: Submarine |
| Josh Braun | ... | sales and distribution: Submarine |
| Michael Buchko | ... | additional set production assistant |
| Evan Butchen | ... | post-production financial consultant |
| Julie Dwoskin | ... | stand-in: "Melissa" |
| Imraan Farukhi | ... | production legal counsel |
| Michael Franken | ... | additional set production assistant |
| Maggie Glynn | ... | local publicity advisor |
| Adam Kersh | ... | publicity: Brigade |
| Ashley La Selva | ... | stand-in: "Abigail" |
| Michelle Martinez | ... | set production assistant |
| Kate Patterson | ... | publicity: Brigade |
| Sean Rogan | ... | set production assistant |
| Fanny Romero | ... | payroll coordinator: ABS Payroll & Production Accounting Services |
| Michael Shephard | ... | craft service / key production assistant |
| Phillip Shvartsman | ... | set production assistant |
| Sean Stone | ... | additional set production assistant |
| Kathryn R. Sweatman | ... | craft service |
| Phelan Tupik | ... | set production assistant |
| Robert Westreich | ... | production financial consultant |
| Frank Stabile | ... | stand-in (uncredited) |
Thanks
| Courtney Baxter | ... | special thanks |
| Neal Bennett | ... | thanks |
| A.D. Calvo | ... | thanks |
| Madelyn Deutch | ... | thanks |
| Alexandre Domingue | ... | very special thanks |
| Nick Falcone | ... | thanks |
| Joshua A. Green | ... | very special thanks |
| Ken Lee | ... | thanks (as Kenneth Lee) |
| Sam Levinson | ... | thanks |
| Adam Long | ... | thanks |
| Ian McAlpin | ... | thanks |
| Mary McGee | ... | very special thanks (as Panavision Mary McGee) |
| Jaime Misher | ... | very special thanks |
| Diane Raver | ... | thanks |
| Larry Schmitt | ... | special thanks |
| Ana Westreich | ... | very special thanks (as Ana & Robert Westreich) |
| Robert Westreich | ... | very special thanks (as Ana & Robert Westreich) |
