Directed by
| Victoria Vaughn | ||
Writing Credits (in alphabetical order)
| Annelise Sanders | ||
Cast (in credits order)
 |
Madeline Adelle Phillips | ... | Emilia Evans (as Madeline Phillips) |
| Megan Lee Ethridge | ... | The Morrigan | |
|
|
Allison McLemore | ... | Rhiannon |
| Sherry H. Arell | ... | Liath | |
|
|
Julia Starr | ... | Young Emilia |
|
|
Justin Osterthaler | ... | Emilia's Dad |
Produced by
| Lauren Ciaravalli | ... | producer |
| Dorothy Coletta | ... | executive producer |
| Nick Krassowski | ... | executive producer / producer |
| Victoria Vaughn | ... | executive producer |
Music by
| Drew Krassowski | ||
Cinematography by
| Mingjue Hu | ||
Editing by
| Nick Krassowski | ||
Production Design by
| Yeun Byun | ||
Art Direction by
| Evan DeLuca | ||
Costume Design by
| Alexandra Kaucher | ||
Makeup Department
| Caroline Norton | ... | makeup artist |
| Michelle Rickert | ... | special makeup effects artist |
Second Unit Director or Assistant Director
| Lauren Ciaravalli | ... | second assistant director |
| Yiyi Han | ... | first assistant director |
Art Department
| Evan DeLuca | ... | construction coordinator |
| Charlie Kanev | ... | prop fabricator |
| Arles Netherwood-Schwesig | ... | art assistant |
| John Papp | ... | art assistant |
| Mark Satin | ... | art assistant |
| Steven Tong | ... | art assistant |
Sound Department
| Joanna Fang | ... | foley artist (as a different name) |
| M. Louis Gordon | ... | re-recording mixer / sound designer |
| Mackenzie Lukenbill | ... | foley artist (as Mark Lukenbill) / foley engineer (as Mark Lukenbill) |
| Arles Netherwood-Schwesig | ... | boom operator |
| John Papp | ... | boom operator |
| Samuel Stevenson-Yang | ... | sound mixer |
| Steven Tong | ... | boom operator |
Visual Effects by
| Victoria Vaughn | ... | visual effects |
Camera and Electrical Department
| Rachel Batashvili | ... | electric |
| Cory Beisser | ... | gaffer |
| Joshua Echevarria | ... | key grip |
| Carey Hu | ... | best boy electric |
| Ainura Kazhkarimova | ... | special lighting effects |
| Bruce X. Li | ... | grip |
| Brendan Mahoney | ... | second assistant camera |
| John Papp | ... | grip |
| Ben Spaner | ... | first assistant camera |
| Steven Tong | ... | grip |
Casting Department
| Marissa Rutka | ... | casting assistant |
| Annelise Sanders | ... | casting assistant |
Costume and Wardrobe Department
| Charlie Kanev | ... | costume assistant |
| Caroline Norton | ... | costume assistant |
| Michelle Rickert | ... | costume assistant |
Script and Continuity Department
| Annelise Sanders | ... | script supervisor |
Additional Crew
| Dorothy Coletta | ... | craft service |
| Nick Krassowski | ... | dit |
| Bruce X. Li | ... | dit |
| Helen Mask | ... | poster design |
| Deedee O'Brien | ... | craft service |
| Dennis Sanders | ... | craft service |
Thanks
| Stephen Cervantes | ... | special thanks (as Stephen Dwyer) |
| Patricia Frontain | ... | special thanks (as Patricia Fontaine) |
| Mark Gearing | ... | special thanks |
| Chuck Gluck | ... | special thanks |
| Anne Janson | ... | special thanks |
| Deedee O'Brien | ... | special thanks |
| Darrilyn Peters | ... | special thanks |
| Dennis Sanders | ... | special thanks |
| Kit Stone | ... | special thanks |
| Roger Stone | ... | special thanks |
| Shona Unsworth | ... | special thanks |
| Steve Unsworth | ... | special thanks |
| Lola Vanwagenen | ... | special thanks |
| Mike Wood | ... | special thanks |