Haaga and crew aren’t aiming for realism (let alone plausibility) in their raw-luck tall tale, but they straddle cartoonishness and cruelty evenly enough that what some will find hilarious may strike others as just gratuitously mean-spirited.
The story suffers diminishing returns as it unwinds with increasing violence and absurdity. Or maybe it’s just that “68 Kill” puts the best material upfront.
50
RogerEbert.comBrian Tallerico
RogerEbert.comBrian Tallerico
This is the kind of piece that needs to move 100MPH from first scene to last for you to overlook its flaws. It slows down for too long to recommend the ride.