Dana Vespoli goes that extra mile to make her set-ups interesting, rather than default to the genre's usual all-sex approach to Romantic lesbian cinema. These scenes are quite varied, but have high quality in common.
Best is a very fine performance by Julia Ann as a blind woman, on the same level as her excellent work as a handicapped lady having lesbian sex in another of Dana's Sweetheart Video releases ("The Candidate", opposite Brandi Love). She makes love to assistant Sara Luvv who has a crush on her, and Julia remains in character through out.
Sara pops up briefly playing her same character in another segment starring Casey Calvert and buxom Jaclyn Taylor, a device that knits the separate vignettes together a bit.
Two of the scenes were shot at the iconic "Immoral Proposal" mansion, its foyer, oval-paned doors and spiral staircase w/chandelier beautifully spotlighted for the final segment "The Other Mrs. Ellis", in which Kendra Lust and Aria Alexander play wives of a bigamist finally meeting up in the mansion. These hot brunettes have a torrid sex scene together, though their rush to XXX sex is rather slap-dash, a weakness of Dana's otherwise fine screenplay.
Best is a very fine performance by Julia Ann as a blind woman, on the same level as her excellent work as a handicapped lady having lesbian sex in another of Dana's Sweetheart Video releases ("The Candidate", opposite Brandi Love). She makes love to assistant Sara Luvv who has a crush on her, and Julia remains in character through out.
Sara pops up briefly playing her same character in another segment starring Casey Calvert and buxom Jaclyn Taylor, a device that knits the separate vignettes together a bit.
Two of the scenes were shot at the iconic "Immoral Proposal" mansion, its foyer, oval-paned doors and spiral staircase w/chandelier beautifully spotlighted for the final segment "The Other Mrs. Ellis", in which Kendra Lust and Aria Alexander play wives of a bigamist finally meeting up in the mansion. These hot brunettes have a torrid sex scene together, though their rush to XXX sex is rather slap-dash, a weakness of Dana's otherwise fine screenplay.