The Last Pig (2016)
Die letzte Sau (original title)Reference View | Change View
- 1h 26min
- Comedy, Drama
- 29 Sep 2016 (Germany)
- Movie
A small farmer in Germany loses everything when he has to declare bankruptcy because he cannot compete with the large factory farms. He takes to the road on a bike, with his last sow in the sidecar to visit his beloved Birgit, the daughter...
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Director:
Writers:
Photos and Videos
Cast
Golo Euler | ... |
Bauer Huber
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Rosalie Thomass | ... |
Birgit
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Thorsten Merten | ... |
Imker Meier
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Bernd Stegemann | ... |
Franz Kramer
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Heinz-Josef Braun | ... |
Willi
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Herbert Knaup | ... |
Erzähler
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Christoph Maria Herbst | ... |
Werner
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Daniel Zillmann | ... |
Gernot
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Eva Bay | ... |
Gudrun
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Matthias Ransberger | ... |
Ulf
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Maximilian Schafroth | ... |
Hoppe
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Heiko Pinkowski | ... |
Theissen
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Rest of cast listed alphabetically: | |||
Emma Bading | ... |
Julia
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Eckhard Greiner | ... |
Dorfpfarrer
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Arnd Schimkat | ... |
Polizist Senkrecht
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Directed by
Aron Lehmann |
Written by
Stephan Irmscher | ... | () |
Aron Lehmann | ... | () |
Produced by
Miriam Klein | ... | producer |
Dan Maag | ... | co-producer |
Daniel Sonnabend | ... | co-producer |
Ulrich Stiehm | ... | line producer |
Music by
Boris Bojadzhiev |
Cinematography by
Cristian Pirjol |
Editing by
David Hartmann |
Editorial Department
Markus Baburske | ... | colorist |
Casting By
Daniela Tolkien |
Production Design by
Martina Brünner |
Costume Design by
Claudia González |
Makeup Department
Jennifer Berr | ... | additional makeup artist |
Aljona Kassner | ... | makeup artist |
Franziska Monden | ... | assistant makeup artist |
Valentina Schwez | ... | makeup artist |
Production Management
Elizabeth Albrecht | ... | unit production manager |
Paul Andexel | ... | post-production supervisor |
Holger Härtl | ... | production manager |
Gerd Keiser | ... | unit manager |
Monika Schuster | ... | set manager |
Second Unit Director or Assistant Director
Jan Bernotat | ... | first assistant director |
Esther Busch | ... | second assistant director |
Art Department
Rick Baxstar | ... | graphic artist |
Ines Casas Corvino | ... | set dresser |
Olaf Kronenthal | ... | property master: indoor |
Lotte Meyhoefer | ... | assistant production designer |
Jens Schubbert | ... | assistant property master: outdoor |
Joannes Wild Jr. | ... | property master: indoor |
Peter Wolf | ... | graphic artist |
Sound Department
Karim El Morr | ... | re-recording assistant |
Claudia Enzmann | ... | dialogue editor |
Daniel Hallhuber | ... | boom operator |
Michael Karl Huber | ... | sound post-production producer |
Tina Laschke | ... | sound designer / supervising sound editor |
Bernhard Maurer | ... | foley mixer |
Wolfi Müller | ... | foley editor |
Christian Neff | ... | adr mixer |
Benjamin A. Rosenkind | ... | re-recording mixer |
Andy Schlegel | ... | adr recordist |
Michael Stancyk | ... | foley artist |
Daniel Vogl | ... | head of ARRI Sound |
Visual Effects by
Paul Andexel | ... | visual effects coordinator |
Benjamin Aulinger | ... | digital compositor |
Matthias Brauner | ... | title designer & animator |
Tim Emeis | ... | digital compositor: ARRI VFX |
Aria Heidari | ... | digital compositor |
Katja Müller | ... | visual effects producer |
Mortimer Warlimont | ... | visual effects supervisor |
Stunts
Siegfried Polap | ... | stunt coordinator / stunts |
Georg Armin Sauer | ... | stunt coordinator (as Armin Sauer) |
Matthias Schendel | ... | stunt coordinator |
Igor Tjumenzev | ... | stunt rider |
Camera and Electrical Department
Paul Andexel | ... | dit wrangler |
Stefan Beutler | ... | additional gaffer |
Rebecca Büchler | ... | video operator |
Stephanie Dahlhaus | ... | second assistant camera |
Matthias Franz | ... | best boy |
Till Girke | ... | gaffer |
Eugen Gritschneder | ... | camera: unit b |
Katharina Hauke | ... | assistant grip |
Caspar Hees | ... | gaffer |
Markus Kloth | ... | camera: unit b |
Alexis Kostudis | ... | first assistant camera |
Vitali Kunath | ... | best boy |
Tina Künnemann | ... | key grip |
Theresa Maué | ... | second assistant camera |
Lisa Patzer | ... | second assistant camera |
David Recher | ... | first assistant camera |
Günther Schlatter | ... | steadicam operator |
Ulf Schädlich | ... | crane operator |
Andreas Steffan | ... | first assistant camera |
Maik Uhlig | ... | additional gaffer |
Lorenz Weißfuß | ... | additional gaffer |
Costume and Wardrobe Department
Karin Faltlhauser | ... | costume patination |
Munkhzul Purevdorj | ... | assistant costume designer |
Melanie Reber | ... | additional wardrobe |
Nicole Schnabel | ... | wardrobe |
Jana Witte | ... | assistant costume designer |
Location Management
Uli Friedrichs | ... | location scout |
Tatjana Liebenow | ... | location manager |
Music Department
Boris Bojadzhiev | ... | composer: theme music |
Annette Gentz | ... | composer agent |
Script and Continuity Department
Julia Strobel | ... | continuity |
Transportation Department
Boris Heide | ... | production driver |
Additional Crew
Daniel Friesen | ... | set runner |
Eckhard Greiner | ... | dialect coach |
Michael Kerger | ... | set runner |
Daniel Reber | ... | production coordinator |
Production Companies
- A Little Film Production
- Das kleine Fernsehspiel (ZDF) (co-production)
- Pantaleon Films (co-production) (presents)
- ARRI Media (co-production)
- ARTE (in association with)
Distributors
- Drei Freunde Filmverleih (2016) (Germany) (theatrical)
- Neue Visionen Filmverleih (2016) (Germany) (theatrical) (through)
- Thimfilm Filmverleih (2016) (Austria) (theatrical)
- ARTE (2018) (Andorra) (tv)
- ARTE (2018) (France) (tv)
- ARTE (2018) (Monaco) (tv)
- good movies! (2017) (Germany) (DVD)
Special Effects
Other Companies
- Tracks & Fields (music supervision)
- ARRI Sound (sound re-recording)
- Adag Film Services (extras payroll)
- Deutscher Filmförderfonds (DFFF) (funding)
- FilmFernsehFonds Bayern (funding)
- Filmförderungsanstalt (FFA) (funding)
- Medienboard Berlin-Brandenburg (funding)
- Patin-A (costume supplies)
- Theaterkunst (costume rental)
Storyline
Plot Summary |
A small farmer in Germany loses everything when he has to declare bankruptcy because he cannot compete with the large factory farms. He takes to the road on a bike, with his last sow in the sidecar to visit his beloved Birgit, the daughter of a wealthy businessman, in the eastern part of Germany. During his road trip with the pig he meets many others who are in a similar predicament. |
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