When Bosch first spoke to Sharkey's mother, the front door had a heavy metal exterior door (with "do not disturb" scrawled on a note). When the detectives returned to notify her of his death, the front door was a wood panel door.
When the contraband was being loaded into the van, the interior of the doors and of the van were white. When the doors were being closed, the interior of the door was black.
When Bosch and J. Edgar pull up across the street from Sharkey's Mother's house, they park between the stop sign at the corner and a parking control sign with a black car parked behind them. But, when they exit their car, they are on the other side of the parking control sign and the black car is gone.
A character (an ex-soldier) relates a story of gold being smuggled from Afghanistan to the United States in a military jeep. The DoD discontinue widescale use of Jeeps as military vehicles in the 1980s when they switched to using Humvees as the primary small passenger transport vehicle.
Not only would an ex-soldier not referred to this range of transports as "jeeps" considering that the character was in his 30s, it's unlikely that he would have seen a military jeep outside of a film, a car show or a museum.
Not only would an ex-soldier not referred to this range of transports as "jeeps" considering that the character was in his 30s, it's unlikely that he would have seen a military jeep outside of a film, a car show or a museum.
Someone needs to explain to Matthew Lillard (and a lot of other people) the difference between "cavalry" and "Calvary".
At 5min 8 secs into the show, when Lt Grace Billets arrives at (presumably her ex-husbands) John's house to pick up her daughter, the latter is playing music on her boom box which the official subtitles cite as: "Spanish music". Most risible, as this is in fact a reggae standard that's playing FIREHOUSE ROCK by The Wailing Souls (instantaneously recognised by any reggae aficionado and certainly a far cry from anything discerned as 'Spanish music' ).