Directed by
| Anika Decker | ||
Writing Credits (in alphabetical order)
| Anika Decker | ||
Cast
Produced by
| Lena Bahrs | ... | Digital Intermediate Producer |
| Anika Decker | ... | co-producer |
| Jan Decker | ... | co-producer |
| Chris Evert | ... | line producer |
| Lothar Hellinger | ... | producer |
| High Society | ... | line producer |
Cinematography by
| Andreas Berger | ||
Editing by
| Charles Ladmiral | ||
| Andrea Mertens | ||
Casting By
| Daniela Tolkien | ||
Production Design by
| Michael Binzer | ||
Costume Design by
| Ramona Klinikowski | ||
Makeup Department
| Constanze Hellinger | ... | makeup artist |
| Jan Kempkens-Odemski | ... | makeup artist |
Production Management
| Chris Evert | ... | production manager |
Art Department
| Roman Berger | ... | stand by carpenter: art department |
| Ewa Wianecki | ... | assistand production designer (as Ewa Sobczak) |
Sound Department
| Max Bauer | ... | foley artist |
| Jörg Elsner | ... | sound designer |
| Mario Hubert | ... | sound designer |
| Lasse Kröger | ... | adr recordist |
| Christoph Merkele | ... | re-recording mixer |
| Benjamin Schäfer | ... | adr editor |
| Frank Wiedmann | ... | adr recordist |
| Uwe Zillner | ... | foley artist / foley editor |
Visual Effects by
| Omid Arzhang | ... | senior 3D Artist: ARRI |
| Mathilda Barchmann | ... | conform and finishing artist |
| Matthias Brauner | ... | title designer & animator |
| Tim Emeis | ... | digital compositor: ARRI VFX |
| Manuel Klein | ... | visual effects artist |
| David Laubsch | ... | compositing/cg supervisor |
| Katja Müller | ... | visual effects producer |
| Frieda Oberlin | ... | head of production |
| Alexander Scherffig | ... | digital compositor: ARRI VFX |
| Stefan Tischner | ... | compositing/cg supervisor |
| Dominik Trimborn | ... | visual effects supervisor |
| Christian Tröger | ... | conform and finishing artist |
Stunts
| Ahmed Chaer | ... | stunt performer |
Camera and Electrical Department
| Florian Bellack | ... | second assistant camera: ''b'' camera |
| Johnny Feurer | ... | first assistant camera: 'a' camera |
| Nikolaj Georgiew | ... | drone camera operator |
| Markus Kuballa | ... | crane operator / crane tech |
| Martin Rinderknecht | ... | drone operator |
| Fabio Seyding | ... | second assistant camera: ''a'' camera |
| Robert Wedemeyer | ... | key grip |
Casting Department
| Hanna Buchheit | ... | extras casting |
| Johanna Ragwitz | ... | extras casting |
Editorial Department
| Petra Scherer | ... | additional editor |
Location Management
| Alexandre Bloch | ... | location scout |
| Ferdinand Diepenbrock | ... | set runner |
| Florian Kuthe | ... | location manager |
Music Department
| Eva Beck | ... | music supervisor |
| Julius Kalmbacher | ... | composer: additional music |
| Uli Kleppi | ... | music supervisor |
| Stewart Lerman | ... | recording engineer: New York sessions |
Thanks
| Janosch Auth | ... | thanks: AVMS |
| Lutz Beermann | ... | thanks: Purple Phoenix |
| Sabrina Dehoff | ... | thanks |
| Tobias Deissenberger | ... | thanks: Meininghaus Friseure |
| Saskia Dietz | ... | thanks |
| Jürgen Döllner | ... | thanks: German Deep Tech Innovations AG |
| Sara El Raddaf | ... | thanks: La Biosthetique |
| Nicole Freund | ... | thanks |
| Doris Fuldauer | ... | thanks: La Mer |
| Darius Ghanai | ... | thanks: Lichtrausch GmbH |
| Janina Hell | ... | thanks |
| Felicitas Karrer | ... | thanks |
| Claudia Kasper | ... | thanks: Rosenthal |
| Michael Lenz | ... | thanks |
| Heiko Sauer | ... | thanks: Flugplatsgesellschaft Schönhagen |
| Peter Schulze | ... | thanks |
| Kristy Stahlberg | ... | thanks: Fun Factory GmbH |
| Stefan Vochezer | ... | thanks to |
| Benno Von Stein | ... | thanks |
