The intense emergence of films about films that has been happening the last few years in Asian cinema is probably one of the most exciting concepts to be taking place in the region's cinema. Yandy Laurens tries his hand in the (sub) genre, through an approach that provides one of its apogees.
Falling in Love Like in Movies is screening at San Diego Asian Film Festival Spring Showcase
The film shows its colors (pun intended) from the introductory scene. A script writer, Bagus (who is played by Ringgo Agus Rahman) enters the office of his producer, Yoram, who, once more, wants him to adapt another successful TV drama to a movie. Bagus, however, has another concept in his mind, of a black-and-white rom-com which is based on his actual experience, after meeting Hana, his old high school flames, and pursues a romantic relationship with her, even though it has just...
Falling in Love Like in Movies is screening at San Diego Asian Film Festival Spring Showcase
The film shows its colors (pun intended) from the introductory scene. A script writer, Bagus (who is played by Ringgo Agus Rahman) enters the office of his producer, Yoram, who, once more, wants him to adapt another successful TV drama to a movie. Bagus, however, has another concept in his mind, of a black-and-white rom-com which is based on his actual experience, after meeting Hana, his old high school flames, and pursues a romantic relationship with her, even though it has just...
- 4/22/2024
- by Panos Kotzathanasis
- AsianMoviePulse
There is no such thing as a perfect movie.
No matter how integral a certain film may be to the history of cinema, no matter how widely beloved it might be by a mass audience, and no matter how politically and sociologically relevant it may have been to the modern world, there is always an error, a nitpick, an omission, or a production problem that can be included. No work of art is going to be 100% unassailable, largely because a wide swath of humanity will be able to see it, and no two people are going to feel exactly the same way about it.
In modern parlance, the closest critics and audiences may be able to come to a measurable consensus is the approval rating on Rotten Tomatoes. The way Rotten Tomatoes works: professional critics, writing for a broad gallery of approved outlets, submit a review to Rt, selecting it to be "fresh" or "rotten.
No matter how integral a certain film may be to the history of cinema, no matter how widely beloved it might be by a mass audience, and no matter how politically and sociologically relevant it may have been to the modern world, there is always an error, a nitpick, an omission, or a production problem that can be included. No work of art is going to be 100% unassailable, largely because a wide swath of humanity will be able to see it, and no two people are going to feel exactly the same way about it.
In modern parlance, the closest critics and audiences may be able to come to a measurable consensus is the approval rating on Rotten Tomatoes. The way Rotten Tomatoes works: professional critics, writing for a broad gallery of approved outlets, submit a review to Rt, selecting it to be "fresh" or "rotten.
- 3/19/2024
- by Witney Seibold
- Slash Film
By taking the tricks and tropes associated with films about occult goings-on and applies them in the context of a 1970s talk show, Australian writer-directors Cameron and Colin Cairnes have conjured up a horror flick that’s devilishly fun. Late Night with the Devil sets the scene with a montage, authoritatively narrated by Michael Ironside. Day after day, news programs report on the Watergate scandal, the Manson family, and other offenses as if on loop. Perhaps that’s why there’s such an appetite for the likes of Johnny Carson—well-groomed, quick-witted men who who almost nightly offer a sense of order and familiarity to an increasingly anxious populous, a feeling that maybe things will be alright after all.
Jack Delroy (David Dastmalchian) is no Johnny Carson. His quaint Midwestern charms earned his late-night show, Night Owls with Jack Delroy, a respectable following, but it was clear that he would...
Jack Delroy (David Dastmalchian) is no Johnny Carson. His quaint Midwestern charms earned his late-night show, Night Owls with Jack Delroy, a respectable following, but it was clear that he would...
- 3/18/2024
- by Ross McIndoe
- Slant Magazine
In the sprawling universe of zombie cinema, where the undead reign supreme, there’s a horde of underrated zombie movies that, despite their brilliance, have shuffled under the radar, unnoticed by many a horror fan. These are not your run-of-the-mill brain munchers; they are the unsung heroes of the genre, blending traditional horror with innovative storytelling, unique perspectives, and in some cases, a good dose of humor.
For those willing to venture off the beaten path, these films offer fresh takes on the apocalypse, compelling narratives, and unforgettable characters. Let’s unearth these hidden treasures, starting with number ten and working our way to the crown jewel of underrated zombie flicks.
IFC Midnight 10. Wyrmwood: Road of the Dead (2014)
Wyrmwood: Road of the Dead (2014) kicks off our list with a turbo-charged adventure set in the Australian outback. Imagine a world where Mad Max meets Dawn of the Dead—this is Wyrmwood.
For those willing to venture off the beaten path, these films offer fresh takes on the apocalypse, compelling narratives, and unforgettable characters. Let’s unearth these hidden treasures, starting with number ten and working our way to the crown jewel of underrated zombie flicks.
IFC Midnight 10. Wyrmwood: Road of the Dead (2014)
Wyrmwood: Road of the Dead (2014) kicks off our list with a turbo-charged adventure set in the Australian outback. Imagine a world where Mad Max meets Dawn of the Dead—this is Wyrmwood.
- 2/15/2024
- by Jonathan Dehaan
Zombies often take the horror-comedy to a new level. In their shambling quest to mine humor from the most horrific circumstances, zombie comedies invert the apocalyptic nihilism that an outbreak of the undead tends to elicit. They also subvert the expectations of zombie horror, frequently going meta to poke fun at some of the most time honored tropes.
Because it’s Monday, we could all use a laugh or three. So, this week’s streaming picks are dedicated to zombie comedies that aim not for the jugular (or brain) but your funny bone.
These five zombie comedies find unique ways to play with the genre and get silly with it, messing with form and era in the process. Here’s where you can stream them this week.
For more Stay Home, Watch Horror picks, click here.
Dead Heat – The Roku Channel, Tubi
Dead Heat takes the buddy cop formula popularized...
Because it’s Monday, we could all use a laugh or three. So, this week’s streaming picks are dedicated to zombie comedies that aim not for the jugular (or brain) but your funny bone.
These five zombie comedies find unique ways to play with the genre and get silly with it, messing with form and era in the process. Here’s where you can stream them this week.
For more Stay Home, Watch Horror picks, click here.
Dead Heat – The Roku Channel, Tubi
Dead Heat takes the buddy cop formula popularized...
- 2/5/2024
- by Meagan Navarro
- bloody-disgusting.com
On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Can You Spoil Something This Surreal?
Few experiences surpass stumbling onto a jaw-dropping moment in film totally unspoiled. The big twist in “One Cut of the Dead.” The Fern Mayo reveal in “Jawbreaker.” Top to bottom, every second of “Titane.” These are scenes across varying genres and eras that live in my bones as electric moments I didn’t expect to see, but that reminded me why I whole-heartedly love the movies when I did. Hence, this column’s spoiler-free/spoiler-filled bifurcation.
Guy Maddin’s “The Saddest Music in the World” contains one such moment,...
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Can You Spoil Something This Surreal?
Few experiences surpass stumbling onto a jaw-dropping moment in film totally unspoiled. The big twist in “One Cut of the Dead.” The Fern Mayo reveal in “Jawbreaker.” Top to bottom, every second of “Titane.” These are scenes across varying genres and eras that live in my bones as electric moments I didn’t expect to see, but that reminded me why I whole-heartedly love the movies when I did. Hence, this column’s spoiler-free/spoiler-filled bifurcation.
Guy Maddin’s “The Saddest Music in the World” contains one such moment,...
- 11/11/2023
- by Alison Foreman and Christian Zilko
- Indiewire
Stars: Eili Harboe, Dennis Storhoi, Regina Tucker, Vebjorn Enger, Jonis Jesf, Iben Akerlie, Arthur Berning | Written and Directed by Henrik Martin Dahlsbakken
Like many people, you might think you’ve seen everything when it comes to zombie movies. But there’s always somebody with a new idea, a fresh and original take on the horror genre. Films like One Cut of the Dead, Anna and the Apocalypse, and Train to Busan, have all added something new to the zombie movie, and this Norwegian production tries to do the same.
And Project Z is somewhat original. It takes things from various other movies to create something that is quite unique. To start with, this is a found footage movie, and there’s actually not a whole lot of found footage zombie movies. It doesn’t exactly play out like other films in that horror subgenre though, because it’s a movie about people making a movie.
Like many people, you might think you’ve seen everything when it comes to zombie movies. But there’s always somebody with a new idea, a fresh and original take on the horror genre. Films like One Cut of the Dead, Anna and the Apocalypse, and Train to Busan, have all added something new to the zombie movie, and this Norwegian production tries to do the same.
And Project Z is somewhat original. It takes things from various other movies to create something that is quite unique. To start with, this is a found footage movie, and there’s actually not a whole lot of found footage zombie movies. It doesn’t exactly play out like other films in that horror subgenre though, because it’s a movie about people making a movie.
- 11/9/2023
- by Alain Elliott
- Nerdly
Hiroshi Shinagawa, Japanese comedian, director, screenwriter, and one-half of the comedy duo “Shinagawa Shoji,” will direct zombie mockumentary feature Among the Dead, Bloody Disgusting has learned. It’s the first screenplay from the freshly-minted father/daughter duo, Andy Cosby and Charlie Danger, collectively known as Midnight Pizza.
This will also be the first project emanating from the co-production and co-financing venture between US-based People of Culture Studios and Japan’s Yoshimoto Kogyo Co.
Among the Dead is an English-language Paranormal Activity-style found footage zombie movie written by esteemed comic book creator, film producer, and screenwriter Andy Cosby and Charlie Danger Cosby, along with some help from Brian Caldirola, Patrick Hasson and Juan Carlos Saizarbitoria.
“As the rest of the world finds its equilibrium in the aftermath of an undead apocalypse, one emotionally unstable man abandons friends and family to go live among the few remaining zombies before they’re all gone.
This will also be the first project emanating from the co-production and co-financing venture between US-based People of Culture Studios and Japan’s Yoshimoto Kogyo Co.
Among the Dead is an English-language Paranormal Activity-style found footage zombie movie written by esteemed comic book creator, film producer, and screenwriter Andy Cosby and Charlie Danger Cosby, along with some help from Brian Caldirola, Patrick Hasson and Juan Carlos Saizarbitoria.
“As the rest of the world finds its equilibrium in the aftermath of an undead apocalypse, one emotionally unstable man abandons friends and family to go live among the few remaining zombies before they’re all gone.
- 9/19/2023
- by John Squires
- bloody-disgusting.com
Japanese comedian Shinagawa Hiroshi has been set as the director of “Among the Dead,” the first project flowing from the co-production and co-financing venture between U.S.-based People of Culture Studios and Japan’s Yoshimoto Kogyo.
The previously-announced project is an English-language, found footage zombie movie in which, following an apocalypse of the undead, one emotionally unstable man abandons friends and family to go live among the few remaining zombies before they’re all gone.
The screenplay was written by father/daughter duo, Andy Cosby and Charlie Danger Cosby, collectively known as Midnight Pizza. Other writing credits go to Brian Caldirola, Patrick Hasson and Juan Carlos Saizarbitoria.
Shinagawa is one-half of the comedy duo Shinagawa Shoji, alongside Tomoharu Shoji, and has a considerable acting filmography in his own right including “Deadman Inferno,” “One Third,” and “Drop.” Shinagawa additionally served as director, writer, and starred in the 2011 comedy-drama “Slapstick Brothers.
The previously-announced project is an English-language, found footage zombie movie in which, following an apocalypse of the undead, one emotionally unstable man abandons friends and family to go live among the few remaining zombies before they’re all gone.
The screenplay was written by father/daughter duo, Andy Cosby and Charlie Danger Cosby, collectively known as Midnight Pizza. Other writing credits go to Brian Caldirola, Patrick Hasson and Juan Carlos Saizarbitoria.
Shinagawa is one-half of the comedy duo Shinagawa Shoji, alongside Tomoharu Shoji, and has a considerable acting filmography in his own right including “Deadman Inferno,” “One Third,” and “Drop.” Shinagawa additionally served as director, writer, and starred in the 2011 comedy-drama “Slapstick Brothers.
- 9/19/2023
- by Patrick Frater
- Variety Film + TV
Stars: Nilam Farooq, David Kross, Justus von Dohnányi | Written and Directed by Thomas Sieben
I do have a pretty poor reason for wanting to watch Home Sweet Home: Where Evil Lives. At least initially anyway because the reason being is that it holds the same title (Home Sweet Home) as the first book I wrote and released. Obviously, I then had a quick read of the synopsis and discovered that this a film that is shot in one-shot, real-time, and I got even more excited.
It’s not featured a whole lot in the genre but I love films that are shot with one shot. It seems like an incredibly difficult thing to achieve and it always impresses me. The script (and obviously the performances) have to be near perfect. Silent House and the exceptional One Cut of the Dead, have proved that it can absolutely work in horror.
In Home Sweet Home,...
I do have a pretty poor reason for wanting to watch Home Sweet Home: Where Evil Lives. At least initially anyway because the reason being is that it holds the same title (Home Sweet Home) as the first book I wrote and released. Obviously, I then had a quick read of the synopsis and discovered that this a film that is shot in one-shot, real-time, and I got even more excited.
It’s not featured a whole lot in the genre but I love films that are shot with one shot. It seems like an incredibly difficult thing to achieve and it always impresses me. The script (and obviously the performances) have to be near perfect. Silent House and the exceptional One Cut of the Dead, have proved that it can absolutely work in horror.
In Home Sweet Home,...
- 8/28/2023
- by Alain Elliott
- Nerdly
The U.S. premieres of the films Yoko, Ripple, and Tea Friends highlight the seventh Agency for Cultural Affairs, Government of Japan (Aca) Cinema Project, which will spotlight “Emerging Japanese Films” in a series set to run Sept. 26-28 at the Linwood Dunn Theater in Hollywood.
The Aca is sponsoring the series as the cornerstone of its Japan Overseas Expansion Enhancement Project. Visual Industry Promotion Organization (Vipo) serves as the steward for the encore of the screening series.
Launching the Aca Cinema Project on September 26 at 7:00 Pm is the stateside debut of Kazuyoshi Kumakiri’s quirky, character-driven, road trip drama Yoko (2022; Trt: 113 minutes). Yoko represents the longtime professional reunion of director Kumakiri and Oscar-nominated actress Rinko Kikuchi. Yoko marks the 20-year follow-up to their initial collaboration, 2001 Rotterdam International Film Festival Fipresci Prize winner Hole in the Sky.
Set for September 27 is Ripples (2023; Trt: 120 minutes), a...
The Aca is sponsoring the series as the cornerstone of its Japan Overseas Expansion Enhancement Project. Visual Industry Promotion Organization (Vipo) serves as the steward for the encore of the screening series.
Launching the Aca Cinema Project on September 26 at 7:00 Pm is the stateside debut of Kazuyoshi Kumakiri’s quirky, character-driven, road trip drama Yoko (2022; Trt: 113 minutes). Yoko represents the longtime professional reunion of director Kumakiri and Oscar-nominated actress Rinko Kikuchi. Yoko marks the 20-year follow-up to their initial collaboration, 2001 Rotterdam International Film Festival Fipresci Prize winner Hole in the Sky.
Set for September 27 is Ripples (2023; Trt: 120 minutes), a...
- 8/26/2023
- by Bruce Haring
- Deadline Film + TV
It's the most fantastic time of the year once again, when the fans of the creepy, the weird, the fun, and the bizarre gather in Austin Texas to celebrate a whole week of the best genre cinema has to offer during another iteration of Fantastic Fest.
The ongoing double strike of SAG-AFTRA and the WGA, and the studios' stupid refusal to negotiate already, put all the fall film festivals in doubt. Still, the lineup for this year's Fantastic Fest seems to maintain the expected balance of big genre premieres, international titles, small indies, and all-around weird stuff.
Possibly the biggest announcement is the triumphant return of Mike Flanagan to Austin with the first two episodes of his last Netflix show, "The Fall of the House of Usher," which boasts the most impressive cast for a Flanagan joint yet. The last time the filmmaker was at the festival was with...
The ongoing double strike of SAG-AFTRA and the WGA, and the studios' stupid refusal to negotiate already, put all the fall film festivals in doubt. Still, the lineup for this year's Fantastic Fest seems to maintain the expected balance of big genre premieres, international titles, small indies, and all-around weird stuff.
Possibly the biggest announcement is the triumphant return of Mike Flanagan to Austin with the first two episodes of his last Netflix show, "The Fall of the House of Usher," which boasts the most impressive cast for a Flanagan joint yet. The last time the filmmaker was at the festival was with...
- 8/15/2023
- by Rafael Motamayor
- Slash Film
In this time of geekery and craft reigning supreme, film critics and academics no longer reject horror movies with the knee-jerk certainty some once did. But even now the specter of “elevated horror” (see that concept’s lambasting in Matt Bettinelli-Olpin and Tyler Gillett’s “Scream 5”) looms over discussions of artier explorations of dread and terror — Ari Aster’s “Midsommar,” Luca Guadagnino’s “Suspiria,” Rose Glass’ “Saint Maud” — that are clearly distinguished from, well, non-elevated horror. The general gist is that these exceptions to the “horror is bad” rule engage your brain more than just showing brains: eaten by zombies or splattered against the wall.
How can films that fire your adrenal glands, send shivers down your spine, raise goosebumps, and quicken your breath — that inspire such an intense physical reaction — also be cerebral experiences? The answer is obvious enough. Viewers forget all the time that, as Anna Karina...
How can films that fire your adrenal glands, send shivers down your spine, raise goosebumps, and quicken your breath — that inspire such an intense physical reaction — also be cerebral experiences? The answer is obvious enough. Viewers forget all the time that, as Anna Karina...
- 8/10/2023
- by Alison Foreman
- Indiewire
Kazuaki Nagaya has established his talent as an actor with a unique resume, appearing in movies like “One Cut of the Dead” and “Mio on the Shore.” Now, he makes his directorial debut with his feature film, “Mending Cracks,” which he also stars in. It is a movie that is experimental and directed in the fashion of classic mise-en-scène staging. The filmmaking passion is ever so present, though the final product is particularly underwhelming.
Mending Cracks is screening at Skip City International D-Cinema Festival
Mamoru works as a kintsugi craftsman, following in the footsteps of his late father. His younger brother, Miki, pays a visit to partake in the family's year-end house cleaning. In stark contrast to his older sibling, he is completely unmotivated, lazily wasting his time while drowning in despair and envying the success of Mamoru. They harbor ill feelings for each other, and neither can be honest...
Mending Cracks is screening at Skip City International D-Cinema Festival
Mamoru works as a kintsugi craftsman, following in the footsteps of his late father. His younger brother, Miki, pays a visit to partake in the family's year-end house cleaning. In stark contrast to his older sibling, he is completely unmotivated, lazily wasting his time while drowning in despair and envying the success of Mamoru. They harbor ill feelings for each other, and neither can be honest...
- 7/22/2023
- by Sean Barry
- AsianMoviePulse
In theaters today from Kino Lorber is Final Cut, from writer / director Michel Hazanavicius and starring Romain Duris, Bérénice Bejo, Matilda Lutz, Finnegan Oldfield. A remake of Shin’ichirô Ueda’s One Cut of the Dead, the film is a blood-soaked love letter to the filmmaking process that is sure to bring a smile to your face. In our latest Q&a, Michel Hazanavicius talks about the origins of Final Cut, pulling inspiration from past filmmaking experiences, and the challenges of making a bloody zombie film that also has a 35-minute single shot:
How did you first become aware of Shin’ichirō Ueda's One Cut of the Dead and how did Final Cut come about as your latest film?
Michel Hazanavicius: I was working on an animated movie when the pandemic stopped the financing of it. So during the lockdown, I started to write a script for a comedy based on a set,...
How did you first become aware of Shin’ichirō Ueda's One Cut of the Dead and how did Final Cut come about as your latest film?
Michel Hazanavicius: I was working on an animated movie when the pandemic stopped the financing of it. So during the lockdown, I started to write a script for a comedy based on a set,...
- 7/14/2023
- by Jonathan James
- DailyDead
If one must ascribe a theme to the Michel Hazanavicius project, it might be documenting the progression of film history: The Artist the silent era, Redoubtable the new wave, and now Final Cut the dreaded hyper-capitalist streaming era. Considering his 2014 Cannes completion entry and Fred Zinnemann remake The Search, likely one of the most-forgotten works of recent times, seemingly killed all his Hollywood crossover potential in one fell swoop, there’s likely some bitterness about being the rare French Academy Award winner still at the mercy of ever-changing markets.
Having (admittedly) never seen Shin’ichirō Ueda’s One Cut of the Dead I’m unsure to what degree his remake, Final Cut, is riffing or reinventing the basic premise, but it’s not hard to detect some personal angle when a seeming Hazanivicius stand-in, fading French director Remi (Romain Duris), serves as the lead. An opportunity for the helmer comes when...
Having (admittedly) never seen Shin’ichirō Ueda’s One Cut of the Dead I’m unsure to what degree his remake, Final Cut, is riffing or reinventing the basic premise, but it’s not hard to detect some personal angle when a seeming Hazanivicius stand-in, fading French director Remi (Romain Duris), serves as the lead. An opportunity for the helmer comes when...
- 7/14/2023
- by Ethan Vestby
- The Film Stage
The attitudes around remakes ebb and flow depending on what audiences see coming out of Hollywood. Some people love remakes, some people hate them, and some people see them as necessary to fund a more original project. But regardless of where one falls on the scale, remakes have been around for as long as we can remember, and they’re an integral part of the film industry.
Read More: ‘Final Cut’ Trailer: Michel Hazanavicius’ Remake Of ‘One Cut Of The Dead’ Arrives In July
Although the length of time between an original and a remake varies, it seems to be somewhere around six to ten years from the former to the latter which makes Michel Hazanavicius‘ timing for his latest project perfect.
Continue reading ‘Final Cut’ Clip: Michel Hazanavicius Brings His Own Spin To Meta-Comedy [Exclusive] at The Playlist.
Read More: ‘Final Cut’ Trailer: Michel Hazanavicius’ Remake Of ‘One Cut Of The Dead’ Arrives In July
Although the length of time between an original and a remake varies, it seems to be somewhere around six to ten years from the former to the latter which makes Michel Hazanavicius‘ timing for his latest project perfect.
Continue reading ‘Final Cut’ Clip: Michel Hazanavicius Brings His Own Spin To Meta-Comedy [Exclusive] at The Playlist.
- 7/14/2023
- by Jamie Rogers
- The Playlist
Pop quiz: You’re a filmmaker. You’re making a zombie movie. The crew is … let’s be charitable and say “adequate.” The budget is somewhere in the high three-figure range at best. Your main actor is a pompous diva. Even worse, your lead actress isn’t giving you the amount of bone-chilling terror that you require. The climax involves her character killing the hungry corpse — also the man she loved — who’s now trying to eat her flesh. If she can’t sell the sense of sorrow and the scares,...
- 7/14/2023
- by David Fear
- Rollingstone.com
After a rather strange weekend where very little went as planned, we come into the middle of July with what should be a sure thing in… Mr. Tom Cruise! Read on for Gold Derby’s box office preview.
Any question about Cruise’s A-list status was clearly put to rest when 2022’s “Top Gun: Maverick” became the top-grossing movie of the year with nearly $1.5 billion. Now, Cruise is back as Imf agent Ethan Hunt for “Mission: Impossible – Dead Reckoning Part One,” the seventh installment of the hit franchise, once again reuniting him with filmmaker Christopher McQuarrie for their third outing in this action-packed world.
It’s been five years since “Mission: Impossible – Fallout” became the highest-grossing movie in the franchise with $220.2 million domestic, $786.6 million worldwide, after a domestic opening of $61.2 million. That opening was also a franchise high, even if it may seem like small potatoes compared to “Top Gun: Maverick.
Any question about Cruise’s A-list status was clearly put to rest when 2022’s “Top Gun: Maverick” became the top-grossing movie of the year with nearly $1.5 billion. Now, Cruise is back as Imf agent Ethan Hunt for “Mission: Impossible – Dead Reckoning Part One,” the seventh installment of the hit franchise, once again reuniting him with filmmaker Christopher McQuarrie for their third outing in this action-packed world.
It’s been five years since “Mission: Impossible – Fallout” became the highest-grossing movie in the franchise with $220.2 million domestic, $786.6 million worldwide, after a domestic opening of $61.2 million. That opening was also a franchise high, even if it may seem like small potatoes compared to “Top Gun: Maverick.
- 7/12/2023
- by Edward Douglas
- Gold Derby
On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Is This Gift from the Fuck Bombers the Greatest Movie Ever Made?
One dramatic question plays out twice in Sion Sono’s gleeful, blood-soaked, meta-masterpiece “Why Don’t You Play in Hell?” As a ragtag group of amateur filmmakers known as the Fuck Bombers pursues their earnest quest — to achieve all-time cinematic superiority by capturing the real violence of a yakuza war — every slice of skin and splice of footage demands to know: Is this the greatest movie ever made?
In short, not quite.
As a matter of craft, Sono’s...
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Is This Gift from the Fuck Bombers the Greatest Movie Ever Made?
One dramatic question plays out twice in Sion Sono’s gleeful, blood-soaked, meta-masterpiece “Why Don’t You Play in Hell?” As a ragtag group of amateur filmmakers known as the Fuck Bombers pursues their earnest quest — to achieve all-time cinematic superiority by capturing the real violence of a yakuza war — every slice of skin and splice of footage demands to know: Is this the greatest movie ever made?
In short, not quite.
As a matter of craft, Sono’s...
- 7/8/2023
- by Christian Zilko and Alison Foreman
- Indiewire
Killer Collectibles highlights five of the most exciting new horror products announced each and every week, from toys and apparel to artwork, records, and much more.
Here are the coolest horror collectibles unveiled this week!
My Bloody Valentine 4K Uhd from Scream Factory
My Bloody Valentine will be released on 4K Ultra HD + Blu-ray on September 12 via Scream Factory. The uncut version has been newly restored in 4K with Dolby Vision. The three-disc set also includes the theatrical version on Blu-ray.
The 1981 Canadian slasher is directed by George Mihalka and written by John Beaird. Paul Kelman, Lori Hallier, Neil Affleck, Don Francks, Cynthia Dale, Alf Humphreys, Keith Knight, and Patricia Hamilton star.
Special features from the Blu-ray are ported over, including a commentary by Mihalka, a 35th anniversary panel with Mihalka and the cast, seven cast and crew interviews, and more.
Night of the Comet 4K Uhd from Scream Factory...
Here are the coolest horror collectibles unveiled this week!
My Bloody Valentine 4K Uhd from Scream Factory
My Bloody Valentine will be released on 4K Ultra HD + Blu-ray on September 12 via Scream Factory. The uncut version has been newly restored in 4K with Dolby Vision. The three-disc set also includes the theatrical version on Blu-ray.
The 1981 Canadian slasher is directed by George Mihalka and written by John Beaird. Paul Kelman, Lori Hallier, Neil Affleck, Don Francks, Cynthia Dale, Alf Humphreys, Keith Knight, and Patricia Hamilton star.
Special features from the Blu-ray are ported over, including a commentary by Mihalka, a 35th anniversary panel with Mihalka and the cast, seven cast and crew interviews, and more.
Night of the Comet 4K Uhd from Scream Factory...
- 7/7/2023
- by Alex DiVincenzo
- bloody-disgusting.com
Kino Lorber has released the brand new trailer for Final Cut, directed by Academy Award® winner Michel Hazanavicius (The Artist) and starring Romain Duris (L’Auberge Espagnole) and Academy Award® nominee Bérénice Bejo (The Artist).
Final Cut opens exclusively in theaters on Friday, July 14, including the IFC Center in New York and the Laemmle Noho in Los Angeles.
Oscar® winner Michel Hazanavicius’ remake of Shin’ichirô Ueda’s cult hit One Cut of the Dead follows a director charged with making a live, single-take, low-budget zombie flick in which the cast and crew, one by one, actually turn into zombies.
Selected as the Opening Night film of last year’s Cannes Film Festival and featuring hysterically unhinged performances from Oscar® nominee Bérénice Bejo (The Artist), Matilda Anna Ingrid Lutz (Revenge), and Finnegan Oldfield (Corsage), Final Cut is a sly love letter to the art of filmmaking and a blood-soaked, hilarious genre farce with a meta-to-the-max premise.
Final Cut opens exclusively in theaters on Friday, July 14, including the IFC Center in New York and the Laemmle Noho in Los Angeles.
Oscar® winner Michel Hazanavicius’ remake of Shin’ichirô Ueda’s cult hit One Cut of the Dead follows a director charged with making a live, single-take, low-budget zombie flick in which the cast and crew, one by one, actually turn into zombies.
Selected as the Opening Night film of last year’s Cannes Film Festival and featuring hysterically unhinged performances from Oscar® nominee Bérénice Bejo (The Artist), Matilda Anna Ingrid Lutz (Revenge), and Finnegan Oldfield (Corsage), Final Cut is a sly love letter to the art of filmmaking and a blood-soaked, hilarious genre farce with a meta-to-the-max premise.
- 7/2/2023
- by Michelle McCue
- WeAreMovieGeeks.com
Michel Hazanavicius' Final Cut, an equally riotous remake of Shinichiro Ueda’s cult hit One Cut of the Dead, starts an exclusive theatrical release in the U.S. on July 14th. A new trailer was released yesterday. You can catch up with it below, along with the red band teaser. Kino Lorber is pleased to present Final Cut, directed by Academy Award® winner Michel Hazanavicius (The Artist) and starring Romain Duris (L'Auberge Espagnole) and Academy Award® nominee Bérénice Bejo (The Artist). Final Cut opens exclusively in theaters on Friday, July 14, including the IFC Center in New York and the Laemmle Noho in Los Angeles. Oscar® winner Michel Hazanavicius' remake of Shin’ichirô Ueda’s cult hit One Cut of the Dead follows a director (Romain...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 6/30/2023
- Screen Anarchy
After tackling the silent film, the spy genre, and Godard himself, French director Michel Hazanavicius is jumping into the horror genre with Final Cut. Starring Romain Duris, Bérénice Bejo, Matilda Lutz, Finnegan Oldfield, the remake of Shin’ichirô Ueda’s cult hit One Cut of the Dead opened the Cannes Film Festival last year and will now arrive in U.S. theaters this summer courtesy Kino Lorber. Ahead of the July 14 release, a new trailer has now arrived.
The film “follows a director making a live, single-take, low-budget zombie flick in which the cast and crew, one by one, actually turn into zombies. Oscar® winner Michel Hazanavicius (The Artist) milks the film’s hilarious and meta-to-the-max premise for all it’s worth, while also crafting a sly love letter to the art of filmmaking. What’s on screen unfolds in typical cheesy B-movie fashion, while the off-screen hijinks offer a celebration...
The film “follows a director making a live, single-take, low-budget zombie flick in which the cast and crew, one by one, actually turn into zombies. Oscar® winner Michel Hazanavicius (The Artist) milks the film’s hilarious and meta-to-the-max premise for all it’s worth, while also crafting a sly love letter to the art of filmmaking. What’s on screen unfolds in typical cheesy B-movie fashion, while the off-screen hijinks offer a celebration...
- 6/27/2023
- by Jordan Raup
- The Film Stage
AMC Unveils First Sneak Peek Scene From The Walking Dead: Daryl Dixon: "AMC unveiled a sneak peek scene from the The Walking Dead: Daryl Dixon during tonight’s new episode of The Walking Dead: Dead City. The new series in The Walking Dead Universe starring Norman Reedus debuts this fall on AMC and AMC+.
In The Walking Dead: Daryl Dixon, Daryl (Norman Reedus) washes ashore in France and struggles to piece together how he got there and why. The series tracks his journey across a broken but resilient France as he hopes to find a way back home. As he makes the journey, though, the connections he forms along the way complicate his ultimate plan. The series stars Norman Reedus, Clémence Poésy, Adam Nagaitis, Anne Charrier, Eriq Ebouaney, Laika Blanc Francard, Romain Levi and Louis Puech Scigliuzzi and is executive produced by Scott M. Gimple, Showrunner David Zabel,...
In The Walking Dead: Daryl Dixon, Daryl (Norman Reedus) washes ashore in France and struggles to piece together how he got there and why. The series tracks his journey across a broken but resilient France as he hopes to find a way back home. As he makes the journey, though, the connections he forms along the way complicate his ultimate plan. The series stars Norman Reedus, Clémence Poésy, Adam Nagaitis, Anne Charrier, Eriq Ebouaney, Laika Blanc Francard, Romain Levi and Louis Puech Scigliuzzi and is executive produced by Scott M. Gimple, Showrunner David Zabel,...
- 6/27/2023
- by Jonathan James
- DailyDead
Shin’ichirô Ueda’s zombie movie One Cut of the Dead has been remade as Final Cut, a French take on the material that was directed by Academy Award winner Michel Hazanavicius. Kino Lorber is bringing Final Cut to theaters here in the United States on July 14, 2023.
While you wait, watch Kino Lorber’s official trailer below.
Oscar® winner Michel Hazanavicius’ remake of cult hit One Cut of the Dead follows a director charged with making a live, single-take, low-budget zombie flick in which the cast and crew, one by one, actually turn into zombies.
The film is said to feature “hysterically unhinged performances from Oscar® nominee Bérénice Bejo (The Artist), Matilda Lutz (Revenge), and Finnegan Oldfield (Corsage).”
“Final Cut is a sly love letter to the art of filmmaking and a blood-soaked, hilarious genre farce with a meta-to-the-max premise,” Kino Lorber also promises in their press release.
The post ‘Final...
While you wait, watch Kino Lorber’s official trailer below.
Oscar® winner Michel Hazanavicius’ remake of cult hit One Cut of the Dead follows a director charged with making a live, single-take, low-budget zombie flick in which the cast and crew, one by one, actually turn into zombies.
The film is said to feature “hysterically unhinged performances from Oscar® nominee Bérénice Bejo (The Artist), Matilda Lutz (Revenge), and Finnegan Oldfield (Corsage).”
“Final Cut is a sly love letter to the art of filmmaking and a blood-soaked, hilarious genre farce with a meta-to-the-max premise,” Kino Lorber also promises in their press release.
The post ‘Final...
- 6/26/2023
- by John Squires
- bloody-disgusting.com
“One Cut of the Dead” is one of the most inventive and fun horror films to arrive in the past decade. So, you know what has to happen when a horror film earns acclaim and widespread notoriety, especially when it is of Asian origin? That’s right, we get a remake! However, with a filmmaker like Michel Hazanavicius’ directing “Final Cut,” it should be more than just a capable remake of Shin’ichirô Ueda’s “One Cut of the Dead,” right?
Continue reading ‘Final Cut’ Trailer: Michel Hazanavicius’ Remake Of ‘One Cut Of The Dead’ Arrives In July at The Playlist.
Continue reading ‘Final Cut’ Trailer: Michel Hazanavicius’ Remake Of ‘One Cut Of The Dead’ Arrives In July at The Playlist.
- 6/26/2023
- by Charles Barfield
- The Playlist
About three weeks ago, we saw a teaser trailer for Final Cut, the French remake of writer/director Shin’ichirō Ueda’s highly acclaimed Japanese zombie comedy One Cut of the Dead. Final Cut will be receiving a U.S. theatrical release (courtesy of Kino Lorber) on July 14th, so now a full trailer for the film has arrived online – and you can watch it in the embed above!
Known as Coupez! in its home country, this remake of One Cut of the Dead was written and directed by Michel Hazanavicius, the Oscar-winning director of the Best Picture-winning silent film The Artist. (Hazanavicius also received a Best Screenplay nomination for that film.) Starring Romain Duris, Berenice Bejo, Gregory Gadebois, Finnegan Oldfield, Matilda Lutz, Sebastian Chassagne, Raphael Quenard, Jean-Pascal Zadi, Lyes Salem, Simone Hazanavicius, and Luana Bajrami, Final Cut is set against the backdrop of a B-movie shoot that is descending into disaster,...
Known as Coupez! in its home country, this remake of One Cut of the Dead was written and directed by Michel Hazanavicius, the Oscar-winning director of the Best Picture-winning silent film The Artist. (Hazanavicius also received a Best Screenplay nomination for that film.) Starring Romain Duris, Berenice Bejo, Gregory Gadebois, Finnegan Oldfield, Matilda Lutz, Sebastian Chassagne, Raphael Quenard, Jean-Pascal Zadi, Lyes Salem, Simone Hazanavicius, and Luana Bajrami, Final Cut is set against the backdrop of a B-movie shoot that is descending into disaster,...
- 6/26/2023
- by Cody Hamman
- JoBlo.com
"There's a weird vibe on this shoot." Ahahaha this film is so much fun! Kino Lorber has revealed their main official trailer for the US release of Final Cut, the French zombie comedy remake of the Japanese cult hit One Cut of the Dead. This first premiered at the 2022 Cannes Film Festival (here's my review). Academy Award–winning writer-director Michel Hazanavicius brings one of the most innovative, joyful, and funniest love letters to film & filmmaking you'll ever see. It's a French remake of the Japanese box office hit One Cut of The Dead (which is also a must watch), going even deeper with its meta-ness by including the Japanese filmmakers watching them do this. It keeps the heart & humor of the original while delivering some of its own unique comedy as well. Coupez! (as it's originally known in France) stars Romain Duris, Berenice Bejo, Finnegan Oldfield, Matilda Lutz, Grégory Gadebois,...
- 6/26/2023
- by Alex Billington
- firstshowing.net
Welcome to a world of terror, where the dead walk amongst us. All hungering for the taste of human flesh. Yes, we’re talking about none other than the spine-chilling genre of zombie movies!
Whether you’re a die-hard horror enthusiast or simply craving a thrilling movie night, zombie movies captivate audiences.
This best zombie movie compilation is for those who find these extensions of human existence fascinating. It’s time to explore the best that the zombie cinema has to offer. These films take us to a world where survival instincts collide with the relentless undead in blood-soaked streets and post-apocalyptic wastelands.
Why are zombie movies so irresistible?
Perhaps it’s the raw, primal fear they evoke—the fear of our mortality and the lurking presence of the unknown. These films tap into our deepest fears and force us to confront the fragility of life in the face of relentless hordes of brain-craving creatures.
Whether you’re a die-hard horror enthusiast or simply craving a thrilling movie night, zombie movies captivate audiences.
This best zombie movie compilation is for those who find these extensions of human existence fascinating. It’s time to explore the best that the zombie cinema has to offer. These films take us to a world where survival instincts collide with the relentless undead in blood-soaked streets and post-apocalyptic wastelands.
Why are zombie movies so irresistible?
Perhaps it’s the raw, primal fear they evoke—the fear of our mortality and the lurking presence of the unknown. These films tap into our deepest fears and force us to confront the fragility of life in the face of relentless hordes of brain-craving creatures.
- 6/22/2023
- by Dee Gambit
- buddytv.com
Skip City International D-Cinema Festival which started in 2004 in Kawaguchi City, Saitama Prefecture, has been held every year as a “gateway for emerging talent” centered on the International Competition and the Japanese Film Competition (features and shorts). The festival launched the careers of Kazuya Shiraishi (Lesson in Murder), Ryota Nakano (The Asadas), Shinichiro Ueda (One Cut of the Dead), Shinzo Katayama (Missing) and many other directors who are leading the Japanese film industry as top runners and whose new movies audiences are looking forward to seeing.
The 20th edition will be held both at theaters and online as a hybrid festival again.
On Wednesday, June 14th, a press conference was held to announce the full line-up consisting of the titles of the whole line-up. This year, the festival will begin with the world premiere of Confetti, which was produced to commemorate the 20th anniversary of the festival as well as...
The 20th edition will be held both at theaters and online as a hybrid festival again.
On Wednesday, June 14th, a press conference was held to announce the full line-up consisting of the titles of the whole line-up. This year, the festival will begin with the world premiere of Confetti, which was produced to commemorate the 20th anniversary of the festival as well as...
- 6/15/2023
- by Suzie Cho
- AsianMoviePulse
The Skip City International D-Cinema Festival, in Saitama, on the outskirts of Tokyo, will hold its 2023 edition with both in-person and online components, long after Covid, which necessitated such hybrid formats, has retreated.
The festival, which sees itself as a gateway for emerging talent, and has operated since 2004, will hold its physical edition July 15-23 and its online from July 22- 26, organizers said on Wednesday.
This year, the festival will begin with the world premiere of “Confetti,” which was produced to commemorate the 20th anniversary of the festival as well as the 90th anniversary of its Kawaguchi City base.
The ten-title international competition includes: “Banu,” an Azerbaijani film depicting a woman fighting her socially powerful husband over custody of her son; “Eflatun,” a romantic story from Turkey involving a blind woman and a man whose hobby is photography; “ I Woke Up with a Dream,” the latest work from director Pablo Solarz; “Into the Ice,...
The festival, which sees itself as a gateway for emerging talent, and has operated since 2004, will hold its physical edition July 15-23 and its online from July 22- 26, organizers said on Wednesday.
This year, the festival will begin with the world premiere of “Confetti,” which was produced to commemorate the 20th anniversary of the festival as well as the 90th anniversary of its Kawaguchi City base.
The ten-title international competition includes: “Banu,” an Azerbaijani film depicting a woman fighting her socially powerful husband over custody of her son; “Eflatun,” a romantic story from Turkey involving a blind woman and a man whose hobby is photography; “ I Woke Up with a Dream,” the latest work from director Pablo Solarz; “Into the Ice,...
- 6/14/2023
- by Patrick Frater
- Variety Film + TV
"A gory pleasure." Get ready! This is finally hitting US theaters soon! Kino Lorber has debuted a new teaser trailer for the US release of Final Cut, the French zombie comedy remake of the Japanese cult hit One Cut of the Dead. This premiered as the Opening Night film at the 2022 Cannes Film Festival last year after first being set for Sundance before it was pulled. Academy Award–winning writer-director Michel Hazanavicius brings one of the most innovative, joyful, and funniest love letters to film and filmmaking you'll ever see. It's a French remake of the Japanese box office hit One Cut of The Dead, going even deeper with its meta-ness by including the Japanese filmmakers watching them remake the film. It's a great remake, maintaining the heart and humor of the original while delivering some of its own unique comedy as well. Coupez! (as it's known in France) stars Romain Duris,...
- 6/9/2023
- by Alex Billington
- firstshowing.net
Final Cut, the French remake of writer/director Shin’ichirō Ueda’s highly acclaimed Japanese zombie comedy One Cut of the Dead, will be receiving a U.S. theatrical release (courtesy of Kino Lorber) on July 14th. With that date just one month away, a teaser trailer has arrived online, and you can check it out in the embed above!
Known as Coupez! in its home country, this remake of One Cut of the Dead was written and directed by Michel Hazanavicius, the Oscar-winning director of the Best Picture-winning silent film The Artist. (Hazanavicius also received a Best Screenplay nomination for that film.) Starring Romain Duris, Berenice Bejo, Gregory Gadebois, Finnegan Oldfield, Matilda Lutz, Sebastian Chassagne, Raphael Quenard, Jean-Pascal Zadi, Lyes Salem, Simone Hazanavicius, and Luana Bajrami, Final Cut is set against the backdrop of a B-movie shoot that is descending into disaster, Duris plays the director who seems to be...
Known as Coupez! in its home country, this remake of One Cut of the Dead was written and directed by Michel Hazanavicius, the Oscar-winning director of the Best Picture-winning silent film The Artist. (Hazanavicius also received a Best Screenplay nomination for that film.) Starring Romain Duris, Berenice Bejo, Gregory Gadebois, Finnegan Oldfield, Matilda Lutz, Sebastian Chassagne, Raphael Quenard, Jean-Pascal Zadi, Lyes Salem, Simone Hazanavicius, and Luana Bajrami, Final Cut is set against the backdrop of a B-movie shoot that is descending into disaster, Duris plays the director who seems to be...
- 6/8/2023
- by Cody Hamman
- JoBlo.com
Shin’ichirô Ueda’s brilliant zombie movie One Cut of the Dead has been remade as Final Cut, a French take on the material that was directed by Academy Award winner Michel Hazanavicius. Kino Lorber is bringing Final Cut to theaters here in the United States on July 14, 2023, and Bloody Disgusting has been exclusively provided with the official teaser trailer today.
The short-but-sweet Final Cut U.S. teaser trailer delivers a high energy blast of bloody fun, and you can check it out down below while you wait. Expect the full trailer soon.
Final Cut will first have its New York Premiere at the Tribeca Festival on June 9.
Tribeca Festival Screening Schedule:
New York Premiere: Friday, June 9 – 8:45 Pm at AMC 19th Street Second Screening: Saturday, June 10 – 9:15 Pm at AMC 19th Street Third Screening: Thursday, June 15 – 9:30 Pm at AMC 19th Street
Oscar® winner Michel Hazanavicius’ remake of Shin’ichirô...
The short-but-sweet Final Cut U.S. teaser trailer delivers a high energy blast of bloody fun, and you can check it out down below while you wait. Expect the full trailer soon.
Final Cut will first have its New York Premiere at the Tribeca Festival on June 9.
Tribeca Festival Screening Schedule:
New York Premiere: Friday, June 9 – 8:45 Pm at AMC 19th Street Second Screening: Saturday, June 10 – 9:15 Pm at AMC 19th Street Third Screening: Thursday, June 15 – 9:30 Pm at AMC 19th Street
Oscar® winner Michel Hazanavicius’ remake of Shin’ichirô...
- 6/8/2023
- by John Squires
- bloody-disgusting.com
In 2017, Shinichiro Ueda's “One Cut of the Dead” splattered across screens. Earning accolades such as the audience award at both 2018's San Diego Asian Film Festival and Toronto Reel Asian International Film Festival, the movie unmistakably impacted viewers. Due to this popularity, a continuation was produced: “One Cut of the Dead Spin-Off: In Hollywood.” Though Ueda returns as screenwriter, assistant director of the first film, Yuya Nakaizumi, takes the helm as the director.
on Terracotta by clicking on the image below
6 months after her encounter with the hoard of the undead, Chinatsu now works as a waitress in Hollywood. However, her nightmare becomes reality when reanimated corpses overtake the restaurant she waits at. Alongside her boyfriend, Joe, Chinatsu must escape Hollywood and survive once again. Meanwhile, director Higurushi films the chaos that will become his next zombie movie.
Like the original and as the name implies,...
on Terracotta by clicking on the image below
6 months after her encounter with the hoard of the undead, Chinatsu now works as a waitress in Hollywood. However, her nightmare becomes reality when reanimated corpses overtake the restaurant she waits at. Alongside her boyfriend, Joe, Chinatsu must escape Hollywood and survive once again. Meanwhile, director Higurushi films the chaos that will become his next zombie movie.
Like the original and as the name implies,...
- 6/7/2023
- by Panos Kotzathanasis
- AsianMoviePulse
Shin’ichirô Ueda’s brilliant zombie movie One Cut of the Dead has been remade as Final Cut, a French take on the material that was directed by Michel Hazanavicius.
Kino Lorber has announced this afternoon that they’re bringing Final Cut to theaters here in the United States this summer. It’ll be released on July 14, 2023.
Final Cut will first have its New York Premiere at the Tribeca Festival on June 9.
Tribeca Festival Screening Schedule:
New York Premiere: Friday, June 9 – 8:45 Pm at AMC 19th Street Second Screening: Saturday, June 10 – 9:15 Pm at AMC 19th Street Third Screening: Thursday, June 15 – 9:30 Pm at AMC 19th Street
Oscar® winner Michel Hazanavicius’ remake of Shin’ichirô Ueda’s cult hit One Cut of the Dead follows a director charged with making a live, single-take, low-budget zombie flick in which the cast and crew, one by one, actually turn into zombies.
Featuring hysterically...
Kino Lorber has announced this afternoon that they’re bringing Final Cut to theaters here in the United States this summer. It’ll be released on July 14, 2023.
Final Cut will first have its New York Premiere at the Tribeca Festival on June 9.
Tribeca Festival Screening Schedule:
New York Premiere: Friday, June 9 – 8:45 Pm at AMC 19th Street Second Screening: Saturday, June 10 – 9:15 Pm at AMC 19th Street Third Screening: Thursday, June 15 – 9:30 Pm at AMC 19th Street
Oscar® winner Michel Hazanavicius’ remake of Shin’ichirô Ueda’s cult hit One Cut of the Dead follows a director charged with making a live, single-take, low-budget zombie flick in which the cast and crew, one by one, actually turn into zombies.
Featuring hysterically...
- 5/31/2023
- by John Squires
- bloody-disgusting.com
Final Cut, the French remake of writer/director Shin’ichirō Ueda’s highly acclaimed Japanese zombie comedy One Cut of the Dead, made its world premiere as the opening night film at the Cannes Film Festival last May, then received a theatrical release in France in June. One year later, we finally know when Final Cut is going to be released in the U.S. Following screenings at the Tribeca Film Festival in New York next month, the film will be receiving a U.S. theatrical release (courtesy of Kino Lorber) on July 14th.
Known as Coupez! in its home country, this remake of One Cut of the Dead was written and directed by Michel Hazanavicius, the Oscar-winning director of the Best Picture-winning silent film The Artist. (Hazanavicius also received a Best Screenplay nomination for that film.) Starring Romain Duris, Berenice Bejo, Gregory Gadebois, Finnegan Oldfield, Matilda Lutz, Sebastian Chassagne, Raphael Quenard,...
Known as Coupez! in its home country, this remake of One Cut of the Dead was written and directed by Michel Hazanavicius, the Oscar-winning director of the Best Picture-winning silent film The Artist. (Hazanavicius also received a Best Screenplay nomination for that film.) Starring Romain Duris, Berenice Bejo, Gregory Gadebois, Finnegan Oldfield, Matilda Lutz, Sebastian Chassagne, Raphael Quenard,...
- 5/31/2023
- by Cody Hamman
- JoBlo.com
It seems that in their constant search for content, which recently has expanded to Central and South-East Asia, streaming services will occasionally pick films that, normally, would not find a place in their particular programs. Granted, “Aum!” (nothing to do with the Japanese cult btw) has Chicco Jerikho as one of its protagonists, gives an intense “One Cut of the Dead” vibe, and won a couple of awards in the 2021 Jogja-Netpac Asian Film Festival, but is still a rather unusual choice.
Click on the image below to follow our Tribute to Netflix
The movie begins in the most intense fashion, with Satriya, a young man, being chased in an apartment building. His efforts, however, are futile, and soon finds himself arrested by Adam, a military officer, who is soon proved to be his brother. Despite the fact that Satriya is a member of an anarchic group that seeks reform, his...
Click on the image below to follow our Tribute to Netflix
The movie begins in the most intense fashion, with Satriya, a young man, being chased in an apartment building. His efforts, however, are futile, and soon finds himself arrested by Adam, a military officer, who is soon proved to be his brother. Despite the fact that Satriya is a member of an anarchic group that seeks reform, his...
- 5/17/2023
- by Panos Kotzathanasis
- AsianMoviePulse
Universal Pictures will Release Blumhouse’s Five Nights At Freddy’S on Friday, October 27, 2023: "Can you survive five nights?
The terrifying horror game phenomenon becomes a blood-chilling cinematic event, as Blumhouse— the producer of M3GAN, The Black Phone and The Invisible Man—joins forces with legendary game creator Scott Cawthon for Five Nights at Freddy’s.
The film follows a troubled security guard as he begins working at Freddy Fazbear’s Pizza. While spending his first night on the job, he realizes the night shift at Freddy’s won’t be so easy to make it through.
Starring Josh Hutcherson, Matthew Lillard, Elizabeth Lail, Kat Conner Sterling, Piper Rubio and Mary Stuart Masterson. Five Nights at Freddy’s is directed by Emma Tammi and is written by Scott Cawthon, Emma Tammi and Seth Cuddeback.
The film’s iconic animatronic characters will be created by Jim Henson’s Creature Shop.Five Nights...
The terrifying horror game phenomenon becomes a blood-chilling cinematic event, as Blumhouse— the producer of M3GAN, The Black Phone and The Invisible Man—joins forces with legendary game creator Scott Cawthon for Five Nights at Freddy’s.
The film follows a troubled security guard as he begins working at Freddy Fazbear’s Pizza. While spending his first night on the job, he realizes the night shift at Freddy’s won’t be so easy to make it through.
Starring Josh Hutcherson, Matthew Lillard, Elizabeth Lail, Kat Conner Sterling, Piper Rubio and Mary Stuart Masterson. Five Nights at Freddy’s is directed by Emma Tammi and is written by Scott Cawthon, Emma Tammi and Seth Cuddeback.
The film’s iconic animatronic characters will be created by Jim Henson’s Creature Shop.Five Nights...
- 4/7/2023
- by Jonathan James
- DailyDead
Stars: Romain Duris, Beěreěnice Bejo, Grégory Gadebois, Finnegan Oldfield, Matilda Anna Ingrid Lutz, Sébastien Chassagne, Raphaël Quenard, Lyès Salem, Jean-Pascal Zadi | Written and Directed by Michel Hazanavicius
When I first saw One Cut of the Dead, I didn’t think that in a couple of years’ time I would be watching a French remake of it, but here we are with Final Cut.
One Cut of the Dead blew me away when I saw it. Just the perfect original zombie movie, which, while it was well received, I do feel like it should have done even better and got more of a widespread audience. Remaking it such a short time later seems like a strange idea but getting renowned director Michel Hazanavicius (The Artist) definitely got some eyes on the movie that wouldn’t have been on it before it.
For once, I’m glad that I haven’t got...
When I first saw One Cut of the Dead, I didn’t think that in a couple of years’ time I would be watching a French remake of it, but here we are with Final Cut.
One Cut of the Dead blew me away when I saw it. Just the perfect original zombie movie, which, while it was well received, I do feel like it should have done even better and got more of a widespread audience. Remaking it such a short time later seems like a strange idea but getting renowned director Michel Hazanavicius (The Artist) definitely got some eyes on the movie that wouldn’t have been on it before it.
For once, I’m glad that I haven’t got...
- 3/10/2023
- by Alain Elliott
- Nerdly
What if your imaginary friend was a killer from a slasher film? Set in Scotland in 1994, the new comic book series The Nasty answers this compelling question with blood-splattered results as it follows 18-year-old Graeme “Thumper” Connell, who enjoys watching notorious "video nasties" with his friends in The Murder Club, until one night when they come across a cursed videotape that just might bring its cinematic nightmares to lethal life.
With the first issue of The Nasty coming out on April 5th from Vault Comics, we caught up with writer John Lees and artist Adam Cahoon (who contributed art in the first two issues before stepping in as the main illustrator in issue #3) to discuss the making of The Nasty, including exploring how horror can be comforting, taking a subversive approach to the concept of imaginary friends, and creating their own "video nasties" for this series!
Below, you can check...
With the first issue of The Nasty coming out on April 5th from Vault Comics, we caught up with writer John Lees and artist Adam Cahoon (who contributed art in the first two issues before stepping in as the main illustrator in issue #3) to discuss the making of The Nasty, including exploring how horror can be comforting, taking a subversive approach to the concept of imaginary friends, and creating their own "video nasties" for this series!
Below, you can check...
- 3/3/2023
- by Derek Anderson
- DailyDead
Stephen King’s creative output is the stuff of legend. The number of stories that have flowed from that man’s brain, like water from a tap that can’t be shut off, is staggering. They’ve been followed by a similarly jaw-dropping number of film and television adaptations, to the point that some have argued the best of his tales have already been bled dry.
But you only have to crack open one of Stephen King’s short story collections to find many more quality pieces yet to be brought to the big or small screen. The following are four of my personal favorites. They span multiple genres and highlight the versatility of King’s fertile imagination.
If I go to my grave having seen any or all of these given cinematic life in the wake of The Boogeyman finally coming to the screen this year, I’ll be a happy camper…...
But you only have to crack open one of Stephen King’s short story collections to find many more quality pieces yet to be brought to the big or small screen. The following are four of my personal favorites. They span multiple genres and highlight the versatility of King’s fertile imagination.
If I go to my grave having seen any or all of these given cinematic life in the wake of The Boogeyman finally coming to the screen this year, I’ll be a happy camper…...
- 1/30/2023
- by Patrick Brennan
- bloody-disgusting.com
"Werewolf By Night" was a fantastic breath of fresh air for the Marvel Cinematic Universe, featuring a throwback to classic monster movies with some surprisingly gnarly kills and stunning black-and-white cinematography. Now, "Director By Night" is pulling back the curtain to show how the first Marvel Studios Special Presentation was made, and the result is one of the best things Marvel has produced recently. This is an intimate and wonderful documentary that is really more about Michael Giacchino himself and his love of filmmaking than the making of a Marvel film.
Sure, it does show how the special was made, and it is particularly fun to see how they shot the scenes with Ted, aka Man-Thing, with a practical motion-capture-style suit operated by an actor, but it is mostly focused on Giacchino as a filmmaker and his long history of making homemade films. There are many scenes of a young...
Sure, it does show how the special was made, and it is particularly fun to see how they shot the scenes with Ted, aka Man-Thing, with a practical motion-capture-style suit operated by an actor, but it is mostly focused on Giacchino as a filmmaker and his long history of making homemade films. There are many scenes of a young...
- 11/4/2022
- by Rafael Motamayor
- Slash Film
Given its international success and recent Oscar triumph of Ryusuke Hamguchi’s “Drive My Car”, Japanese cinema seems to be not only highly regarded, but also a powerhouse of creativity and artistry. Even before that, Shinichiro Ueda raised quite a few eyebrows with critics and genrefans with his underground hit “One Cut of the Dead”, which also created quite a lot of pressure on the filmmaker and the follow-up to this blend of comedy and zombie-horror. While “Special Actors” could not quite live up to the hype, it nevertheless manifested the reputation of its director as mixing genre elements and a quirky sense of humor with personal drama and observations on Japanese pop culture. In many ways, his new feature “Popran” continues this approach, given its comedy elements also pave the way for a drama about a man who finds back to his roots, and thus back to his beloved manhood.
- 9/11/2022
- by Panos Kotzathanasis
- AsianMoviePulse
"If you meet a vampire, don't breathe." This is the sage advice that Master Kau, the Taoist priest played by Lam Ching-ying, gives to his bumbling apprentices, Man-choi (Ricky Hui) and Chau-sang (Chin Siu-ho), in the 1985 Hong Kong action comedy "Mr. Vampire."
Forget everything you know about bloodsuckers; the undead specimens in "Mr. Vampire" are breath-suckers. They have a very deliberate way of hopping with their arms stretched out in front of them, legs also stiff and straight from rigor mortis. In Chinese, these zombie-like revenants are known as the jiangshi; in Japanese, it's kyonshi, while in English, they're sometimes referred to as "Chinese hopping vampires."
Stirred up by the disinterment of a parent who was buried with bad feng shui, the jiangshi of "Mr. Vampire" are a comedic answer to the unsettled ghosts of subsequent Asian horror films like "Ringu" and "The Eye." They're the reanimated corpses of people...
Forget everything you know about bloodsuckers; the undead specimens in "Mr. Vampire" are breath-suckers. They have a very deliberate way of hopping with their arms stretched out in front of them, legs also stiff and straight from rigor mortis. In Chinese, these zombie-like revenants are known as the jiangshi; in Japanese, it's kyonshi, while in English, they're sometimes referred to as "Chinese hopping vampires."
Stirred up by the disinterment of a parent who was buried with bad feng shui, the jiangshi of "Mr. Vampire" are a comedic answer to the unsettled ghosts of subsequent Asian horror films like "Ringu" and "The Eye." They're the reanimated corpses of people...
- 8/27/2022
- by Joshua Meyer
- Slash Film
Asian Pop-Up Cinema: Season 15 is taking its show on the road to various ethnic communities throughout Chicago and the north suburbs. The in-person festival will present 31 films and opens on September 10 and runs through November 6. Tickets are on sale now at https://buytickets.at/apuc
The festival will highlight the best of Asian animation with a unique lineup of films from Taiwan, China, and South Korea. Programming highlights include films from Japan and special guest appearances from Japan Cinema Showcase host Mark Schilling; this year’s Bright Star Award recipient, Hong Kong actress Jennifer Yu (Pretty Heart); director Yeung Chiu-hoi (The First Girl I Loved); and lead actor Kaki Shum, director Amos Why, and producer Teresa Kwong of Far Far Away.
To enhance the audience’s understanding of the cultural and artistic background of the films, Columbia College Chicago’s Professor Ron Falzone will be leading the post-film discussion...
The festival will highlight the best of Asian animation with a unique lineup of films from Taiwan, China, and South Korea. Programming highlights include films from Japan and special guest appearances from Japan Cinema Showcase host Mark Schilling; this year’s Bright Star Award recipient, Hong Kong actress Jennifer Yu (Pretty Heart); director Yeung Chiu-hoi (The First Girl I Loved); and lead actor Kaki Shum, director Amos Why, and producer Teresa Kwong of Far Far Away.
To enhance the audience’s understanding of the cultural and artistic background of the films, Columbia College Chicago’s Professor Ron Falzone will be leading the post-film discussion...
- 8/26/2022
- by Adam Symchuk
- AsianMoviePulse
Given its international success and recent Oscar triumph of Ryusuke Hamguchi’s “Drive My Car”, Japanese cinema seems to be not only highly regarded, but also a powerhouse of creativity and artistry. Even before that, Shinichiro Ueda raised quite a few eyebrows with critics and genrefans with his underground hit “One Cut of the Dead”, which also created quite a lot of pressure on the filmmaker and the follow-up to this blend of comedy and zombie-horror. While “Special Actors” could not quite live up to the hype, it nevertheless manifested the reputation of its director as mixing genre elements and a quirky sense of humor with personal drama and observations on Japanese pop culture. In many ways, his new feature “Popran” continues this approach, given its comedy elements also pave the way for a drama about a man who finds back to his roots, and thus back to his beloved manhood.
- 5/31/2022
- by Rouven Linnarz
- AsianMoviePulse
The Japanese film industry has long been notoriously insular, a tendency the pandemic only exacerbated. As the Hollywood pipeline shut down in 2020, local audiences flocked to local films. In 2021, “Fast & Furious 9” was the only non-Japanese film to break into the year’s box office top 10, in the number 10 slot; in pre-pandemic 2019, six of the 10 highest-earning films were foreign, all from Hollywood.
Also, Japanese mainstream films, nearly all of which are based on pre-existing domestic properties, be they comics or TV series, rarely recoup any significant part of their budgets abroad. “The Japanese film industry has been self-sustaining and self-sufficient for decades, so selling overseas was never a necessity,” says producer Jason Gray, who together with wife Eiko Mizuno-Gray runs Tokyo-based production company Loaded Films.
The industry is slowly venturing out of its domestic comfort zone, as indicated by the Japanese-helmed titles at Cannes. One is “Broker,” a competition entry by Kore-eda Hirokazu,...
Also, Japanese mainstream films, nearly all of which are based on pre-existing domestic properties, be they comics or TV series, rarely recoup any significant part of their budgets abroad. “The Japanese film industry has been self-sustaining and self-sufficient for decades, so selling overseas was never a necessity,” says producer Jason Gray, who together with wife Eiko Mizuno-Gray runs Tokyo-based production company Loaded Films.
The industry is slowly venturing out of its domestic comfort zone, as indicated by the Japanese-helmed titles at Cannes. One is “Broker,” a competition entry by Kore-eda Hirokazu,...
- 5/20/2022
- by Mark Schilling
- Variety Film + TV
No matter what anyone says, the zombie genre is far from dead. Every couple of years we still get a brilliant new take on the genre that adds something new or at least fun, from "Train to Busan," to "Anna and the Apocalypse," to the incredible love letter to Dyi filmmaking, "One Cut of the Dead."
The micro-budget Japanese horror-comedy was made for 25,000, with a cast of unknown actors and an independent director who had only done one other feature before. Yet the film charmed audiences with its hilarious, gory tale of a group of intrepid filmmakers...
The post Final Cut Review: Boo to Whoever Thought They Could Remake One Cut of the Dead [Cannes] appeared first on /Film.
The micro-budget Japanese horror-comedy was made for 25,000, with a cast of unknown actors and an independent director who had only done one other feature before. Yet the film charmed audiences with its hilarious, gory tale of a group of intrepid filmmakers...
The post Final Cut Review: Boo to Whoever Thought They Could Remake One Cut of the Dead [Cannes] appeared first on /Film.
- 5/18/2022
- by Rafael Motamayor
- Slash Film
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