Marco (2019) Poster

(I) (2019)

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7/10
A study in ambiguity
laduqesa20 October 2021
The meeting and the outcomes here were ambiguous. Marco was happy to have met the rich and good-looking Omar a week before his Home Office interview. What was he angling for? I live in an Arab country and I know that requests and desires are often expressed obliquely. Was he hoping for help, money, influence being used? Whatever it was, Omar wasn't interested and sought to get rid of him by doubling the fee and foregoing the "massage".

Yet Marco left his mark. His soliloquy about his perilous trip and his parents led Omar to re-evaluate his own rocky relationship with his own Mum and Dad.

It was so nice to hear the two boys' Arabic! And the dialect they were speaking too, so different from the one in the country I live in. I needed the (excellent) subtitles nonetheless.

This was a good 23 minutes and I took away good feelings despite the "huluw wa mara" ending.
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7/10
a gentle look at the immigrant & refugee issue
onefineday3618 February 2022
This is a simple story. It's not a big social remark nor a harrowing documentary. But we get to see a slice in the life of an immigrant and a refugee in their own voice.

Why does one choose to leave one's home and seek a life in a different country? The reason and situation would vary - some does well like successful Omar or some have nothing and their future hanging on a thread like 'Marco'. But regardless it's never easy to live as a perpetual stranger; your chosen land would never really be fully your home and the land you left would always draw its shadow over you whether you like it or not.

The short film captures a brief gentle moment of the 2 people letting their guard down, the guard one has to keep up to survive as a stranger. Not ground breaking, but a welcome addition to the whole refugee/immigrant themed films, many of which often sadly misses the right beat and tune. This one gets it right in its small way.

Recommended.
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a night
Kirpianuscus3 September 2020
A very simple story. The admirable performance of Marwan Kaabour. The Syrian crisis in the fair, touching light. And the other as reflection of yourself , surprising, powerful, precise. A great film for its suggestion to see the near reality out of comfortable perspective. Well made, giving the honest message about a necessary clash, home, language and music. About parents, hope and faith. And about identity, the correct one. So, just impressive , first for its well used minimalism and for beautiful construction of dialogue.
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10/10
Longing
istnichtleiwand13 December 2022
Warning: Spoilers
This is a wonderfully written, directed and acted piece that allows us at least briefly to enter the world of these characters. Why does Omar, who is in a position to help Marco and knows the trials that lie ahead of him, not take him in, at least until his Home Office interview is done? Why do we get the feeling that Marco might not accept such an offer? His sense of self-worth, pride?

Marco's love and sense of responsibility for his parents back home is touching. It moves Omar to ponder his own family back in Lebanon and re-establish contact with them.

I was not expecting to be as moved by this piece as I was. It gave me plenty to contemplate, including our role and responsibility as world citizens. When we elect politicians who demonize immigrants and asylum seekers, ignoring their plight, and who start or fan conflicts abroad, we're not getting it.

I hope this work has a wide audience, and that everyone who sees it will be touched by it in some way. There are a few lighter moments, such as when Omar says "If you're going to bring God into it, I need another joint!" And of the two characters, Marco is the more light-hearted, despite the abominable conditions he endured getting to London.

The piece left me with a longing for a sequel and to know how Marco is doing, how his Home Office appointment went. It also leaves me with a desire to learn more about Arabic culture generally, and music in particular. The closing theme in this film is haunting.
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