Directed by
| Doris Dörrie | ||
Writing Credits
| Doris Dörrie | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Carlos Gerstenhauer | ... | commissioning editor: BR |
| Barbara Häbe | ... | commissioning editor: Arte |
| Viola Jäger | ... | producer |
| Monika Lobkowicz | ... | commissioning editor: BR/Arte |
| Anita Schneider | ... | line producer / producer |
| Harald Steinwender | ... | commissioning editor: BR |
| Patrick Zorer | ... | associate producer / line producer |
Music by
| Karsten Fundal | ||
Cinematography by
| Hanno Lentz | ||
Editing by
| Frank J. Müller | ... | (as Frank Müller) |
Casting By
| Nessie Nesslauer | ||
Production Design by
| Tony Crosbie | ||
| Debora Reischmann | ||
Costume Design by
| Tony Crosbie | ||
| Natascha Curtius-Noss | ||
Makeup Department
| Veronika Tober | ... | makeup artist |
Production Management
| Przemek Abraham | ... | unit manager |
| Oliver Pusch | ... | set manager |
| Ruth Stadler | ... | production manager |
Second Unit Director or Assistant Director
| Karl Neubert | ... | first assistant director (as Clarissa K. Neubert) |
| Oliver Pusch | ... | first assistant director |
Art Department
| Brita Hofmann | ... | painter |
| Christiane Musäus | ... | property master: outdoor |
Sound Department
| Philipp Baur | ... | sound post-producer |
| Christian Bischoff | ... | re-recording mixer |
| Christof Ebhardt | ... | supervising sound editor |
| Claudia Enzmann | ... | dialogue editor |
| Pingal Kalita | ... | assistant re-recording mixer |
| Giles Khan | ... | sound mixer |
| Rainer Plabst | ... | sound mixer |
| Laura Plock | ... | foley editor |
| Arkadius Rilka | ... | assistant sound |
| Andreas Schneider | ... | foley artist |
| Michael Stecher | ... | foley recordist |
| Daniel Vogl | ... | head of ARRI Sound |
Special Effects by
| Tobias Kaufmann | ... | special effects technician |
Visual Effects by
| Jürgen Schopper | ... | creative director visual effects |
Stunts
| Mac Steinmeier | ... | stunt coordinator |
Camera and Electrical Department
| Matthias Barth | ... | drone camera operator |
| Michael Beitz | ... | gaffer |
| Doris Dörrie | ... | assistant camera |
| Matthias Gihr | ... | pilot: multicopter |
| Conor Keenan | ... | DIT: Japan / assistant camera: Japan |
| Daniel Schunn | ... | 2nd unit camera / dit |
Casting Department
| Johanna Hellwig | ... | casting children |
Costume and Wardrobe Department
| Azuna Saito | ... | wardrobe |
| Nele Simon | ... | wardrobe |
| Line Weichmann | ... | assistant costume designer |
Editorial Department
| Aaron Kuder | ... | conforming engineer |
| Traudl Nicholson | ... | lead colorist |
| Jakob Seidel | ... | technical supervisor: ARRI Imaging |
| Ion Petru Tanase | ... | on-line editor (as Tanase Ion) |
Music Department
| Thomas Bryla | ... | orchestrator |
| Annette Gentz | ... | composer agent |
Script and Continuity Department
| Sophie Averkamp | ... | continuity |
Transportation Department
| Thomas Bartsch | ... | production driver (as Thomas Rüdinger) |
| Michael Bolland | ... | production driver |
| Leon Hellmann | ... | production driver |
| Hannes Schamberger | ... | production driver |
Additional Crew
| Melanie Burgard | ... | assistant set manager |
| Jessica Moroder | ... | production coordinator |
| Corina Röttger | ... | assistant to producer |
| Paraskewi Trianti | ... | Assistant Creative Affairs Mr. Moszkowicz |
Thanks
| Kirin Kiki | ... | in memory of / thanks |
| Inez Regnier | ... | thanks |
