Samantha Laidlaw.
Streaming service Femflix, which carries features, documentaries, miniseries and short-form content celebrating female-centric storytelling, has launched in Australia and New Zealand.
The brainchild of Samantha Laidlaw, the ad-free service costs $8.99 a month and offers 200 titles, all with at least one female-identifying creative in positions such as director, producer, writer, cinematographer or lead actress.
“Our goal is to shine a spotlight on female filmmakers in Australia, New Zealand and from around the world and to increase availability of female-centric storytelling for audiences,” Laidlaw tells If. “As a woman, it’s important to see yourself reflected on screen and have access to storytelling through a female gaze.
“We’re excited to have the support of a number of well-established distributors like Transmission Films, Bonsai Films and Vendetta Films and are in conversation with other distributors now that we have launched.
“We’ve also partnered with a number of screen industry bodies including Wift Australia,...
Streaming service Femflix, which carries features, documentaries, miniseries and short-form content celebrating female-centric storytelling, has launched in Australia and New Zealand.
The brainchild of Samantha Laidlaw, the ad-free service costs $8.99 a month and offers 200 titles, all with at least one female-identifying creative in positions such as director, producer, writer, cinematographer or lead actress.
“Our goal is to shine a spotlight on female filmmakers in Australia, New Zealand and from around the world and to increase availability of female-centric storytelling for audiences,” Laidlaw tells If. “As a woman, it’s important to see yourself reflected on screen and have access to storytelling through a female gaze.
“We’re excited to have the support of a number of well-established distributors like Transmission Films, Bonsai Films and Vendetta Films and are in conversation with other distributors now that we have launched.
“We’ve also partnered with a number of screen industry bodies including Wift Australia,...
- 10/8/2020
- by The IF Team
- IF.com.au
Six years in the making, the title had been rejected by all Israeli film funds because of its subject matter.
In its annual ceremony last night, the Israeli Film Academy selected Yaron Zilberman’s Incitement as best picture; it will, therefore, be Israel’s candidate for best international feature at the 2020 Oscars.
The film, which premiered at the Toronto Film Festival, depicts the infamous 1995 assassination of Premier Itzhak Rabin, presented through the worldview of his assassin.
Six years in the making, the title had been rejected by all Israeli film funds because of its subject matter and was finally brought...
In its annual ceremony last night, the Israeli Film Academy selected Yaron Zilberman’s Incitement as best picture; it will, therefore, be Israel’s candidate for best international feature at the 2020 Oscars.
The film, which premiered at the Toronto Film Festival, depicts the infamous 1995 assassination of Premier Itzhak Rabin, presented through the worldview of his assassin.
Six years in the making, the title had been rejected by all Israeli film funds because of its subject matter and was finally brought...
- 9/23/2019
- by Edna Fainaru
- ScreenDaily
“Incitement” was the best-picture winner at Israel’s Ophir Awards on Sunday night, automatically becoming the country’s choice to vie for the international feature film Oscar.
The winning film, a drama about the period leading up to the assassination of Israeli Prime Minister Yitzhak Rabin by a Jewish extremist in 1995, had its global premiere at the Toronto International Film Festival earlier this month. The movie was directed by Yaron Zilberman and co-written by Zilberman and Ron Leshem, creator of the original Israeli TV series “Euphoria” and the Oscar-nominated “Beaufort.”
Zilberman’s acceptance speech for the best-picture prize was one of the few overtly political moments of the night, coming days after an inconclusive national election in Israel.
“Rabin was a giant of a man who was murdered because of his struggle to bring peace,” said Zilberman. In a jab at Benjamin Netanyahu, who is fighting to remain prime minister,...
The winning film, a drama about the period leading up to the assassination of Israeli Prime Minister Yitzhak Rabin by a Jewish extremist in 1995, had its global premiere at the Toronto International Film Festival earlier this month. The movie was directed by Yaron Zilberman and co-written by Zilberman and Ron Leshem, creator of the original Israeli TV series “Euphoria” and the Oscar-nominated “Beaufort.”
Zilberman’s acceptance speech for the best-picture prize was one of the few overtly political moments of the night, coming days after an inconclusive national election in Israel.
“Rabin was a giant of a man who was murdered because of his struggle to bring peace,” said Zilberman. In a jab at Benjamin Netanyahu, who is fighting to remain prime minister,...
- 9/22/2019
- by Amy Spiro
- Variety Film + TV
Exclusive: The UK Jewish Film Festival (Nov 6-23) has assembled a strong jury lineup for its 23rd edition including BAFTA chairwoman Jane Lush, Bridget Jones’s Baby scribe Dan Mazer, former Storyville boss Nick Fraser and Three Identical Strangers director Tim Wardle. Scroll down for the full list of jurors.
The festival program will be revealed on September 19 and organizers tell us it will be the biggest to date. The hub of the festival will be in London but there are due to be regional screenings in more than 20 cities in the UK.
Last year the Dorfman Best Film Award went to Wardle’s acclaimed doc Three Identical Strangers. There were special screenings for movies including Foxtrot, Promise At Dawn, Working Woman and Philip Roth adaptation The Human Stain. Guests included Simon Chinn, Mélanie Thierry and David Schneider.
The festival featured 85 films from 16 countries, including 51 UK premieres, at 21 cinemas in London,...
The festival program will be revealed on September 19 and organizers tell us it will be the biggest to date. The hub of the festival will be in London but there are due to be regional screenings in more than 20 cities in the UK.
Last year the Dorfman Best Film Award went to Wardle’s acclaimed doc Three Identical Strangers. There were special screenings for movies including Foxtrot, Promise At Dawn, Working Woman and Philip Roth adaptation The Human Stain. Guests included Simon Chinn, Mélanie Thierry and David Schneider.
The festival featured 85 films from 16 countries, including 51 UK premieres, at 21 cinemas in London,...
- 9/11/2019
- by Andreas Wiseman
- Deadline Film + TV
‘Little Monsters’.
The Melbourne International Film Festival (Miff) has unveiled the first 29 films on its line-up this year, including the world premiere of Good Thing Productions and Passion Pictures’ The Australian Dream which will open the festival August 1.
The documentary, written by Stan Grant and directed by Brit Daniel Gordon, looks at race, identity and belonging from the perspective of former Sydney Swans captain and Indigenous rights activist Adam Goodes, who in 2013 sparked a national conversation about racism after requesting a 13-year-old Collingwood supporter be removed from the ground after calling him an “ape”.
“The Australian Dream is a compelling kickstart both to our festival this year, and to a national conversation,” said Miff artistic director Al Cossar.
‘The Australian Dream’.
“It’s an accomplished piece of documentary filmmaking that tackles broader questions of who we are as a nation, together, in deeply affecting terms. It’s a film for all Australians,...
The Melbourne International Film Festival (Miff) has unveiled the first 29 films on its line-up this year, including the world premiere of Good Thing Productions and Passion Pictures’ The Australian Dream which will open the festival August 1.
The documentary, written by Stan Grant and directed by Brit Daniel Gordon, looks at race, identity and belonging from the perspective of former Sydney Swans captain and Indigenous rights activist Adam Goodes, who in 2013 sparked a national conversation about racism after requesting a 13-year-old Collingwood supporter be removed from the ground after calling him an “ape”.
“The Australian Dream is a compelling kickstart both to our festival this year, and to a national conversation,” said Miff artistic director Al Cossar.
‘The Australian Dream’.
“It’s an accomplished piece of documentary filmmaking that tackles broader questions of who we are as a nation, together, in deeply affecting terms. It’s a film for all Australians,...
- 5/29/2019
- by jkeast
- IF.com.au
A Jerusalem woman’s business career is ruined by her boss’ aggressive sexual behavior in this powerful Israeli drama.
The person who believes there’s never any excuse for putting up with the boss’s sexual harassment has probably never experienced any, let alone risked losing a position or needed salary if they complain.
Most women — and people in general — don’t have any choice but to put up with “a certain amount” of crap to get ahead at all and often is a real career advancement choice.
That’s the fix the heroine of Working Woman finds herself in: She’s wedged between the need for a job that greatly improves her young family’s prospects and the increasingly discomfiting behavior of her superior.
This second narrative feature by Israeli documentarian Michal Aviad is a strong drama that eschews melodramatic contrivance, making its points via cool (yet sometimes squirm-inducing) observation.
The person who believes there’s never any excuse for putting up with the boss’s sexual harassment has probably never experienced any, let alone risked losing a position or needed salary if they complain.
Most women — and people in general — don’t have any choice but to put up with “a certain amount” of crap to get ahead at all and often is a real career advancement choice.
That’s the fix the heroine of Working Woman finds herself in: She’s wedged between the need for a job that greatly improves her young family’s prospects and the increasingly discomfiting behavior of her superior.
This second narrative feature by Israeli documentarian Michal Aviad is a strong drama that eschews melodramatic contrivance, making its points via cool (yet sometimes squirm-inducing) observation.
- 4/16/2019
- by Sydney Levine
- Sydney's Buzz
Key territories sold for agent M-Appeal.
Hella Joof’s Happy Ending, the Danish comedy described as the ‘Nordic Best Exotic Marigold Hotel’, has racked up further territory deals following its local release in Denmark and Norway.
German sales outfit M-Appeal has licensed the film to Palace Films for Australia, Camino Film for Germany and Austria, and Ads Service for Hungary. HBO Europe has bought pay-tv rights for 14 countries in Central, Eastern and South Eastern Europe.
The film follows a woman who has been waiting for her workaholic husband to retire so they can enjoy the autumn of their lives together travelling the world.
Hella Joof’s Happy Ending, the Danish comedy described as the ‘Nordic Best Exotic Marigold Hotel’, has racked up further territory deals following its local release in Denmark and Norway.
German sales outfit M-Appeal has licensed the film to Palace Films for Australia, Camino Film for Germany and Austria, and Ads Service for Hungary. HBO Europe has bought pay-tv rights for 14 countries in Central, Eastern and South Eastern Europe.
The film follows a woman who has been waiting for her workaholic husband to retire so they can enjoy the autumn of their lives together travelling the world.
- 4/8/2019
- by Geoffrey Macnab
- ScreenDaily
Key territories sold for agent M-Appeal.
Hella Joof’s Happy Ending, the Danish comedy described as the ‘Nordic Best Exotic Marigold Hotel’, has racked up further territory deals following its local release in Denmark and Norway.
German sales outfit M-Appeal has licensed the film to Palace Films for Australia, Camino Film for Germany and Austria, and Ads Service for Hungary. HBO Europe has bought pay-tv rights for 14 countries in Central, Eastern and South Eastern Europe.
The film follows a woman who has been waiting for her workaholic husband to retire so they can enjoy the autumn of their lives together travelling the world.
Hella Joof’s Happy Ending, the Danish comedy described as the ‘Nordic Best Exotic Marigold Hotel’, has racked up further territory deals following its local release in Denmark and Norway.
German sales outfit M-Appeal has licensed the film to Palace Films for Australia, Camino Film for Germany and Austria, and Ads Service for Hungary. HBO Europe has bought pay-tv rights for 14 countries in Central, Eastern and South Eastern Europe.
The film follows a woman who has been waiting for her workaholic husband to retire so they can enjoy the autumn of their lives together travelling the world.
- 4/8/2019
- by Geoffrey Macnab
- ScreenDaily
Michal Aviad on Glenn Close and Michael Douglas in Adrian Lyne's Fatal Attraction and Demi Moore and Douglas in Barry Levinson's Disclosure: "Before writing and while writing and researching I looked for films that deal with sexual harassment." Photo: Anne-Katrin Titze
Michal Aviad's Working Woman, co-written with Sharon Azulay Eyal and Michal Vinik, shot by Daniel Miller, stars Liron Ben-Shlush (Asaf Korman's Next to Her), Menashe Noy (Ronit Elkabetz and Shlomi Elkabetz' Gett: The Trial of Viviane Amsalem), and Oshri Cohen with Irit Sheleg (Rama Burshtein's Fill The Void), and is produced by Amir Harel (Eytan Fox's Walk On Water which starred Lior Ashkenazi) and Ayelet Kait.
Michal Aviad on Liron Ben-Shlush as Orna in Working Woman: "I want to know how does it feel to be inside the female protagonist and try to look at it from her point of view.
Michal Aviad's Working Woman, co-written with Sharon Azulay Eyal and Michal Vinik, shot by Daniel Miller, stars Liron Ben-Shlush (Asaf Korman's Next to Her), Menashe Noy (Ronit Elkabetz and Shlomi Elkabetz' Gett: The Trial of Viviane Amsalem), and Oshri Cohen with Irit Sheleg (Rama Burshtein's Fill The Void), and is produced by Amir Harel (Eytan Fox's Walk On Water which starred Lior Ashkenazi) and Ayelet Kait.
Michal Aviad on Liron Ben-Shlush as Orna in Working Woman: "I want to know how does it feel to be inside the female protagonist and try to look at it from her point of view.
- 4/2/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Veteran Actor Elizabeth McGovern steps out with her first producing gig in The Chaperone. The title is also the first narrative release for PBS Distribution, which had a who’s who screening earlier this week at MoMA in New York, hosted by publicity maven Peggy Siegal. McGovern stars opposite Haley Lu Richardson in the period drama, directed by Downton Abbey director, Michael Engler. It is a packed weekend of Specialty releases. Writer-director Kent Jones heads out with Diane, starring Mary Kay Place via IFC Films. Sundance debut doc The Brink opens via Magnolia Pictures, which financed the intimate feature profiling infamous right-winter Steve Bannon. Also opening is Israeli drama Working Woman from Zeitgeist Films in association with Kino Lorber. Greenwich Entertainment is maximizing the opening of the baseball season with doc Screwball. American Relapse is a self-distributed non-fiction title which captures 72 hours of two ex-addicts diving in to help others on the streets.
- 3/29/2019
- by Brian Brooks
- Deadline Film + TV
As a film critic and as a maker of documentaries about filmmakers, Kent Jones has steeped himself in the best of world cinema and remained engaged with it for years, and so the surprise of his first narrative feature as a writer-director, “Diane,” is that there is barely a trace of influence from other films or other directors.
“Diane” is a character study about an older woman played by Mary Kay Place, and it is an unusual, elusive, windblown sort of movie, always twisting and turning and moving in different directions. Whenever “Diane” seems to settle down for a moment to let us comprehend something about the lives of its characters, it jumps ahead or sideways or away from us; as in life, our understanding of what is happening and what it means keeps shifting. The tone here is elevated and a bit difficult sometimes, but the end point of all this difficulty is transcendent,...
“Diane” is a character study about an older woman played by Mary Kay Place, and it is an unusual, elusive, windblown sort of movie, always twisting and turning and moving in different directions. Whenever “Diane” seems to settle down for a moment to let us comprehend something about the lives of its characters, it jumps ahead or sideways or away from us; as in life, our understanding of what is happening and what it means keeps shifting. The tone here is elevated and a bit difficult sometimes, but the end point of all this difficulty is transcendent,...
- 3/27/2019
- by Dan Callahan
- The Wrap
Israeli director Michal Aviad was inspired to make “Working Woman” after watching a range of films about sexual harassment in the workplace. Much to her surprise — and dismay — she discovered that most of them dismissed, demeaned, or even demonized the victims.
Aviad’s thoughtful response is a film that feels very contemporary, but will also resonate with generations of viewers who recognize the many small moments that lead up to and follow its quietly wrenching central experience.
The film opens as a smiling Orna (Liron Ben Shlush) leaves her first job interview in years. She’s the harried mother of three children, and her husband, Ofer (Oshri Cohen), has recently opened a small and still-struggling restaurant in Tel Aviv. Ofer is skeptical of the time his newly-employed wife will be spending away from home, but she’s approaching her return to the workplace with a mixture of practicality and excitement.
Aviad’s thoughtful response is a film that feels very contemporary, but will also resonate with generations of viewers who recognize the many small moments that lead up to and follow its quietly wrenching central experience.
The film opens as a smiling Orna (Liron Ben Shlush) leaves her first job interview in years. She’s the harried mother of three children, and her husband, Ofer (Oshri Cohen), has recently opened a small and still-struggling restaurant in Tel Aviv. Ofer is skeptical of the time his newly-employed wife will be spending away from home, but she’s approaching her return to the workplace with a mixture of practicality and excitement.
- 3/26/2019
- by Elizabeth Weitzman
- The Wrap
Rungano Nyoni’s UK foreign-language Oscar submission I Am Not A Witch, Pawel Pawlikowski’s Oscar-nominated Poland-set drama Cold War, and Hirokazu Kore-eda’s Japanese Cannes Palme d’Or winner Shoplifters will screen in the Panama International Film Festival’s International Portal strand next month.
Rungano Nyoni’s UK foreign-language Oscar submission I Am Not A Witch, Pawel Pawlikowski’s Oscar-nominated Poland-set drama Cold War, and Hirokazu Kore-eda’s Japanese Cannes Palme d’Or winner Shoplifters will screen in the Panama International Film Festival’s International Portal strand next month.
The programme also features Nadine Labaki’s Oscar-nominated Lebanese drama Capernaum,...
Rungano Nyoni’s UK foreign-language Oscar submission I Am Not A Witch, Pawel Pawlikowski’s Oscar-nominated Poland-set drama Cold War, and Hirokazu Kore-eda’s Japanese Cannes Palme d’Or winner Shoplifters will screen in the Panama International Film Festival’s International Portal strand next month.
The programme also features Nadine Labaki’s Oscar-nominated Lebanese drama Capernaum,...
- 3/13/2019
- by Jeremy Kay
- ScreenDaily
It’s a question integral to much of the current international immigration debate: When war breaks out, who gets to flee and who’s left with nowhere to run? As a child, writer-director Aalam-Warqe Davidian was among a majority of Ethiopian Jews who emigrated to Israel. In her loosely autobiographical feature debut, a teenager facing similar circumstances — an escape to safety amid the nation’s civl war — becomes frantic with worry over loved ones who may not have the option of flight.
Like the deceptive calm before a gathering storm, and with elements of lyricism and typical adolescent coming-of-age intrigue, “Fig Tree” is a fine drama whose seemingly casual progress only heightens its ultimate impact. The universal appeal of this Israeli and European co-production figures to earn it the kind of arthouse exposure too seldom enjoyed by African features.
Judaism has existed in what is now Ethiopia perhaps as far back as the fourth century,...
Like the deceptive calm before a gathering storm, and with elements of lyricism and typical adolescent coming-of-age intrigue, “Fig Tree” is a fine drama whose seemingly casual progress only heightens its ultimate impact. The universal appeal of this Israeli and European co-production figures to earn it the kind of arthouse exposure too seldom enjoyed by African features.
Judaism has existed in what is now Ethiopia perhaps as far back as the fourth century,...
- 1/18/2019
- by Dennis Harvey
- Variety Film + TV
Berlin-based M-Appeal has closed a flurry of deals across its slate, including Ash Mayfair’s “The Third Wife” and Michal Aviad’s “Working Woman,” which were launched at Toronto.
“The Third Wife” sold to Potential Films for Australia/New Zealand and Crest International for Japan. Potential Films is planning a theatrical release next summer, while Crest International plans a rollout next fall.
The movie, which had its world premiere in Toronto’s Discovery section, is set in 19th-century rural Vietnam and follows 14-year-old May, who becomes the third wife of wealthy landowner Hung. May soon learns that she can only gain status by asserting herself as a woman who can give birth to a male child.
M-Appeal previously sold “The Third Wife” to North America, the U.K., Ireland, Taiwan, Singapore, Mexico, South Korea, Hong Kong and Spain.
“I was truly impressed by the beauty of the picture, by its authenticity and,...
“The Third Wife” sold to Potential Films for Australia/New Zealand and Crest International for Japan. Potential Films is planning a theatrical release next summer, while Crest International plans a rollout next fall.
The movie, which had its world premiere in Toronto’s Discovery section, is set in 19th-century rural Vietnam and follows 14-year-old May, who becomes the third wife of wealthy landowner Hung. May soon learns that she can only gain status by asserting herself as a woman who can give birth to a male child.
M-Appeal previously sold “The Third Wife” to North America, the U.K., Ireland, Taiwan, Singapore, Mexico, South Korea, Hong Kong and Spain.
“I was truly impressed by the beauty of the picture, by its authenticity and,...
- 12/20/2018
- by Elsa Keslassy
- Variety Film + TV
France, Benelux swoop on Working Woman, while The Third Wife goes to UK/Ireland, Hong Kong and Singapore.
Berlin-based sales outfit M-Appeal is continuing to rack up sales on two titles that are screening here in Busan – Israeli filmmaker Michal Aviad’s Working Woman, which is playing in Flash Forward, and Ash Mayfair’s debut feature, The Third Wife, screening in A Window On Asian Cinema.
Working Woman, which tells the story of a working mother having to cope with an abusive new boss, has been sold to France (Kmbo) and Benelux (Arti). Warmly received at Toronto International Film Festival following its premiere in Jerusalem,...
Berlin-based sales outfit M-Appeal is continuing to rack up sales on two titles that are screening here in Busan – Israeli filmmaker Michal Aviad’s Working Woman, which is playing in Flash Forward, and Ash Mayfair’s debut feature, The Third Wife, screening in A Window On Asian Cinema.
Working Woman, which tells the story of a working mother having to cope with an abusive new boss, has been sold to France (Kmbo) and Benelux (Arti). Warmly received at Toronto International Film Festival following its premiere in Jerusalem,...
- 10/6/2018
- by Geoffrey Macnab
- ScreenDaily
A typical skeptic’s response to the #MeToo movement has been “Well, why didn’t she just get another job? Why would anyone keep working with a boss who behaves inappropriately?” This argument tends to overlook the fact that many women — and people in general — don’t have infinite employment options, bridge-burning may be seriously detrimental to their careers and many have to put up with “a certain amount” of crap to get ahead at all. The person who believes there’s never any excuse for putting up with harassment has probably never experienced any, let alone risked losing an advantageous position or salary if they complain.
That’s the fix the heroine of “Working Woman” finds herself in: She’s wedged between need for a job that greatly improves her young family’s prospects and the increasingly discomfiting behavior of her superior. This second narrative feature by Israeli documentarian...
That’s the fix the heroine of “Working Woman” finds herself in: She’s wedged between need for a job that greatly improves her young family’s prospects and the increasingly discomfiting behavior of her superior. This second narrative feature by Israeli documentarian...
- 10/4/2018
- by Dennis Harvey
- Variety Film + TV
Aäläm-Wärqe Davidian’s The Fig Tree won the Audentia Award for best film by a female director at the Toronto International Film Festival, taking home a 30,000 Euro grant. The Fig Tree produced by Naomi Levari and Saar Yogev from Black Sheep Film Productions is Davidian’s feature debut. It defeated 12 other films and also debuted at the festival as part of the Discovery Section.
Davidian, who immigrated to Israel from Ethiopia at the age of 11, filmed the movie in her hometown, Addis Ababa, in Amharic, with a team of local actors. It takes place at the end of the 1980s and the early 1990s and tells of Mina, a young woman who is friends with Ali and meets with him under the fig tree.
Israeli director Guy Nattiv won the Fipresci Jury Award for Special Presentations for his first American film called Skin. Nattiv’s film, who lives in the U.
Davidian, who immigrated to Israel from Ethiopia at the age of 11, filmed the movie in her hometown, Addis Ababa, in Amharic, with a team of local actors. It takes place at the end of the 1980s and the early 1990s and tells of Mina, a young woman who is friends with Ali and meets with him under the fig tree.
Israeli director Guy Nattiv won the Fipresci Jury Award for Special Presentations for his first American film called Skin. Nattiv’s film, who lives in the U.
- 9/17/2018
- by Sydney Levine
- Sydney's Buzz
Zeitgeist Films in association with Kino Lorber has acquired all North American rights to Israel director Michal Aviad’s timely Contemporary World Cinema selection Working Woman ahead of its anticipated international premiere in Toronto.
m-appeal handles international sales on the drama, which premiered at Jerusalem Film Festival and centres on Orna, an industrious, talented and ambitious woman who faces sexual harassment in the workplace.
Promoted by a boss who makes inappropriate advances, and married to a struggling restaurateur, Orna becomes the breadwinner for their three children and must find the strength to fight for her self-worth.
m-appeal handles international sales on the drama, which premiered at Jerusalem Film Festival and centres on Orna, an industrious, talented and ambitious woman who faces sexual harassment in the workplace.
Promoted by a boss who makes inappropriate advances, and married to a struggling restaurateur, Orna becomes the breadwinner for their three children and must find the strength to fight for her self-worth.
- 9/5/2018
- by Jeremy Kay
- ScreenDaily
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