Memoirs of a Geisha is certainly a gorgeous film to behold, and it deserves all of the awards it earned for those feats. There were scenes I found I wanted to freeze and hang on my wall. Unfortunately, the actual film isn't as rich as its imagery. It's entertaining, to be sure. But without the rich details the book provided, the whole thing seems somewhat frivolous. It almost plays like a particularly exotic nighttime soap.
I do not fully understand the hubbub over the casting myself. The film certainly does not feel authentically Japanese and in fact, there are many scenes and touches that can almost be considered anachronistic. But I felt that in itself didn't detract from the film. As an American film-goer, I am quite used to people of different races playing people they are clearly not. I have witnessed too many bad accents to count, so I was not distracted by the un-Japanese-ness of it all. I am, however, not Japanese.
That said, I think everyone does a fine job of bringing the characters to life, and I think specific mention should be given to Youki Kudoh in the thankless roll of Pumpkin. What keeps the film from being truly great is a distinct lack of grit and toughness. The film never really gives the impression that being a Geisha was all that bad. Whenever our heroine, Sayuri, runs up against what must be some of the considerable cons of the business, even she seems surprised. "You mean there's a downside to this whole quasi-prostitute thing?" The cleaned up Hollywood ending wants us to believe things are left bittersweet, but it really comes off just sweet. Like Pretty Woman in a kimono. The book had a melancholy grace that the film just lacks. Worth a rent if you've read the book, but if the movie hasn't yet piqued your interest, don't give it a second thought. You're not missing all that much.
I do not fully understand the hubbub over the casting myself. The film certainly does not feel authentically Japanese and in fact, there are many scenes and touches that can almost be considered anachronistic. But I felt that in itself didn't detract from the film. As an American film-goer, I am quite used to people of different races playing people they are clearly not. I have witnessed too many bad accents to count, so I was not distracted by the un-Japanese-ness of it all. I am, however, not Japanese.
That said, I think everyone does a fine job of bringing the characters to life, and I think specific mention should be given to Youki Kudoh in the thankless roll of Pumpkin. What keeps the film from being truly great is a distinct lack of grit and toughness. The film never really gives the impression that being a Geisha was all that bad. Whenever our heroine, Sayuri, runs up against what must be some of the considerable cons of the business, even she seems surprised. "You mean there's a downside to this whole quasi-prostitute thing?" The cleaned up Hollywood ending wants us to believe things are left bittersweet, but it really comes off just sweet. Like Pretty Woman in a kimono. The book had a melancholy grace that the film just lacks. Worth a rent if you've read the book, but if the movie hasn't yet piqued your interest, don't give it a second thought. You're not missing all that much.
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