Reviews

This cartoon is noted as the first appearance of Porky Pig, but he definitely wasn't the star. The setting is a school's student recital, and he gives a painfully stuttered rendition of Longfellow's "The Midnight Ride of Paul Revere", which abruptly mashes into Tennyson's "Charge of the Light Brigade". It's not an auspicious start for Porky, who gets booed off the stage. It's significant to note that Mel Blanc did not start voicing him until two years later, in 1937's "Porky's Duck Hunt", taking over from Joe Dougherty.

The stars turn out to be the twin pups Ham and Ex, who sing a creditable rendition of the title song and, in fact, end up with the only successful act of the recital. This is an example of Warner Brothers desperately in search of a strong character to put up against the likes of Mickey Mouse and Oswald Rabbit, and despite starring roles for members of the entire cast, only Porky showed enough staying power, even more so than Bugs Bunny, who didn't appear in his familiar form until 1940. (Versions of Bugs appeared as early as 1938, but are hardly recognizable as the same character. Porky maintained his basic personality, even though he starts out here as a child and becomes an adult in his next outing, Tex Avery's 1936 cartoon "Gold Diggers of '49", in which the rotund one offers to marry off his daughter to Beans.)

Jerry Beck's commentary for "I Haven't Got A Hat" is in volume 3 of the Looney Tunes Golden Collection DVD set.

This cartoon shows that Friz Freling was ahead of his time - a recycler before anybody know the word. Nearly every gag in this cartoon is recycled from other cartoons, such as Ballot Box Bunny (the bomb gag). Freling was seldom an innovator, though he was competent. I've never been able to tell whether his tendency to re-use gags in cartoons was economy or laziness. The tendency outlived his time at Warner's, with material returning even in his DePatie-Freling days. That feeling of deja vu you might have gotten watching a Pink Panther cartoon was very real. He also never seemed to have gotten himself out of the 1920's, but when this cartoon was made, he could still expect some of the audience to have actually seen a vaudeville-type show.

People who look at William Hanna & Joseph Barbera's body of work with a dispassionate eye will quickly notice that they had a penchant for recycling old story lines (they weren't the only ones - Friz Freling at Warner Brothers regularly reused gags, but seldom complete stories). With slight variations as to the devices, "Fit To Be Tied" is nearly identical to 1944's "The Bodyguard". The similarities are such that if another studio had produced "Fit" they could have been sued for plagiarism. I guess with hundreds of cartoons to their credit, originality can't be expected every time, but `Fit' appeared long before the general decline of the quality of cartoon storywriting in the ‘60's, so it could have been closer to the norm in 1952.