Reviews

I had the opportunity to view this film at the Sundance Film Festival. It is a touching story of family ties, those that have been broken and attempts to bind them together again. This movie handles family conflict in an honest and realistic manner. Beyond the family struggles lies the tension of modern ways clashing with the strong cultural traditions of the South Pacific islanders. The film looks at how an indigenous group of people debate the mores of their ancestors. We are reminded that what binds us together is more than just rituals and customs. This film has a solid foundation in its direction. It reflects the quality of film making we are becoming accustomed to from New Zealand ala Whale Rider. The acting is from the heart, you will believe this ensemble is actually a family. It is beautifully shot and takes advantage of the characters' energy and emotion rather than relying on the natural beauty of the land. It is not to be missed.

I just returned from the Sundance film Festival where I saw Shake Hands with the Devil. This documentary must be seen for many reasons. It is a history lesson for those who missed the tragedy of the Rowandan genocide. It asks the question: why do we value one human life above another? It tells the story of the courage and conviction of Romeo Dallaire; qualities he possesses to an extent that surpasses what most of us can only imagine. After the screening I attended, the audience was left speechless and was slow to applaud. We all sat in our seats numbed by what we just seen - that human life can have no value on a world wide basis. Please see this outstanding documentary.

The plot is modest, however the action is superb. Slow in some parts. Excellent Taekwon-Do techniques by masters of the art. A "must See" for those interested in the real thing. Refreshing to see a movie that is "real"; real twins, real jumping kicks, real martial artists.

I saw this movie in the 70's as part of my French class field trip and "cultural experience". It was hilarious, I laughed until I cried. I've remembered it all these years and would love to see it again. I recommend it as Pierre Richard makes excellent use of props, especially chairs, to put the audience into hysterics.