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The Killer (2023)
4/10
The film totally fails
11 November 2023
I can't believe this drag of a film has such a high average score. This is one of the worst films I've ever seen. From the relentless and energy zapping, slightly delivered narration from Fassbender, which adds nothing to the story, or the understanding, or appreciation or enjoyment of the film whatsoever, to the perplexity of the basic story. He starts off, trying to tell us how he's such an emotional as killer, and yet the entire film is a revenge story about him and his girl. For whom he has very deep feelings.

We are tortured with his musical choice, which is nothing but the Smiths or Morrissey. Why on earth? Is that meant to show that he's not your average cold-blooded killer? Are we supposed to like him for this? Is there anything to like about him?

The longest dumbest fight scene I've ever witnessed. Endless over the top bone crunching blows, where every other one you tell yourself that this means he's toast. But it just continues artlessly with no possibility to exhibit fighting virtuosity as it's too dark when the attack takes place at night. So many times one of them receives a cliché, groping and manages to pick up some object and then smash it over the other guys head. Each of them does that at least five or six times, right? Could any human being withstand this amount of punishment? Of course not. It's just ridiculous.

Perhaps this film is a satire... Otherwise, I don't know how it makes any sense. And none of the costars are worth anything, none of them are interesting. Nor is the nail gun thing. Like that hasn't been used before? Many times? So why?

When we finally get to Tilda Swinton, even she can't make us feel glad with persisted through this mess.

I kept asking myself as I watch this drudgery at what point did the actors realize while they were filming this that this was a dog, and how that was going to feel when they had to begin the marketing gig.

Hopefully they can laugh it off as another proof that nobody's perfect.
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Alice (2022)
10/10
As long as racism is alive and well in USA
15 October 2023
When the USA is still criminally racist, people like Roger Ebert can shove it. It doesn't matter how fine a film this is from the point of view of a slick white world. The message, Mr Ebert, is "sadly" still relevant. Black people are still slaves to a white America. Much of that slavery is shared by their white neighbors, who are also slaves to those ultimately in power. But they have some privileges their black neighbors don't have, like a legal system built to their advantage. The GOP is now trying to roll back hard won progress in America across many fronts, from environmental protections to worker's rights to human rights. So films like this are extremely important, because after over 100 years of emancipation, far too many white Americans still don't get it.
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1/10
A completely one-sided view
28 August 2023
Turning point is a terribly dishonest documentary, and it is amazing that it has so far received an average of eight out of 10 stars on IMBD. The series of events we are talking about here are completely soaked in controversy. But this documentary tells a story that denies the existence of any kind of controversy. It's simply takes the US government side of the story and presents it. End of story. That would be like a news report on the 2023 women's World Cup soccer event, and the celebration by the Spanish winning team, including the infamous kiss from the Spanish football federation chief Luis Rubiales on the lips of the team captain, and telling the version that he simply kissed her. End of story. That event was extremely controversial and rocked the world, but one could describe the event and leave out the controversy if one wished. And that would not be an accurate portrayal of the events at all because you leave out the reception of those events on the public. The public's reception and impression of the events of 9/11 are extremely important in any kind of documentary. In the case of 9/11 it's even more important because the story tells events as fact and this is what is contested, the very events themselves. For example, was it a plane that hit the pentagon or a rocket? There is no good reason to believe it was a plane, but this documentary completely ignores that fact.
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New Amsterdam (2018–2023)
7/10
Good but waay too cuddly
7 September 2021
New Amsterdam has many good moments but often the emotional moments are so drenched in syrupy sweetness I have to barf. And I also wish American shows would stop honoring soldiers all the time. Instead of an episode highlighting the poor state of care given to vets by the lousy US government, we get sappy stuff that just heaps praise on them. Since WWII our wars are not honorable. We need to come clean instead of continuing the lie. Our soldiers are mostly poor, mostly misguided, and definitely taken advantage of. Some are sick, just looking to prove their disturbed view of manhood. It's enough. American naïveté in matters such as these is well-known around the world. Our blind obedience to corporate greed that denies us healthcare, free education, paid vacations like everywhere else in the world makes us a laughingstock.
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Chicago Med (2015– )
6/10
A bit too much
5 September 2021
After two episodes, it's got some good stuff but way too much American heroism going in for me, especially with the military hero baloney, like we can't just admit that our wars have been a dishonorable waste of time since WWII. After many more episodes, it's grown on me, despite lots of OTT. The doctors never stop trying to prove themselves, as if under all the confidence they're all insecure. And what hypocrisy, regular discussions on alcoholism with patients and yet "After working hard, alcohol is a doctor's best friend!" I mean, is this series bankrolled by Anheuser Busch?
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Fauda (2015–2022)
6/10
Too sympathetic to Israel
24 July 2021
Fauda is a well-made series. And a good piece of propaganda for Israel. Told from the point of view of a crack team of Israeli soldiers, we come to know them and sympathize with them, while we are given much less information about the people they opppress, their families, their stories. The Palestinians are portrayed as being stuck in a hopeless and unjustified feud with the Israelis, as we are never shown what the fighting is all about. It's not about revenge, as we are led to believe. It is about the Israeli oppression of the Palestinian people. But we don't see this. Instead we see a cycle of revenge. There is a clear message that the killing is all somehow senseless. But because we never see how the Palestinians are made to live we can only assume it's simply a story of endless tit for tat, with the Palestinian attacks all being unjustified and the Israeli actions as only being defensive. We're just trying to protect ourselves, they are made to say. It's a lie.
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Seaspiracy (2021)
10/10
Why don't we hear about this?
25 March 2021
I feel I've completely missed how urgent and massive the problem of the overfishing of our oceans is: Seaspiracy sets it straight. This is a must see. And when you see how so-called protective agencies like the MSC, providing "nothing bad here" labels of approval on packaged fish, are completely bogus and simply making money from the fishing industry they provide cover for, it makes you realize "conspiracy theorists" are not always full of nonsense. Yes, people and big businesses and governments DO lie and cheat even while pretending to do exactly the opposite. We cannot rely on our protective services, we must save the planet ourselves!
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2/10
Nothing to like
19 March 2021
What a piece of crap. Where to start? Unoriginal plot, bad dialogue, and unbelievable situations abound. A "perfect" family to hate, with their opulent lifestyle and climate-killing his & hers SUVs (Mercedes G-Class for her and a Range Rover for him). They only have one argument and it's about money. Filmed almost entirely in their home. Boring. A few bizarre and pointless scenes with no people, focussing on the dramatic San Francisco Bay shoreline, in a film in which the ocean and that coast play absolutely no role whatsoever. Bottom line, they fail to draw you in, fail to make you like them or care about them, and fail to be believable.
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Virgin River (2019– )
6/10
Hallmark card TV
21 January 2021
Virgin River is a show right out of the 1950s, and it doesn't work today. It is no crime to create a show dripping with tender Hallmark Greeting Card moments, but it is not for everyone. The worst thing about the show for me is the outdated pro-military, cowboy hero mentality that shines through. Bar owner Jack and his former marine buddies are seen as heroes for having traveled to a foreign Middle-Eastern country to kill people who have never threatened US soil, and have simply suffered abuse by Western powers, who have stolen their oil resources for over 100 years, instead of being portrayed as pawns by a corrupt corporate state, who have taken advantage of their simple-minded sense of patriotism in order to prop up their lust for global domination and power. This is an old-world view that, like so much of our past, is not sustainable. At one point, Jack tells Mel, regarding a crime (murder) that needs to be reported so that justice can proceed, "I'm not just going to hand it off to the sheriff," as if vigilante justice is more appropriate. It's like Trump wrote that line! It's irresponsible television. If Americans learn their morals from TV, they need a better teacher.
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Suits (2011–2019)
5/10
Cliche
28 July 2020
Absolutely filled with cliches. And the hot shot American lawyer arrogance - even in this so-called comedy - is too true-to-life. And like all "irreverent" American popular shows, it never, ever actually pokes fun at the crap American system.
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7/10
Good but stretched WAY too long
6 April 2020
This is an incredibly damning story against Massachusetts as well as the US justice system in general. But it is a 90-minute show that was stretched out over twice that length, and watching it is is sometimes frustrating as the same information is presented over and over, and so very s-l-o-w-l-y
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Unorthodox (2020)
9/10
Spellbinding
29 March 2020
Unorthodox is literally spellbinding. When I started the first episode, I had to watch them all, on the spot. I couldn't tear myself away. That never happens. Shira Haas plays Esty, and she is simply amazing. This story sheds light on the mysterious orthodox Jewish tribes or communities in what must be quite a realistic manner. It's fascinating, but viewers quickly identify with Esty's feelings of being smothered and of not belonging. One thing the film did so very well was bringing the viewer to see what it was like for Esty to experience so many things we take for granted, for the first time, and how those experiences captivate her and make us feel quite lucky to have access to them without a second thought. At the same time, I felt for the community, her tribe... they are different, but that's life. The only thing they are guilty of is making it too difficult for those wishing to leave. I haven't read the book the film is based on but I will now.
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Lost Girls (2020)
6/10
Suffers from being a true story
15 March 2020
Although the filmmakers don't let the viewer know this is based on a true story until the end, the storyline comes across that way. It's a sad story and has little entertainment value because, by sticking to actual events, elements of "storytelling" that would have made this more captivating just aren't there. It is more like a very long way of showing people the reality of policework in the US when it comes to looking for missing women who are in fact prostitutes. The police don't care very much. It's not surprising and most people probably can imagine this is the way it goes.
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7/10
Better than the book
2 March 2020
Andre Aciman's problematic novel this film is based on is rendered more palatable in this film version. In the book, Elio does not cry when Oliver leaves, there is no big drama and we all knew it was coming. Oliver was a visitor, only. Visitors leave. That left the book without a powerful ending. The film changes that and adds this expected element so that the audience can have a proper ending. The book also drags on giving pointless views into the future, which the film wisely drops. Although greatly reduced in the film, the "I'm jewish too," scene and totally pointless jewish discussion in the book is unfortunately not removed from the film and comes across as it does in the book, leaving viewers scratching their heads as to why it was mentioned at all, as the jewishness of the characters adds absolutely nothing the story. The necklace could have been any necklace, and is not even part of the book.like the book, there is a flat quality in the film which can be seen as either good or bad: we have an unexceptional story about a commonplace thing - two people experiencing an inexplicable attraction to one another - which simply exists as it does in life, not for any reason or rhyme, but nonetheless being totally overpowering to the couple involved. It's just life and love. And pain, and it's beautiful if you feel it and perhaps boring if you don't.
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1/10
Not much in there...
27 February 2020
Just a few minutes into the first of this three-part series, I had to shut it off and take a walk. At that point, the viewer had watched as Gates arrived at the start of his day (without showering, apparently) at some office or other - it wasn't identified at that point but was probably the location of his foundation - and then the viewer listened to his schedule for the day being read off by a woman named Lauren Jiloty of "Gates Ventures" who then answered a question "Is he on time?" put from the filmmaker Davis Guggenheim with "He is on time, to the minute, every single meeting, without fail," and she goes on to explain that Bill "cannot buy more" of time. That it's a "limited resource." And that, in fact, "He's got the same 24 hours in a day that the rest of us have."

No, really? Bill Gates can't buy more time? But he's so rich!

And it doesn't get better.

Honestly, it is painful to watch as other people fawn all over someone who is nothing more than just another human being, treating him as though he's some kind of god or superhuman. This film is simply another example of people assuming that because someone was able to start a company and become vastly, immorally rich, they must be geniuses on a scale in proportion to their wealth. And it's just never the case. Nobody is THAT MUCH better than the average person. Nobody is THAT MUCH smarter. There are people walking the streets whose brains could run circles around Bill Gates' brain, but they chose to do other things. Being smart doesn't necessarily mean you will make yourself rich or that you even care about making money! And too many people just cannot seem to grasp that. They buy into this narrative we are sold that is perpetuated in part by people like Gates, billionaires and the people at the top holding the power over the lives of everyone else on the planet, so that the masses won't rise up and take what's rightfully theirs. Bill gates did not personally create all of the wealth of Microsoft. He started the company but needed others. Eventually many hundreds and then many thousands of employees and he simply paid them nothing, worked them to death (you can read all about this) and took the Microsoft wealth home for himself and a few others at the very top. He cheated the rest out of their contribution. The people who needed a job to survive in this jungle of a modern world. He did not work a billion times harder. Nobody can. If Gates is so smart, how can he allow himself to become so corrupt, so immoral? So much of his success is based on chance. He was born a white male in a country where that was 90 percent of the game already. He admittedly is intelligent and perhaps creative enough to have come up with the Microsoft OS at a time when not so many others were working on projects like that, and he was very lucky. Right place, right time. And he cheated his employees, and his company broke the law, operated unfairly within his industry, but simply did what other big businesses do and fought it out in court and often lost but paid fines and moved on, the damage already done, and not much to stop the momentum of a corrupt firm like Microsoft.

Gates is "smart" but there's one thing he can't seem to learn. Corruption and disgusting wealth inequality has finally got to change. But he wants his class, the 1%, to remain firmly where they are. So no, I don't like a TV series that perpetuates this myth and holds pathetic figures like Gates up as heroes, just because yes, after becoming insanely filthy rich, he's giving some of it - what he can comfortably afford - away. Gosh, what a hero.
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Uncut Gems (2019)
7/10
You sort of want to like him but not really
4 February 2020
Is he an uncut jem, or just a schmuck? Sanders plays a guy hooked on gambling despite how it affects his family - you don't need to know more than that to know he's not to be liked. You sort of want to like him because he's Adam Sandler, a lame comedic actor who normally plays vaguely likable, if not horribly annoying, characters. This film reveals a sleazy side of New York Jewish gem dealers who have nice but cheasy houses and are complete slobs. It's well acted, but so what? The story is weak. Sandler's character isn't a gem, he's a fool and a gambling addict and it hurts his family and he seems okay with it. I should have given it a 6...
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Thieves of the Wood (2018–2020)
7/10
Mostly good
28 January 2020
Warning: Spoilers
Spoilers! With no knowledge of the novel the series followed, all I can say is that i thought it was very well done but for two points: the references to "America" were more like an unwanted advertisement than an element in the story, and the final execution of Jan was shown in an entirely tasteless, excessive manor even for such a violent film as this.
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The Family (2019)
9/10
Sadly won't bother half of American citizens
31 December 2019
Roger Ebert is wrong when he says The Family is ultimately "frustrating " because it does not spell out (for idiots) specific examples of how The Family is manipulating American politics and American life. Of course, it doesn't have to. The point is that something so anti-democratic, bizarre, inhuman and focused on a singular goal above all others (to make sure THEY do not lose the power to steer the course of The World no matter what "the (little unchosen) people" say or want, needs to be stopped. End of story. And I wonder how many people notice that when Doug Coe, on video tape speaking from a podium at an event says "you see the Mafia, they keep their organization invisible - the more you can make your organization invisible, the more influence it will have" the obvious reply is "Doug, they keep it invisible because it is unlawful, because it is criminal, because people see it is immoral!" If you plan to move an organization like this that has existed in a state of relative openness into "the invisible" it is likely because the organizers plan to act illegally and against the public's will. But sadly, even if this group surfaced now in a wholly open fashion, their Jesus talk would immediately align at least one third of all Americans who fall for such rabid Christianity. Just look at what is happening in the era of Trump. The Christian mental block makes him unable to be released. He'd have to renounce Jesus (the man, the myth... give me a break!) to lose his following. Perhaps ultimately this docuseries is more likely to further erode American freedom than help restore them.
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7/10
Could have done without the theater bits
19 December 2019
Warning: Spoilers
Marriage Story has a lot going for it including a great cast - with the smaller roles being the most fun - like Alan Alda - but (spoiler here) the dialogue in the scene where the couple each lose it and scream at each other came across to me as too contrived, and not even believable "I wish you would die!" considering that the actual circumstances of the dissolving relationship are pretty tame. Another minor criticism is that for me, the injection of two theatre songs from Stephen Sondheim were off. This is a film, not a play. The scenes work in the sense that the husband and wife playing them are a stage actress and a stage director in the story, fine, but they fall flat for me, perhaps underlining the difference between what is good on the stage and what is good on the screen. Theatre goers may love those scenes but they yanked me right out of the film. All in all, enjoyable but not nearly great.
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Wanderlust (2018)
7/10
Mostly awkward good
1 December 2019
Generally I like this show, although I was skeptical about the plot at first. In episode 6 of Season 1 Toni seriously needs a lesson in how to eat a cupcake without looking like you're suddenly transforming the show into one involving a cyborg that begins having performance issues
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Last Breath (2019)
8/10
Amazing story, but some errors in its telling
9 October 2019
Warning: Spoilers
A great real-life story, truly worth seeing. But I feel the film maker didn't do a proper job of explaining to the viewers the nature of the diving, of the equipment, that would have improved the viewer's appreciation and understanding of the events. I would have expected a thorough telling, including even some diagrams to show how the various elements of the job and equipment worked, and of course there was some of that, but there were big gaps as well. The diving bell is lowered from the ship on some kind of cable or tether, but does it have its own ability to move itself at all? Is it like a submarine with some propellers and a way to have those on board guide it towards its target? Apparently not, which is a bit hard to believe, because I suppose (but I shouldn't have to guess) that it is just hanging, swinging, rather perilously from the ship, is lowered 100 meters, and... does it rest on the ocean floor, so that it keeps its position when the divers depart from it, connected to the bell with a tether, to do their work? Inexplicably, no, it just hangs in the water, in the current. We see that the divers exit the bell from the bottom, so if the bell were to rest on the ocean floor it would need to have a barrier, a kind of footing, designed to keep the housing off of the floor to allow the divers room to exit, and in fact there was a structure beneath the bell that could have played this role, but in the end I don't think the bell sat on the ocean floor, although this was never explained as I recall. This is incredible because when the ship loses its automatic guidance system, which effectively use the ship's propellers and rudders to keep it in a continual fixed point above the working target, during very rough conditions, and rapidly begins to be pushed away from the worksite, the diving bell is dragged off with it, which in turn drags the unwitting divers along as well, and the viewer is asking themselves "Really? Is this operation so exposed to such a clearly foreseeable disaster?" And as we see how fast the rather large ship is pulled off from the job site, why on earth doesn't it appear that the divers are being yanked to bits along with it? The diver whose tether does not break is even able to haul himself back up to the bell (through the force of the current, which is compounded by the ship's movement pulling both the bell and diver along) with nothing but his two arms, no diving fins are worn that could help at least a bit, and the diving suit is heavy - how was he able to do that? The viewer has no answer. Another thing that was never mentioned and which is so clearly obvious is why the ship did not maintain its position above the worksite the way every other boat or ship does when it wants to stop and stay in one place: by dropping anchor? Why use valuable fuel and depend on the guidance system to stay put when, quite conceivably, the ship could have dropped an anchor or two, or more, and accomplished the same thing? The viewer has no idea. If they have cables long enough on board from which to hang the diving bell, why not hang anchors from such cable instead? Another mystery here. And why did life on the bell, where the dive master is waiting, not also go completely haywire as the bell is dragged off course as both it and the ship are in free-float with the wind and waves? One would think the main in the bell would be knocked off his feet and would have to hang on against this constant motion, but instead it's all rather calm in the bell. Just astonishing. And why on earth did the crew wait some 20 minutes after the ship's computer driven guidance system crashed to try powering off and on again? It's the first thing one does when computers crash! I'm not the only one to mention this here. As I watched the film and the computers failed and the guidance system was cut and the ship began to drift, my first thought was "Grab the wheel, take over the engines and manually drive the ship back to the target! Fast! Before the divers are dragged away!" But do they do that? No! In fact, they wait, as I recall, and watch as if helpless, until we see the ship has indeed gone far off the mark, before finally doing just that. And the man responsible for operating the guidance system amazingly says that when the computers (all 3 of them) mysteriously failed, that the very difficult task of trying to manually drive the ship back to its work site was so difficult in part because they had never prepared for that, had never practiced this scenario before? What?? How on earth does that get missed in the "when things go wrong" preparations for such dangerous work? They never practiced this worst-case scenario before? My god! Is that even possible? "What if the guidance system crashes? Well, then we have to go manual. Okay, let's run a practice drill on that just in case it happens so we know how to do it live." ?? Of course they would, wouldn't they? But it appears not to be the case. So these are some of the astounding holes in the story from both the film maker's side and the side of the crew. Great adventure, but faulty story-telling.
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10/10
Great on every level
20 August 2019
This is such a great film on many levels. First, it has a great story, and second, it manages to combine action and fantasy with romance and the real-world work-life environment in a way few movies have ever done. You root for everyone you're supposed to, and it's so great to see the phony bearded hipster "new management" get their due at the film's close.
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