Reviews

This film held my interest to the very end with fine performances by Joanne Whalley, Sean Patrick Flanery, Alexa Vega, and Cotter Smith. It reminded me of two other excellent films. The movie is narrated by the young daughter, Opal, but in retrospect using her now grown up voice, similar to Scout, Gregory Peck's daughter in To Kill a Mockingbird, and Opal's character is nearly as appealing. Also this film reminds me of Places in the Heart, with a "single woman" trying to manage a farm without her husband present and necessarily bringing people together to save the farm. This film has Flanery as Tom the drifter invited to help Joanne Whalley with the farm, as Danny Glover and John Malkovich helped Sally Field in Places in the Heart.

Having identified those similarities, the film stands well on its own and I appreciated the dramatic tension of several plot lines which did resolve in less predictable ways, and left me feeling better about the movie watching experience by avoiding predictable plot development. I won't "spoil" the movie by disclosing the specific plot issues in this review. The movie allowed me to appreciate the lead characters as I got to know them better in the events of the film. I would rate this one 8 out of 10 and recommend it with enthusiasm.

I saw this film twice when it came out in 1966. The leading characters are quite handsome and appealing to watch. At the time I loved the music soundtrack and even bought the soundtrack album. Seeing it is available on DVD and has some bonus footage, it was a real pleasure to watch this film again, as a bonus, with my second wife. Although it seems a bit dated and many films have copied elements of its style, it still captures and stirs the emotions about the possibility of falling in love and the reality of being a "walking wounded" mid 30's single person. The bonus footage showing how the film was made on the cheap with minimum rehearsing is quite amazing. Films today are often made for hundreds to thousands times the cost, and are as spontaneous as a log pile. I recommend a revisit to this film, but imagine today's young film watchers could be bored with the absence of violence, swearing, kinky sex, and other predictable ingredients of today's formula films. one amusing feature which dates the film is the near chain smoking both stars in the film keep doing on screen. That is mostly not cool these days.

I have just watched the Competition for a third time, once when originally released, once with my late mother who was a pianist, today with my new bride. Although not a classical music big fan, the music is presented with such passion I found myself drawn into it. Young Amy Irving and Richard Dreyfuss are very appealing and believable. Other characters are fun and interesting as well. It is a great blending of a lot of music, the tension around a competition, the stirring of a love story. I recommend it enthusiastically but you must be willing to sit through the piano music sequences.