I just want to quickly start with the faults of this film. It was over long and the Metallica soundtrack at times got in the way of the film's raison d'etre - ie, a look at the demons, frustrations, etc of the band members. Apart from these relatively minor points, the film was excellent and the band should feel pretty proud that they were able to expose themselves in this way.
The therapy sessions (for me at least) were the highlight of the film. The change in attitudes of both Hetfield and Ulrich pre and post Hetfield's rehab is almost the point of the story. Ulrich seemed to be able to take some moral high ground before Hetfield's rehab(metamorphosis might almost be a better word than rehab) but afterwards Hetfield seemed calmer and in control. "And remember boys, no-one does anything after 4:00 pm." I still don't quite understand how Hetfield almost got away with this stipulation.
The inclusion of Lars' father was a nice touch, but I'm not sure if his argument that Metallica made it in Europe due to Lars being of direct European extraction and understanding the European mind set is very compelling. Still ... it's an idea.
The guy I saw this with is not a Metallica fan. I used to like 70s and 80s English HM, but I never got into American stuff much. Sort of regretting not getting into metallica when I was younger, but my youth's gone and I'm too old to start liking "new" bands.
Even though we're no metallica fans, we've been deconstructing this film ever since and I think we'll be doing it for a while longer.
GOOD ON YOU METALLICA - TAKE A BOW.
The therapy sessions (for me at least) were the highlight of the film. The change in attitudes of both Hetfield and Ulrich pre and post Hetfield's rehab is almost the point of the story. Ulrich seemed to be able to take some moral high ground before Hetfield's rehab(metamorphosis might almost be a better word than rehab) but afterwards Hetfield seemed calmer and in control. "And remember boys, no-one does anything after 4:00 pm." I still don't quite understand how Hetfield almost got away with this stipulation.
The inclusion of Lars' father was a nice touch, but I'm not sure if his argument that Metallica made it in Europe due to Lars being of direct European extraction and understanding the European mind set is very compelling. Still ... it's an idea.
The guy I saw this with is not a Metallica fan. I used to like 70s and 80s English HM, but I never got into American stuff much. Sort of regretting not getting into metallica when I was younger, but my youth's gone and I'm too old to start liking "new" bands.
Even though we're no metallica fans, we've been deconstructing this film ever since and I think we'll be doing it for a while longer.
GOOD ON YOU METALLICA - TAKE A BOW.
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