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compelling
12 October 2004
I just want to quickly start with the faults of this film. It was over long and the Metallica soundtrack at times got in the way of the film's raison d'etre - ie, a look at the demons, frustrations, etc of the band members. Apart from these relatively minor points, the film was excellent and the band should feel pretty proud that they were able to expose themselves in this way.

The therapy sessions (for me at least) were the highlight of the film. The change in attitudes of both Hetfield and Ulrich pre and post Hetfield's rehab is almost the point of the story. Ulrich seemed to be able to take some moral high ground before Hetfield's rehab(metamorphosis might almost be a better word than rehab) but afterwards Hetfield seemed calmer and in control. "And remember boys, no-one does anything after 4:00 pm." I still don't quite understand how Hetfield almost got away with this stipulation.

The inclusion of Lars' father was a nice touch, but I'm not sure if his argument that Metallica made it in Europe due to Lars being of direct European extraction and understanding the European mind set is very compelling. Still ... it's an idea.

The guy I saw this with is not a Metallica fan. I used to like 70s and 80s English HM, but I never got into American stuff much. Sort of regretting not getting into metallica when I was younger, but my youth's gone and I'm too old to start liking "new" bands.

Even though we're no metallica fans, we've been deconstructing this film ever since and I think we'll be doing it for a while longer.

GOOD ON YOU METALLICA - TAKE A BOW.
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magic word
17 August 2004
Mty son (7 years old) lovs this one and all of the series. I like this one in particular, largely because of Tom Baker's brilliance.

I just have a question for anyone who has watched it.

Did anyove notice that Puddleglum says the magic word (ie f*ck)?

In the scene where he gets drunk and he is picked up by the fat lady giant, Puddleglum makes some incomprehensible protests. Among this, pretty clearly, he says the magic word. My 7 year old first noticed this and told me. I told him he must be wrong. But I watched/lisstened to the offending bit and I had to tell my son that he was right. It was one of the funniest things i've ever seen / heard.

Anyway, Tom Baker is brilliant as always and he can do no wrong in my eyes.
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Lacks The Humour
4 January 2004
I don't think this 1998 remake was too bad, provided you regard it as a straightforward hostage film.

It uses some of the best lines from the original almost verbatim (eg, "A person likes to know how much he's worth", "Do they still have the death penalty in New York" "I've always done my own killing" etc) which is ok, but I can't believe that Mr Blue in the 1998 film would not know the death penalty status in what appears to be his native New York. In the original, the Mr Blue character was clearly British, and might be excused for not knowing the death penalty status in all 50 US states.

But as one other observer observed, the 1998 lacks .... WALLY MATTHAU (and to some extend George Costanza's dad also).

The 74 version could almost have been sold as a comedy, but not this one. It's a straightforward tradesman like version without the wit, irony, pathos and dulcet tones of Wally Matthau

Certainly worth watching if you love the 74 version so you can do a 'compare and contrast'. If you have not watched either, and you only want to see one of them, see the 74 version.

The final scene is worth the wait (in both versions)
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The Office (2001–2003)
DISTURBING
30 April 2003
There's no question that "The Office" is up there with "Fawlty Towers", "The Young Ones" and "Dad's Army" in the list of classic English comedy.

However, despite the comedy, it is also very disturbing - at least it was to me.

The episode where they all go on the team building course ("Not all complaints are genuine" / "I think there's been a rape on the 6th floor") made me cringe like I never have before at a TV show. I found this episode in particular to be almost unwatchable. I think I really felt for Mr Brent. Mr Brent is (at least in my opinion) what almost any person could be if they said everything they felt all the time without pausing to think even for a few seconds.

Altough the characterisation is tremendous, it did strike me that the show would be almost non-existent without David B(r)ent's character. I can only assume that david Brent is based fairly heavily on a real person.

At the time I write this, I've seen series 1 and 5 out of 6 of series 2. I know they've said that they won't do another series, but they should - if only for my benefit.

Hats off to Mr Gervais and Mr Merchant.
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Heavily Biased
12 January 2003
Although heavily biased, it was still less biased that an average news / current affairs half hour, and if you can't be biased on the issue of citizens of a particular country being encouraged to take the lives of their fellow citizens then what sort of world do we live in.

The doco was funny, moving and even thought provoking. Moore obviously understands the USA better than most.

Moore didn't ever decide what the answer was the over willingness of Americans to gun down their fellow citizens. Although, in my own view, perhaps of the root of the problem can be seen by reference to two things that came out of the film.

1. The USA is probably the only country on earth where you might be able to reasonably argue that you have the right (nay, the duty) to bear a long range nuclear tipped intercontinental ballistic missile - who's to decide who's a 'wacko' wand who's not.

2. The USA may be the have the only constitution on earth where citizens have the right (nay, the duty) to bring the down fall of the protector of the constitution - I don't understand at all. What were the founding fathers thinking of?

The essential message of the film an be summed up in two words

CANADIANS ROCK!!

The one thing that the film did not answer is why did Carlton Heston (or his advisors) ever allow that interview going ahead. WHAT WERE THEY/HE THINKING?? WHAT DID THEY/HE THINK WOULD BE ACHIEVED?? HAD THEY/HE NEVER HEARD OF MICHAEL MOORE?? My fear while watching the end of the Heston interview that Chucky might have gone off to get one of his much talked about loaded guns and sort Moore,M. out in the traditional American manner.

A MUST SEE.
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The Newsroom (1996–2005)
EXCELLENT
16 June 2002
This is the best thing to come out of Canada since Bachman-Turner Overdrive and that's not supposed to be damning it with faint praise - quite the reverse.

Other countries have produced similar types of shows - there was Frontline out of Australia (which was very good), "The Larry Sanders Show" which was quite serviceable and "Drop The Dead Donkey" out of England - which was woeful. The Newsroom, however, stands like a leviathan amongst these sardines.

The characterisation is first class and the dialogue incredibly witty.

This show was screened in Australia at about 11:30 on a Friday - nicely buried at an abysmal time slot like all things of excellence. I hope we see more of it or at lest repeats - but I fear we will not.

And Ken's comments about the muffin industry in North America can be equally applied to Australasia.
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DID COLE KNOW?
21 March 2002
Warning: Spoilers
SPOILER

Some reviewers seem to think the movie makes no sense becuase of the relationship between the young boy and Willis's character. If the boy knew Willis was a ghost, then why did he not show the same concern as when he saw other ghosts. If he did not know, then why did he never mention to his mother that he was receiving some sort of ad hoc therapy.

The answer is of course that the boy CAME TO KNOW that Willis was a ghost. The first meeting between the two was in a church - the one place where the boy thought he was safe. If he thought Willis was a ghost, then we would have freaked out to buggery in the church - and he did not.

By the end of the film, the boy is giving Willis advice on how to be happy - ie, talk to your wife while she's asleep. This always seemed like odd advice, and would only make sense if Wilis was ghost. This leads me to believe that the boy came to be aware slowly that Wilis was as ghost.

In the latter part of the film, Wilis advises the boy that the ghosts want help, and the boy tries to help them. The boy becomes aware that Willis has some unresolved issues with his widow, and tries to help him resolve these issues - ie talk to your wife while she's asleep.

Willis and the boy help each other to come to terms with their issues. It's a real, albeit unusual, partnership. Willis really wanted to be able to make up for not solving the problems of the character who killed him very early in the film. In helping the boy, he made up for this short coming, and least in his own mind. Clearly, the boy was able to come to terms with his 6th sense.

Any way, it was a good film, marred only by the fact that alot of people seem to have been able to guess Willis's ghosthood early. But if you're gunna tell a tale like this, and make it have any consistency and honesty at all, then this was always gunna happen. The makers of the movie were quite clever. If you did not guess Willis's ghosthood early in the film, then you've really got to see the film at least twice - or at least that's how I felt.
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LET'S GET A FEW THINGS STRAIGHT - SPOILERS AHEAD
15 August 2001
Warning: Spoilers
The original planet of the apes movie (and arguably three of the four sequels) were much loved by folk around the world - and quite rightly so. As Hollywood is always on the look out for a safe film based on an old movie/TV show that was much loved (when are they gunna remake Land Of The Giants?) and that is guaranteed to be a hit, it's a wonder it took this long to do a POTA re-make. Bearing in mind the sort of churlish, mind numbing, spirit crushing gruel that Hollywood has become so good at delivering the citizens of the world, POTA (2001) was not all bad.

SPOILER AHEAD In a plot sense, there were holes all over the place.

1. The Oberon only seemed to have humans and chimps - so where the devil did all the gorillas and orang-otans come from?

2. In the year 2029, can it really be easier to train a Chimp to control a pod than automate it some how? I betcha HAL could've controlled it remotely, and that's using late 20th Century technology.

3. Why did Attar turn on Thade at the end? He said Thade lied to him, but about what? Also, we are expected to belive that Attar will gruesomely kill his old master, and then suddenly start sprouting Gandhi like dogma about apes and humans living together in harmony. I THINK NOT. General Urko would not have dropped his bundle like this.

4. Where did the gorillas develop this fear of water from - current day gorillas are prepared to wade through water.

The ending is like something out of a 50's masterpiece. However, a 50's masterpiece would leave the ending alone. I'll be surprised if we don't see a new Planet Of The Apes franchise developing. The sequel will explain how the apes took over earth. It should not be explained, any more than the ending of any Twilight Zone story need to be explained.

POTA 2001 is worth a look - you may even enjoy it 6.5/10
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The Warriors (1979)
Great Bit Of Work
18 April 2001
I remeber seeing The Warriors in about 1981 when I was 15. I instantly became a cult with me and my classmates. I think between the years 81 - 84 I must have seen it about 20 times - and not since, sadly. I think we all loved the almost blokey feel to it. Some of my classmates were almost able to recite the whole damn movie.

In short, we loved it!

Everything worked well about the film. The cinematography was great, the gangs depicted were theatrical and stylish - almost campy, from memory.

The only problem was that the Warriors were a bunch of tough mothers, bit I have this nagging memory that the Swan character looked a bit like one of the BeeGees.
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NOT UNLESS YOU THINK ROUND'S FUNNY
11 April 2001
This is easily the best Coen Bros movie, and one of the finest movies ever made. Why Fargo is thought of more highly is beyond me.

The movie is a roller coaster ride in the lives of a couple unable to conceive, because the wife's (Holly Hunter) womb is "a stoney place" where Nick Cage's seed "can find no purchase"

Unorthodox adoption is clearly the only option.

I like to ensure that I watch this movie at least once a year. This is the reason movies are made. 10/10 (at least)
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