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8/10
Deftly addresses major human challenges
27 May 2008
Warning: Spoilers
"Prince Caspian" is a very well done translation of the book to the movie. To expect an exact adaptation is not realistic. It is a fundamentally different medium and that must change the message.

What was the central challenge that the major characters faced? The myth of redemptive violence - that we can and should kill off our enemies. Peter and the Prince are most seduced by this myth, but Susan and most of the Narnia animals are also. Lucy captures the truth that a child shall lead them. The hinge question asked why Asylan did not prove his presence to the older ones is profoundly answered by Lucy - maybe we need to prove ourselves to him. The real challenge is to pay attention, and seek one's source for the power of good.

The others gradually move through a reliance on violence. Peter issues a challenge for a 1-on-1 fight rather than having armies killed. The Prince chooses twice not to kill his enemy. Edmond stops a movement toward relying on a different type of spirit to gain one's own goals. But the key was to courageously align oneself with the power to transform. The image of Lucy standing on the bridge brings back the picture of Rosa Parks sitting on the bus.

Yes I wish the battle scenes could have been somewhat shorter and more time devoted to character development. Yes it was beautifully filmed with great effects. And yes, seeing this on the big screen was worth the exorbitant prices being charged these days.

Perhaps my grandson's answer to the central challenge is best: "Should the Prince kill or not kill." So again, a young person leads.
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8/10
An introduction to real life
13 September 2006
Technically a mystery, the real focus was on the movement of Griffith from an OK life toward a real life. While she enjoyed being a cop and having a good partner, one quietly becomes aware of how shallow and lonely her life really is. No friends, no supportive family, no grounding, and certainly no joy.

Her immersion into a vibrant religious community slowly opens her eyes. The scene of the joy filled celebration of Sabbath is beautifully well done. Being treated as a daughter by the Rebbe who also understood what it meant to deal with evil as much as she did was key. That she is attracted to a handsome man is secondary to her attraction to what he represented - integrity, knowing who he was, using a range of natural and developed gifts, being an integral part of a supportive community, and finding joy within a chosen structure.

There is one rather violent scene, and the language while accurate, is questionable for all family members.
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