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Reviews
Family Star (2024)
Absolute Disaster
This movie is an absolute disaster. The plot resembles Swiss cheese with its multitude of holes. The so-called hero's relationship with the stalker lady is utterly inexplicable and devoid of any logical foundation. Frankly, this film is an insult to the intelligence of its audience.
The storyline is not just bad; it's atrocious. The acting is so wooden it makes a plank of wood look animated. The character arcs are as flat as day-old soda, the fight scenes are clumsier than a blindfolded toddler in a martial arts class, and the background score sounds like a cacophony of dying cats.
Watching this movie feels like a form of punishment, as though someone decided to weaponize boredom and ineptitude. I haven't even reached the climax yet, but I felt compelled to warn others of the impending doom.
Ranam Aram Thavarel (2024)
Lazy Storytelling
Very poor story line , waste of time watching the movie , also movie was taken in hurry burry , no good screen play , poor Vaibhav next time read properly and select the movie , lastly about director, no you must work as assistant director to movies like por-thozhil for next 3 years then direct new movie.
The story of this movie has a resembles of many movies copycat but screenplay and direction is totally scrap . I watched this movie and totally upset . Vaibhav should select good directors.
The director touched the untold illecit horrible things that has been happening unnoticed. It could have much more engaging if its has a minor trimming but never the less it has a strong message we can surely give a shot for the bold attempt.
12th Fail (2023)
A perfect movie
Upon initially seeing the title, I anticipated a low-budget comedy film. However, upon completing the viewing experience, I found it to be a true hidden gem.
Not a single moment is wasted on contrived comedic scenes or forced musical numbers. Instead, the movie maintains a seamless flow throughout.
Every actor delivers performances that meet or exceed expectations, drawing viewers into each scene.
What resonated with me most about the film is its consistent emphasis on core themes, particularly the importance of adhering to certain values and principles amidst life's trials and tribulations. Whether the narrative focuses on struggles or moral integrity, it leaves the interpretation to the audience.
This film left me thoroughly satisfied, earning a perfect rating of 10/10 in my book.
Everything Everywhere All at Once (2022)
Weak plot
I'm baffled by the glowing reviews this movie received. It's bizarre, but not in a captivating way. Its oddity is utterly nonsensical. The acting falls flat, and the special effects are lackluster. The storyline is practically non-existent, lacking coherence and compelling characters. While it might boast a few recognizable faces or a renowned director, I can't be certain. The only familiar figure to me was the protagonist. It feels like a misguided experiment, concocted under the influence of mind-altering substances, resulting in a peculiar yet unsatisfactory outcome. Even from an artistic perspective, it's too implausible. Regardless of your cinematic preferences, I can't in good conscience recommend it.
Kaathal - The Core (2023)
Unrealistic but the subject well delivered
In the vast tapestry of Malayalam cinema, where stars twinkle like celestial bodies in the night sky, Mamootty has always stood out as the radiant North Star, casting his luminous glow over the cinematic cosmos. Once again, he graces the silver screen, an embodiment of unparalleled acting prowess, a virtuoso who effortlessly navigates the labyrinth of roles, showcasing a genuine ardor for the art that transcends the ordinary.
The film, however, unfolds like a delicate petal, meticulously curated, playing a symphony of careful notes that tiptoe along the edge of credulity. Jyotika, a character adorned with complexity, yearns to sever the bonds of a 20-year marriage, believing her husband harbors a secret identity. The premise, though intriguing, meanders along the realms of implausibility. The very notion that her love prompts this decision, an act ostensibly for his own good, rings with an air of incredulity.
The narrative takes an unexpected twist as the revelation of her husband's sexuality unfurls in a courtroom, a public arena chosen for the unveiling. The question arises, why not a more intimate setting, where heartfelt conversations could have woven a tapestry of understanding? Perhaps, in the private chambers of dialogue, a resolution could have blossomed, and the storm of public scrutiny averted. Alas, the script unfolds in the glaring spotlight of legal proceedings, a choice that flirts with the edge of logic.
In this cinematic world, the makers, with noble intentions, seek to spotlight a pertinent issue. However, the story and characters woven into this celluloid tapestry transcend the boundaries of realism. As the film unfolds, its narrative strides into the realm of the fantastical, leaving the audience grappling with the discordance between the characters' actions and the fabric of reality.
Mamootty, the luminary, delivers a performance that transcends the ordinary, yet the canvas on which his brilliance is painted becomes a surreal dreamscape. In the intricate dance of storytelling, where each step should echo the rhythms of reality, the film seems to pirouette into a realm that defies the laws of believability.
In this cinematic odyssey, where stars are born and narratives unfold, the allure of Mamootty's performance remains undiminished. However, the film, like a delicate blossom, is bedecked with petals of improbability. The resonance between the characters' journey and the tapestry of reality is a delicate dance, one that the film, despite its noble intentions, struggles to choreograph with finesse.
Joe (2023)
Movie with right flow
In the enchanting realm of cinematic artistry, where emotions unfurl like petals in a blooming garden, let us delve into the tapestry of a feel-good romantic Tamil film, "JOE," orchestrated by the maestro of storytelling, Director Hariharan Ram. With finesse and a pristine touch, he unravels the delicate threads of college romance, navigates the tempest of egoistic clashes between lovers, and explores the intricacies of young hearts entangled in the web of an unwilling marriage.
Behold, a tale spun with the tenderness of rose petals, wherein a young man named Joe (played by the versatile Rio Raj) finds his heart ensnared by the ethereal charm of his college mate, Sujithra (embodied by the enchanting Malavika Manoj). Alas, their love, though reciprocated, is destined for a heartbreak, and Joe's path takes an unexpected turn as he enters into matrimony with the formidable Shruti (portrayed by the talented Bhavya Trikha). Yet, her heart remains impervious to his affections, haunted by the specters of her own past.
The initial act of this cinematic symphony unfolds in the hallowed halls of love and friendship, adorned with scenes that echo the melodies of affection. Director Ram, like a skilled maestro, conducts emotional crescendos, leaving an indelible impact on the receptive hearts of the audience. The mental tumult of a couple, scarred by the wounds of past love failures, forced into a late, involuntary union, is portrayed with maturity, their feelings and justifications weaving a tapestry of poignant emotion.
In the crucible of adversity, Joe, our resilient hero, survives the abyss of a suicide attempt. The verses wherein his father and mother, like guardians of solace, speak to him separately, serve as a gripping message against the melancholy that shrouds the hearts of our youth. As the narrative intensifies, a sprinkling of natural humor becomes the balm that lightens the collective mood of the audience.
Noteworthy is the director's laudable treatment of female characters, elevating their portrayal with dignity and respect. The commendable aspect is the film's mindfulness, even in the face of verbal storms, where the protagonist's untoward expressions are swiftly corrected by the voice of maternal wisdom. Kudos to Director Ram for capturing love scenes with an artful finesse, devoid of vulgarity, making the film eminently suitable for familial viewing, culminating in an unexpected twist that crowns the cinematic endeavor.
Rio Raj, the epitome of decency, transcends age demographics, embodying the essence of a School student, college youth, and a man bound in matrimony. His impeccable portrayal in emotional scenes is a testament to his acting prowess. Director Hariharan Ram, with unwavering earnestness, navigates the labyrinth of rediscovering happiness in the couple's journey, accentuated by Siddu Kumar's background score, a symphony that bears the weight of emotional crescendos.
Although a faint shadow of lagging graces the second half, Director Ram masterfully reengages the audience with scenes that resonate deeply, such as the soul-stirring moment when Joe's mother recounts her love at first sight. In the tapestry of words, if there's one that befits Rio Raj, it is 'decent,' a testament to his portrayal in a film that explores the tapestry of college life and youth. The film's commendable treatment of female characters, coupled with its capacity to attract and engage the younger audience, stands as a beacon of cinematic achievement.
The screenplay, a mosaic of vibrant and emotional moments, unfolds like a cherished love letter. It is imbued with iconic ideas that evoke smiles and tell a story universally familiar-a tale of love that has echoed in the corridors of all our lives. The first half, a tapestry of joy and heartwarming interludes, segues seamlessly into the second, brimming with new scenes teeming with life. The film embarks on a positive trajectory, culminating in a fulfilling cinematic experience, punctuated by an unexpected twist that adds a poetic resonance.
The climax, an unexpected revelation, unfolds as the film's pièce de résistance, a testament to its strength in captivating the audience. Though rooted in the familiar terrain of romantic narratives, the film transcends clichés through the visual poetry of its cinematography and the structural elegance of its screenplay. The musical score, a harmonious accomplice, weaves a perfect blend of emotions, invoking laughter, tears, and moments of profound introspection, akin to a journey through the entire spectrum of familial emotions.
In the vast cinematic panorama, "JOE" imparts a positive feeling akin to the gentle touch of benevolence, akin to a helping hand that, in moments of life's trials, turns our course and propels us toward uncharted destinations-life's favorite enigma. In a special tribute to Director Hariharan Ram, who cast the charming Malavika Manoj, a homely actress from Kerala, with her innocent mannerisms captivating the audience. Her unconventional performance, expressive emotions, and elegant facial expressions elevate the character, hinting at the potential for her to reign over Tamil cinema in the near future.
In summation, "JOE" is more than a film; it is a cinematic soiree, a must-watch spectacle for families in the hallowed halls of the theater. Let the emotions unfurl, let the laughter resound, for in this tale, unexpected twists await, and love, like a guiding star, illuminates the screen.
Hi Nanna (2023)
A tapestry of familial delight unfolds
In the realm of cinema, a marvel unfolds, woven intricately with the threads of emotion. It eloquently unveils the tapestry of relationships, illustrating how bonds, forged in the crucible of genuine connection, can yield a treasure trove of fortunes. Conversely, relationships perched upon the precarious precipices of ego and mistrust become architects of not only self-destruction but also the ruination of cherished kin!
Nani, bearing the mantle of the Natural Star, weaves his portrayal with a touch of justice, albeit with moments where the vulnerability beneath his facade could have been laid bare. A more unguarded revelation during the poignant inquiry of love's imperfections to the young one would have mirrored a truer extension of his natural essence.
The tender and winsome Kiara graces the screen with an air of grace, shouldering her role with finesse, leaving an indelible mark. Meanwhile, Mrunal Thakur's performance resonates profoundly, skillfully striking the harmonious chords of the narrative.
A symphony of supporting actors play their roles with precision, each contributing to the ensemble with a commendable performance.
Throughout this cinematic odyssey, the narrative dances with great twists and turns, each an ode to the story's purpose. Admirable in their execution, they fortify the overarching theme.
In sum, a tapestry of familial delight unfolds, offering a cinematic experience that resonates deeply within the heart.
Parking (2023)
Simple Plot, Quality Output
Just experienced a phenomenal movie! A true hidden gem in the thriller genre. The film starts off in a familiar manner but takes an unexpected turn, transforming into a gripping suspense thriller. While the storyline may not be groundbreaking, the exceptional presentation and screenplay keep you enthralled, setting it apart from the usual mass-produced movies.
MS Baskar's performance is nothing short of extraordinary. He impeccably embodies his character, showcasing remarkable acting skills, expressive body language, and impactful dialogue delivery. A truly gifted actor, deserving of national recognition. Harish also delivers his finest performance to date, successfully holding his own alongside the seasoned MS Baskar. The film delves into the complexities of an ego clash between two well-intentioned individuals, adding depth to the narrative. The supporting cast, including MS Baskar's wife, daughter, Indhuja, and others, contribute commendable performances.
Credit to the director for taking a seemingly ordinary story about a parking issue and crafting a screenplay filled with compelling dialogues. The director deserves applause, as does the production house for believing in this unique story.
A special nod to the music director, whose work significantly enhances the gripping nature of the thriller. This movie serves as a valuable lesson for contemporary high-budget directors on creating compelling narratives with straightforward plots.
Thoroughly enjoyed the film and encourage everyone to support such quality cinema in theaters, steering clear of the influx of mediocre offerings.
Irugapatru (2023)
Must watch movie - Learn to look within
The movie is excellent, and this is definitely a must watch movie for everyone.
In any relationship, there tend to be some misunderstanding resulting from our partners actions which do not meet our expectations.
We tend to pick on our partners mistakes, and when similar mistakes is repeated, it turns irritation to anger then becomes hatred. That is the turning point for serious relationship complications. What the movie try to explore is the reason why an unmet expectation turns towards irritation or anger. Is the fault really on our partner or is it because our own weakness. Most of the time we don't realise our weakness within.
Lesson learned from this movie : When our partners action do not meet our expectation, hold for a while, look within before reacting.
Maara (2021)
Wow! The movie beat my expectation
My first movie review . I watched this movies after reading positive reviews. But the movie itself beat my expectation.
Superb event string, superb acting.
Must watch movie.