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6/10
A show for the old crowd AKA Gamle sanger omigjen......
15 February 2007
Warning: Spoilers
The plot is thin, the jokes are old and the actors are doing what they know best. And "old men" of around 60 y.o. are not as good at physical slap stick humor as they were 20-25 years ago. But if you loved the other Brødrene Dal shows, you'll like this one as well.

How ever highly unlikely the plot is, the KLM-team and other actors use it for what it is worth. The bad guys are extremely bad, the good guys are very good. And then there are the young nephews and niece. No one knows how they came in to existence, as they are the nephews and niece of all three Dahl brothers, and here are no more relatives. Their names are Joste, Snerting and Mette-Mari (the only "female" valley, Maridalen, were used as the Dal-brothers mother in "Brødrene Dal og spektralsteinene") and they have taken over much of the "running around"-part of the play.
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7/10
A nice little story of nice little people
24 November 2006
Romeo Clive (Alf Prøysen) is a vagabond and street artist how meets up with a funny female character called Kanutten (Anne Cath. Vestly). Most of their time is spent in the streets of Oslo trying to earn some money for food, fleeing from police and other authority, or trying to make Kanutten understand "modern city life". Kanutten has a small toy/device/what-ever called a "Mette-pipp" (no, the word makes no sense in Norwegian either) and by waving it she can make "long food" (hotdogs) and "round food" (buns). In all episodes there will be at least one song performed by Romeo Clive, either written or re-written to fit the context of the episode. Alf Prøysen was one of the best loved authors and singer/songwriter of his time.

Kanutten and Romeo Clive were important characters for children in Norway as late as the mid eighties, but there hasn't been any re-runs for at least twenty years. I miss them, but I believe time has taken its toll on the stories. The story telling is slow, deliberate and quite detailed, and I don't know if modern children would have the patience to sit out a full episode of twenty minutes.
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