Reviews

I recently rewatched Melancholia (2011) on Hulu. The storyline follows a bride struggling to find joy in her seemingly perfect life, husband and wedding. Despite her family's efforts to make her wedding perfect, she feels unsettled and compelled to confront her inner turmoil. Meanwhile, a planet is hurtling towards Earth, threatening civilization's existence.

Directed by Lars von Trier (Dogville), this film features an exceptional cast including Kirsten Dunst (Spider-Man), Kiefer Sutherland (The Lost Boys), Alexander Skarsgård (True Blood), Charlotte Gainsbourg (The Pale Blue Eye), Udo Kier (Suspiria) and John Hurt (1984).

Melancholia is a unique character study with fascinating subplots and circumstances. Kirsten Dunst delivers a remarkable performance, delving into themes of self-sabotage and its impact on oneself and others. The cinematography is magnificent, capturing the imagination, and the soundtrack complements the visuals superbly. The film also explores the complexities of wealth and entitlement in confronting problems. While the conclusion may not offer the traditional happy ending, it feels authentic and thought-provoking.

In conclusion, Melancholia is a masterfully crafted movie that is a must-see for cinema enthusiasts. I would give it a score of 8.5/10 and strongly recommend it.

I recently watched the Spanish film 🇪🇸 El Pico (1983) on Shudder. The storyline follows two best friends, the son of a politician and the son of a commander, as they delve into the world of drugs, specifically heroin, which becomes both their greatest high and a new source of business. Their descent into the heroin business leads their lives into a downward spiral.

Directed by Eloy de la Iglesia (Navajeros), the film stars José Luis Manzano (Navajeros), José Manuel Cervino (The Last Circus), Enrique San Francisco (Save the Zombies), and Carme Contreras (REC 3).

Set in Bilbao, a city my daughter and I adore, El Pico is an intriguing character-driven piece reminiscent of "Requiem for a Dream" in some aspects. The plot unfolds with smart twists and turns, some leading to better outcomes while others exacerbate the characters' situations. The acting is excellent, and the portrayal of addiction and rehab is compellingly realistic. The needle scenes are particularly intense and authentic. Additionally, there is unexpected nudity that adds to the film's shock value. The conclusion is marked by multiple twists and turns, leaving a sense of sadness and shock.

In conclusion, El Pico is a well-crafted depiction of drug addiction with clever narrative twists that make it worth watching. I would give it a score of 7.5/10 and strongly recommend it.

I recently watched YellowBrickRoad (2010) on Shudder. The storyline centers around a New Hampshire town where the entire population disappeared down a mysterious path in the woods and never returned. Sixty years later, an expedition sets out to find the road and uncover the fate of the missing townspeople.

Co-written and co-directed by Jesse Holland (The Crooked Man) and Andy Mitton (The Harbinger), the film stars Michael Laurino (I am Frankie), Anessa Ramsey (The Signal), Cassidy Freeman (Smallville), and Tara Giordano (The Witch in the Window).

YellowBrickRoad is a film that had potential with a better budget and production team could have been solid. The premise offers a solid setup and a worthwhile backstory. There are moments of solid writing and acting that effectively convey the characters' deteriorating mental state. The background music shows promise as well. However, the overall atmosphere falls short, lacking the eerie intensity of films like "The Blair Witch." The horror elements and kills could have been executed with more impact, although there is a memorable leg rip scene.

In conclusion, YellowBrickRoad is a film that struggles to make the most of its resources. I would give it a score of 2/10 and recommend skipping it.

My daughter and I recently watched Blue Eye Samurai (2023) on Netflix. The storyline revolves around a young woman who conceals her identity while seeking revenge. She is of mixed white and Japanese heritage, and she embarks on a quest for vengeance against four white men, including her father, who are responsible for her mother's death.

Directed by Jane Wu (Jackie Chan Adventures), the series features the voices of George Takei (Star Trek), Maya Erskine (Mr. & Mrs. Smith, television series), Cary-Hiroyuki Tagawa (Mortal Kombat), and Kenneth Branagh (Oppenheimer).

Blue Eye Samurai is an outstanding Netflix samurai anime series, blending samurai action, supernatural elements, cultural themes, and gore seamlessly. The storyline is rich in depth, and the anime style complements the premise perfectly. The characters are well-developed, with intriguing backstories. The action scenes are excellently executed, offering a satisfying mix of gore, flying appendages, and blood splatter. Additionally, the soundtrack enhances the overall experience.

In conclusion, Blue Eye Samurai stands out as another exceptional Netflix anime/animated series. I would give it a score of 9/10 and highly recommend it.

I recently watched the Japanese film Tetsuo: The Iron Man (1989) on Shudder. The story follows a man with a metal fetish who inserts metal into a wound, leading to a transformation and a potential killing spree...

This picture is written, directed by and stars Shin'ya Tsukamoto (Bullet Ballet) and also stars Tomorô Taguchi (Non-Stop), Kei Fujiwara (Organ) and Nobu Kanaoka (Tokyo Fist).

This film was way ahead of its time and a unique addition to horror. The use of props, gore, and transformation scenes is impressive, especially considering the lack of CGI. The cinematography is striking, and there are memorable sequences involving a drill, another with robot sex, as well as a great sequence with a fork. There's also a brutal self surgery to get the movie started. There's just so much to like here. It reminded me of Riki-Oh and Bloody Muscle Body Builder in Hell.

Overall, Tetsuo: The Iron Man is an artistically crafted horror film that is a must-see for fans of the genre. I would score it an 8/10 and strongly recommend it.

I recently watched Remo Williams: The Adventure Begins (1985) on Tubi. The story follows a cop whose death is faked so he can join a secret government organization. Assigned to stop an Asian organization involved in political scandals and arms dealing, he embarks on a thrilling adventure.

This picture is directed by Guy Hamilton (Live and Let Die) and stars Fred Ward (Tremors), Patrick Kilpatrick (Minority Report), Joel Grey (Cabaret), James Allen Preston (A Few Good Men) and Katherine Mulgrew (Star Trek: Voyager).

This film is reminiscent of Sonny Chiba's Streetfighter. The fight scenes are well-executed, and the movie captures the essence of 80s action with cliché training sequences and memorable moments like head explosions and Coney Island scenes. Wilford Brimley's performance adds to the charm, and the soundtrack complements the action.

In conclusion, Remo Williams: The Adventure Begins is a must-see for fans of 80s action. With its thrilling fights and nostalgic vibe, it's a solid entry in the genre. I'd give it an 8/10 and strongly recommend it.

My daughter and I caught Tarot (2024) in theaters last night. The story follows a group of friends who rent an Airbnb for a night of fun but stumble upon cursed tarot cards instead of the expected liquor cabinet. As one friend attempts to read fortunes, they unknowingly unleash dark forces.

This picture is codirected by Spenser Cohen and Anna Halberg, in their directorial debuts, and stars Harriet Slater (Pennyworth), Avantika (Mean Girls), Jacob Batalon (Spiderman: Homecoming) and Larsen Thompson (The Midnight Club).

This film falls into the cliché Hollywood trope of teenagers making foolish decisions in a big-budget horror setting. This has an $8 million budget (and $11 million in revenue to date). This film is shot cleanly and incorporates CGI with impressive masks, costumes, and makeup. However, the kills are lackluster, with limited gore and most deaths being the killer's action and a quick cut to blood splatter. The characters are unremarkable, and the storyline is predictable. Dialogue and jokes fail to land, offering little to engage the audience.

In conclusion, Tarot is a subpar addition to the horror genre, lacking the standout qualities needed to make it memorable. I'd give it a 4/10 and suggest it only as a last resort if better options are unavailable.

I recently watched the biker movie Born to Ride (2011), starring Casper Van Dien (Riko from Starship Troopers) on Tubi. The story follows two buddies on a road trip to a biker rally who find themselves embroiled in a political scandal and money laundering scheme.

This picture is directed by James Fargo (The Enforcer) and outside of Casper Van Dien stars William Patrick Muldoon (Starship Troopers), William Forsythe (Raising Arizona) and Theresa Russell (Wild Things).

This film falls short in every way. While Van Dien's performance as a biker is intriguing and there are a few comedic moments, the overall quality is lacking. The writing feels subpar, and the film has a made-for-television vibe. Despite a solid cast, the acting doesn't elevate the weak material, and even the soundtrack falls short. There is some nudity but not the girl on the cover.

In conclusion, Born to Ride is a disappointing movie that fails to deliver. With its uninspired writing and lackluster execution, it's best to skip this one. I'd give it a 2/10.

I recently watched the Mexican giallo 🇲🇽 Mary, Mary, Bloody Mary (1975) on Shudder. The story follows a woman traveling across Mexico, leaving death in her wake wherever she goes. Men and women alike disappear after encountering her, and a new lover who hopes for a future with her may be the only threat to her deadly lifestyle.

Directed by Juan López Moctezuma (Dr. Tarr's Torture Dungeon) and starring Cristina Ferrare (The Weather Man), John Carradine (Stagecoach), David Young (Hellraiser III), and Helena Rojo (Foxtrot).

Mary, Mary, Bloody Mary offers a unique and skillfully crafted blend of vampire and giallo genres. The circumstances, characters, and their motivations are well-established, contributing to a methodically delivered plot. While the kills are relatively average and gore is limited, the film compensates with several noteworthy twists and turns in the conclusion, providing a satisfying resolution.

In conclusion, Mary, Mary, Bloody Mary is a fun and distinctive addition to the giallo genre, deserving of attention from fans. I would rate it 6.5/10 and recommend seeing it at least once.

My wife and I caught The Fall Guy (2024) in theaters last night. The plot centers on a stuntman who, after a debilitating accident, loses both his confidence and direction in life. A year later, he receives a call for help for the woman he once loved, prompting him to return to the movie industry to help her. However, upon arrival, he discovers ulterior motives at play, leading to unexpected twists and turns.

Directed by David Leitch (Bullet Train) and featuring a star-studded cast including Ryan Gosling (Barbie), Emily Blunt (Oppenheimer), Aaron Taylor-Johnson (Kick-Ass), Winston Duke (Black Panther), and Hannah Waddingham (Ted Lasso).

The Fall Guy had the potential for a compelling romantic comedy, but unfortunately, the excessive $130 million budget leads to over-the-top scenes and cheesy moments in almost every frame. Despite solid performances from the cast, the film suffers from poor editing and unrealistic storytelling. While there are a few good lines and a touching love story, the movie is weighed down by drawn-out scenes that diminish its impact. Even after the apparent conclusion, the film continues with behind-the-scenes shots during the credits and additional scenes post credits, prolonging the experience unnecessarily (even if I did enjoy the behind the scenes shots).

In conclusion, while The Fall Guy boasts a promising premise, it succumbs to overproduction, poor editing and an abundance of cheese. I would rate it 4.5/10 and recommend it only with appropriate expectations.

I recently watched Nomads (1986) on Prime. The plot centers on an archaeologist who uncovers an ancient artifact that begins to haunt him, ultimately leading to his demise. Before his death, he entrusts a young aspiring professor with protecting his wife and delving into the events surrounding his demise in hopes of preventing a similar fate.

Written and directed by John McTiernan (Die Hard) and featuring a talented cast including Pierce Brosnan (GoldenEye), Lesley-Anne Down (The Great Train Robbery), Frank Doubleday (Escape from New York), Mary Woronov (Death Race 2000), and Frances Bay (Happy Gilmore).

Nomads held significant potential, and there were aspects I appreciated. While the premise is not entirely original, its execution is unique and engaging. The film gradually unravels its mysteries, inviting viewers to piece together the puzzle at their own pace, resulting in multiple worthwhile twists and turns. The conclusion is satisfying, albeit somewhat subdued. The cast delivers authentic performances, with Lesley-Anne Down and Pierce Brosnan standing out. Brosnan's accent was fun. However, I wished for more substance and perhaps some impactful kills or gore to heighten the horror elements, which were subtle and primarily serve as backstory.

In conclusion, Nomads may not be a standout film, but its unconventional approach offers something different for viewers seeking a unique experience. I would rate it 5.5-6/10 and recommend it with appropriate expectations.

I recently watched Sweetness in the Belly (2019) on Tubi. The plot unfolds against the backdrop of civil war in Africa during the 1970s, leading to a wave of refugees fleeing from areas surrounding Ethiopia to Europe. Among them is a refugee who, upon securing a job at a hospital, forms a deep bond with an African doctor.

Directed by Zeresenay Mehari (Difret) and featuring a talented cast including Dakota Fanning (Man on Fire), Wunmi Mosaku (Lovecraft Country), Yahya Abdul-Mateen II (Aquaman), and Sophie Kennedy Clark (Sorority).

While Sweetness in the Belly possesses the necessary elements for a compelling character-driven narrative, it ultimately falls short. The performances are commendable, with Fanning, Mosaku, and Yahya Abdul-Mateen II displaying excellent chemistry. The settings and overall premise offer depth and intensity, complemented by well-developed character backstories and subplots. Smart twists and turns keep the story engaging. However, the film suffers from significant lulls where it feels stagnant, failing to fully convey the desperation of the characters' circumstances. Additionally, a more impactful conclusion could have elevated the overall journey.

In conclusion, Sweetness in the Belly presents enough worthwhile elements to warrant a viewing, but it lacks the standout qualities to make it memorable. I would rate it 6/10 and suggest seeing it once for its commendable performances and intriguing premise.

I recently watched Kolobos (1999) on Shudder. The plot revolves around a group of individuals who sign up for a reality TV show, agreeing to live in isolation in a remote cabin in the woods. However, their experience takes a terrifying turn when they discover they are locked in with a serial killer.

Directed by Daniel Liatowitsch and Todd Ocvirk in their directorial debut, and starring Amy Weber (Unbeatable Harold), Promise LaMarco (Sibling Rivalry), Ilia Volok (Gemini Man), and Kim Simms Thomas (Unbreakable).

While Kolobos delivers on the horror elements, little else stands out. The premise feels recycled and lacks originality, resulting in a fairly straightforward narrative. The acting, writing, and production values appear low-budget, detracting from the overall experience. Inconsistent camera angles add to the disjointed feel, alternating between found footage-style shots and traditional cinematography. Despite a solid, if predictable, killer reveal twist, the kills offer some enjoyable gore.

In conclusion, Kolobos is an uneven addition to the horror genre, primarily recommended for diehard fans. I would rate it 5/10 and suggest approaching it with appropriate expectations.

I recently watched the Japanese anime masterpiece 🇯🇵 Mind Game (2004) on Shudder. The story follows a group of friends who find themselves in the wrong diner at the wrong time, leading to an otherworldly experience. They embark on a journey of self-discovery in hopes of finding their way back to the world of the living, should they choose to return.

Co-directed by Masaaki Yuasa (Devilman: Crybaby) and Kôji Morimoto (Memories), the animation in Mind Game is truly exceptional, blending elements of 70s psychedelia with modern facial recognition technology. The film's aesthetic evokes memories of MTV's Liquid Television, adding to its unique charm. The premise and characters are captivating from start to finish, with exhilarating action scenes, notably the unconventional dinner scene featuring a creative use of butt cheeks. The universe depicted is surreal, with standout sequences including a thrilling car chase, boat scenes, and a mesmerizing "paint dance." The conclusion offers a thought-provoking metaphor that surpasses expectations.

In conclusion, Mind Game is a clever exploration of self-discovery, life, and death. I would rate it 8.5/10 and highly recommend.

I recently watched the French film 🇫🇷 Infested (2023) on Shudder. The plot centers around a group of tenants inhabiting a dilapidated apartment building, where a sudden infestation of rapidly reproducing spiders threatens their lives.

Directed by Sébastien Vanicek in his directorial debut, and starring Jérôme Niel (Meet the Leroys), Finnegan Oldfield (Reinventing Marvin), Sofia Lesaffre (Meanwhile on Earth), and Théo Christine (Gran Turismo).

Infested relies on atmospheric tension and impressive special effects to deliver its horror, prioritizing the intensity of the circumstances and creatures over explicit kills or gore. The portrayal of the spiders and their movements is particularly well-executed, adding to the film's suspense. The opening scene effectively sets the tone for the rest of the movie, while the haunting settings and sets enhance the overall atmosphere. Additionally, the soundtrack complements the visuals perfectly.

In conclusion, Infested offers a solid viewing experience, although I personally preferred Sting from earlier this year. I would give it a score of 6/10 and recommend it to horror enthusiasts.

My wife and I attended an early access screening of Kingdom of the Planet of the Apes (2024) this evening. The storyline unfolds after the demise of Caesar, ushering in new leadership within the kingdom. We are introduced to an outsider ape tribe with their own survival methods, setting the stage for an impending clash between two worlds. Meanwhile, humans teeters on the brink of extinction, yet begins to reemerge with mysterious intentions.

Directed by Wes Ball (Maze Runner 1-3) and featuring a talented cast including William H. Macy (Shameless), Kevin Durand (Abigail), Freya Allan (The Witcher), Owen Teague (It), and Karin Konoval (War for the Planet of the Apes).

The film surpassed our expectations, offering a surprisingly deep storyline reminiscent of Apocalypto at times. The characters are well-developed, each with their own distinct cultures and lifestyles. The villains are portrayed with chilling intensity, their motives clearly defined. A compelling falconer subplot adds depth to the narrative. The CGI, lighting, and cinematography are top-notch, enhancing the immersive experience. The action sequences are elite, with standout invasion scenes. My wife even experienced some jump scares, much to my amusement. While some scenes are predictably over-the-top, the film delivers a satisfying twist ending that left us impressed.

In conclusion, Kingdom of the Planet of the Apes exceeds expectations with its compelling storyline, stunning visual effects, and thrilling action sequences. It's a must-see for fans of the series. I would rate it 8/10 and strongly recommend it.

I recently watched The Stylist (2020) on Shudder. The plot revolves around a socially awkward hairdresser yearning to emulate the successful and content lives of her clients. She embarks on a disturbing journey to transform herself, resorting to extreme measures to achieve her desires.

Directed by Jill Gevargizian (Dark Web) and featuring a talented cast including Najarra Townsend (Contracted), Brea Grant (After Midnight), Jennifer Seward (I Am Lisa), Sarah McGuire (They Wait in the Dark), and Davis DeRock (The Land).

This film offers a unique character study reminiscent of "May" in many aspects. Najarra Townsend delivers an outstanding and authentic performance, anchoring the narrative with impressive character delivery. The intentionally awkward and uncomfortable scenes are executed flawlessly, contributing to the film's unsettling atmosphere. The premise is refreshingly original, and the horror elements are executed with finesse, particularly the standout scalping scenes. While the storyline's evolution may follow a straightforward and predictable path, it remains engaging to witness unfold.

In conclusion, The Stylist emerges as a distinctive and noteworthy addition to the horror genre. I would rate it 7.5/10 and recommend giving it a watch.

I recently rewatched Bait (2000) on Tubi. The plot centers on a lifelong petty criminal offered a chance by the police to secure his freedom in exchange for helping them capture a targeted criminal. However, what appears to be a golden opportunity may carry unforeseen consequences for our thief.

Directed by Antoine Fuqua (Training Day), the film features an ensemble cast including Jamie Foxx (Ray), David Morse (The Green Mile), Kimberly Elise (Diary of a Mad Black Woman), Mike Epps (Next Friday), Jamie Kennedy (Scream 2), and David Paymer (Get Shorty).

Bait is one of those films that consistently surprises with its humor, largely thanks to Jamie Foxx's comedic prowess. The character development is well-done, allowing Foxx ample room for his comedic escapades. Additionally, the love story and baby elements add depth, with Kimberly Elise delivering a strong performance. However, beyond the character development, the film falls into the realm of predictability, with a straightforward storyline and exaggerated circumstances leading to an ending that may seem too convenient.

In conclusion, while Bait offers comedic moments and showcases Jamie Foxx's talents, it struggles to rise above its ordinary storyline. I would rate it a 6/10 but still recommend giving it a watch, if only for Foxx's performance.

I recently revisited the Stephen King classic Pet Sematary (1989) on MAX. The plot follows a family who moves to a small Maine town, unaware of the dark secrets harbored by the community's nearby pet cemetery, secrets that will irrevocably alter their lives.

Directed by Mary Lambert (Pet Sematary II) in her major motion picture debut, the film stars Dale Midkiff (The Crow: Salvation), Denise Crosby (Deep Impact), Fred Gwynne (The Munsters), and Brad Greenquist (Ali).

The film's atmosphere is impeccably crafted, imbuing every scene with a sense of mystery and intensity. Its intricate storyline interweaves fascinating subplots, delving into the inner demons of the characters, highlighted by the mom's sister backstory and the father's loss of a recent patient...mirroring the darkness of the Indian burial ground primary plot. While the concept of bringing the dead back to life is not new, the film's execution of this premise is masterful. Fred Gwynne's portrayal of Jud is particularly noteworthy, adding depth to the narrative. The horror elements are effectively chilling, with standout scenes involving Gage and the cat. Additionally, the film features one of the most dramatic child accidents and memorable Achilles slices in cinematic history. The conclusion is a fitting and haunting finale to the tale.

In conclusion, Pet Sematary rightfully earns its place in the horror hall of fame and stands as Stephen King gold. I would rate it 10/10 and highly recommend it as a must-see.

My daughter and I recently enjoyed the series Mr. Bean (1990) on Prime. The storyline revolves around a peculiar man with unconventional perspectives on life, turning even the simplest tasks into comedic adventures.

Created by, written, and starring the legendary Rowan Atkinson (known for Johnny English), the series excels in its portrayal of Atkinson's distinctive behaviors, mannerisms, expressions, and dry, slapstick humor. His exaggerated antics and unpredictable nature consistently evoke smiles and laughter throughout each episode. Not to be overlooked is Teddy, providing an underrated supporting role in Bean's escapades. Personally, the Christmas episode, pool sequence, and any scene involving his car stand out as favorites.

In conclusion, Mr. Bean remains a timeless classic in the realm of comedy series, deserving of a 9/10 rating. I wholeheartedly recommend it to all viewers.

I recently watched the Mexican thriller 🇲🇽 Rage (1966) on Tubi. The story revolves around a depressed doctor who, while researching a rabies infection, gets bitten by a rabid dog and has only 48 hours to reach the hospital before succumbing to certain death. Along the way, he is aided by new friends and possibly a newfound love interest.

Directed by Gilberto Gazcón (Remolino), the film features a stellar cast including Glenn Ford (Superman), Stella Stevens (The Poseidon Adventure), David Reynoso (Mariachi), Maura Monti (The Bat Woman), and Gilda Mirós (The Fearmaker).

Rage exceeded my expectations with its authentic performances, perfect setting and attire, and atmospheric props. The subplots involving the prostitute and the doctor add depth to the story, while the unpredictable plot twists keep the audience engaged. The opening dog and cat fight scene is entertaining, the love story is unique, and the birthing scene is intense given the circumstances. The inclusion of children in the bus at the end is a brilliant touch, adding layers to the narrative.

In conclusion, Rage offers enough unique elements to captivate audiences until its climactic end. I would rate it a 7/10 and recommend giving it a watch at least once.

I recently revisited Stripes (1981) on Tubi. The story follows two friends who, facing financial and existential struggles, decide to join the army as a fresh start.

Directed by Ivan Reitman (Ghostbusters) and starring Bill Murray (Ghostbusters), John Candy (Armed and Dangerous), Harold Ramis (Ghostbusters), Sean Young (Blade Runner), and John Larroquette (Night Court).

This film is a quintessential example of 80s comedy gold. Murray and Ramis share impeccable chemistry, while the supporting cast, particularly John Candy and John Larroquette, deliver standout performances. The film features stunning ladies and memorable scenes, including shower sequences and the iconic mud-wrestling match. The comedy is quintessentially 80s, with brilliant sequences like the taxi ride, sharp dialogue, and entertaining training scenes. The military sets and props are excellently crafted. While some plot points are unrealistic, the stellar cast keeps the audience engaged from start to finish.

In conclusion, Stripes is an 80s comedy classic that demands to be seen. I would give it an 8/10 and strongly recommend it.

I recently watched Hideaway (1995) on Tubi. The story centers on a father who miraculously survives a car accident only to discover he has gained strange psychic powers. Determined to seek justice against his killer, he grapples with disbelief from his family who thinks he has lost his mind.

Directed by Brett Leonard (The Lawnmower Man), the film features a star-studded cast including Jeff Goldblum (Jurassic Park), Alicia Silverstone (Clueless), Alfred Molina (Spider-Man 2), Jeremy Sisto (Wrong Turn), and Rae Dawn Chong (Commando).

Unfortunately, Hideaway feels like a poor imitation of The Lawnmower Man, lacking its predecessor's quality. Despite the talented cast, the father-daughter dynamics feel forced at times, and the dated CGI fails to impress, making certain scenes painful to watch. The conclusion is predictable and uninspired.

In conclusion, Hideaway disappoints as a science fiction/horror film, squandering the potential of its solid 90s cast. I would rate it a 3.5-4/10 and suggest skipping it.

I recently watched Police Story (1985) on MAX. The story revolves around a police officer who becomes entangled in a battle against the mafia. When the mafia frames him for the murder of a corrupt cop, he must clear his name by taking down the mafia while evading fellow officers pursuing him.

Co-directed by Jackie Chan (Drunken Master II), and Chi-Hwa Chen (The 36 Crazy Fists), the film stars Chan himself, alongside Maggie Cheung (Hero), Brigitte Lin (Chungking Express), and Hark-On Fung (Kung Fu Hustle).

Police Story stands as an iconic Jackie Chan movie, showcasing his brilliance in action. The legendary opening car chase down the hill sets the tone with a perfect 10/10 action scene. The action choreography is exceptional, featuring thrilling throws and acrobatics that never fail to entertain. While some love story elements may drag, Maggie Cheung's presence adds a touch of elegance to the screen. The film's ending is predictably but worthwhile over-the-top, and the outtakes provide a delightful bonus.

In conclusion, Police Story is a true Jackie Chan gem, blending martial arts with comedy seamlessly. It's a must-see that I would rate an 8/10 and strongly recommend.

I recently watched The Werewolf (1956) on Tubi. The story follows two scientists who, after a car accident leaves a man severely injured, bring him home to test a serum on him. However, the serum transforms him into a man-eating werewolf.

Directed by Fred F. Sears (The Giant Claw) and Steven Ritch (City of Fear), the film stars Don Megowan (Blazing Saddles), Joyce Holden (Private Eyes), and Larry J. Blake (Sunset Blvd).

I found this to be a unique take on the werewolf genre, with a compelling backstory and premise that is well narrated. While the werewolf transformation scenes may feel dated, they still offer an enjoyable experience, particularly the sight of a Wolfman in a business suit. The subplot involving the family and the unfolding of the story is smartly executed, and the ending, while somewhat sad, feels realistic.

In conclusion, The Werewolf offers a distinctive and enjoyable addition to the horror genre. I would give it a 6/10 rating and recommend giving it a watch at least once.