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Reviews
Piso porta (2000)
A boy loses his father and struggles with everyday life as a teenager in Athens during the dictatorship
Having read other reviews on this film i find myself in disagreement with much of what has been said so far about it. Most people have missed the point of this film and misinterpreted it as a film about how a boy looks at situations and the dictatorship. Well... it simply isn't about that. We are not meant to see things as young Kemeras does, because, most importantly, he is not a child-spectator of things that he does not yet understand. He is quite mature for his age and his perception is almost infallible! He hangs out with an older boy, he thinks about sex before his classmate does, he experiments with sex long before we begin to understand that he is not by any means a "baby". The passing of his father, it seems, has nudged him out of the juvenile attitude that characterizes most boys of his age and propelled him into puberty before he was due. The film often cuts to the future where our protagonist is shown in a dictatorial military prison (where usually the shameful dictatorship would send 'communists'). I insist that the cuts are not there to 'make you keep watching'. They are used (skilfully in my opinion) by the director to show the suffering of a generation of people at the time of the Junta. They are there to contrast the period of uncertainty which preceded the military coup and the establishment of the junta which is again reflected in the state of young Kemeras. The uncertainty in life after he had lost his role-model father, the notion that his uncle might be homosexual, the constant worry that he might have an STD, the idolisation of sex, the rejection by his 'sweetheart' and the wavering of his family's political persuasion through his stepfather. The performances are fine with veteran Greek actors supporting the young cast. I found the dialogue to be slightly anachronistic at times (i'm not sure whether certain phraseology was used back in the 60's and 70's) and that some of it comes out forced and overly rehearsed. Overall the film is well shot and cut and at the end of the day the politics of it are important as ideologies often shine through people, whether we like it or not. Recommended.
Testosteroni (2004)
Young, Greek sailor gets stranded on his home island only to find that it has changed since the last time he visited
This film is a fine attempt to explore the psychic of a soldier who has not been with a girl for a long time. For all we know our "hero" may have never been with a girl altogether, but of that i can only speculate. The film delves into a story which begins with a simple premise and then extrapolates itself into an exaggeretion of male sexual fantasy which verges on the schizophrenic. Testosteroni (Greek for the obvious testosterone), we are told, is the driving force behind our "hero's" actions and perceptions. Empirically testosterone is not good counsel and it is suggested that it obscures judgement to the point of paranoia. The direction of the film is... sufficient to get the point across. The director utilises the Greek colours, often symbolising purity and cleanliness, the sea and the isolation of the island to contrast our hero's condition. I found that the film has not broken any taboos. Greek films, many a time, have touched upon similar subjects, maybe not as their central themes but more like side themes, and have conveyed pretty much the same messages. This films goes one step further. It pushes its theme over the line. But is that necessary? It might be... Maybe the fact that the film is more revealing than other Greek films and maybe that the central character is not an ordinary full blooded Greek soldier (just like the ones we are used to) does make a difference...