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Bed Peace (1969)
8/10
Very enjoyable
2 February 2007
Warning: Spoilers
It's a pity John Lennon's estate has not let this film be released, as it is far more enjoyable than I anticipated. A screening at the Pacific Film Archive, Berkeley, gave me access to this gem, which depicts John and Yoko taking advantage of the bureaucratic delay blocking their admission to the U.S. by staging a 'Bed-in for Peace' in a Montreal hotel room in April 1969. For a whole week, they do not leave their bed, after decorating the room with their drawings, flowers, and so on. But like the mountain coming to Mohammad, John doesn't need to go anywhere because everyone comes to him. Reporters crowd the room, and John also has one-on-one interviews with interesting 60s characters like Tim Leary. I should say 'John and Yoko' as she is always present, but really comes across as a less-articulate female version of John. However, to give her her due, her artistry really comes across in the superb editing of this film, which is never boring. Furthermore, the intimate scene between her and John near the end is truly touching.

For historians of the period, there is some stellar footage of John speaking with the rioters at Berkeley's Peoples' Park, and imploring them to be nonviolent, no matter the provocation. John's nonviolent political philosophy is articulated well throughout the film, and culminates in the simple but moving 'Give Peace a Chance' -- and how wonderful to see on film the recording of the version of the song, in the hotel room, that has become famous.

Lennon fans, please write to Lennon's estate to request this important piece of cultural/musical history be released!
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Angel (1937)
9/10
How has it been overlooked?
19 January 2007
Lubitsch is recognized as one of the great directors of the 30s, and yet this wonderful film is not on any of the usual critical lists of notable films. Perhaps it was too modern for its time. It is perhaps Dietrich's best English performance (though even here she could be a bit more subtle), but the real star is the director, shining in the shots he composes and performances he coaxes from his actors. Lubitsch is a master of subtlety, and when he places important moments off-screen, it is in such a way as to heighten their impact. Since the censorship code is in effect, the sexual elements are cleverly concealed. For example, Halton and Barker discover that in Paris they both visited the same... seamstress. The naive Hays Office must have thought that was the joke, but the real joke is on them for it is clear--at least today--that the two did not visit her to get their sewing done. The sophistication of the film is unusual for its time.

Pages could be written about this film. Suffice it to say that if you like 30s film at all, see this. In certain moments, it feels perfect. Probably one of the top 25 of the decade.
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