Reviews

FILM: Claire in Motion DIRECTORS: Annie J. Howell, Lisa Robinson RATING: 3/10

This film follows Claire and her son in the month after Claire's husband goes missing. Judging from the performance by lead actress Betsy Brandt though, you'd believe Claire never actually met the man as she has so little invested in his disappearance. With its deadly pace and quiet landscape, this film never quite picks up enough steam to level a feeling of honesty about the missing, and possibly dead, husband. Instead the co-writing, co-directing team get so distracted with a relatively uninteresting wife/mistress rivalry between Claire and her husband's colleague, that this turns into another story of an emotionally unavailable wife pitted against a younger woman who feels herself a bit too much. The husband's disappearance, it ultimately seems, is an absurd catalyst for a cliché set of circumstances. Deemed so unimportant by the writers in fact (SPOILER ALERT), the husband's disappearance is never even solved. With an underwhelming emotional landscape and a maddeningly unsatisfying ending, this film manages to bring very little to the table.

FILM: 10,000 Miles DIRECTOR: Simon Hung RATING: 5/10

What starts off as a beautifully shot, wholly engaging film is marred by a few jarring twists and unnecessary plot developments. Kevin and Sean are brothers who, from an early age, realize they have the gift of speed. They naturally are taken to running with the older Sean constantly referring to the younger Kevin as a tag-along. Of course this sparks in Kevin the desire to beat his brother, and so he pursues long-distance running with a fierceness of spirit and a refusal to ever give up. With a strong opening act, this film really just had to ride the tailwind to be successful. Throw Kevin a few losses, maybe a steamy love story that threatens to steal his attention, and an eventual big win in the third act and it's hello, Rudy! But that's not where Director/Writer Simon Hung takes us at all.

As the older Sean's life falls apart and he is reduced to a life of drug crime, Kevin's foolishness gets the better of him as well. What follows are several subplots of varying degrees of silly, including one that tries to pull off a Revenant style battle with a CGI wolf (unsuccessful), and another where someone's kidney is stolen on the black market. By the time we reach the 10,000 mile race of the title, the Director is so confused about what's important to the audience, that the film ends abruptly, leaving the earnest heart that was once at the forefront of this film inside the travel size ice chest with the black market kidney.

Daryl Davis is a serious man with a unique approach to a complicated issue. An accomplished piano player, Davis spends his free time collecting Ku Klux Klan memorabilia in the hopes of one day creating a Ku Klux Klan Museum. Odd enough already for a black man, but his collection is a bit more specific than that. Everything in his collection has been gifted to him by former Klan members who left the Klan after starting a friendship with Davis. So essentially, Davis befriends Klan members in the hopes of humanizing the black experience and collecting their robes, though he would insist there is no agenda and that they are truly his friends. He calls them his friends, he laughs with them. At one point the camera actually catches Davis adjusting the hood of a Klan member as he suits up. While this is perplexing to some people, it is absolutely infuriating to others.

Just because the film is examining Davis closely though, do not assume the Director is attempting to sanctify him. Matthew Ornstein does a fantastic job of presenting both sides of a polarizing issue without ever landing the film squarely in either camp. In fact, the most engaging sequence in the film is a heated debate towards the end which reveals the many cracks in Davis's armor, a risky move with a title character so close to the end of the film. But Ornstein seems to know there is standing room on both sides of the issue and he, like the audience, seems to be treading a path back and forth between the two sides. This film may leave you with more questions than it answers, but it is certainly a conversation worth having.