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The Traitors UK (2022– )
3/10
Nice premise but far too drawn out with lots of very pointless, overly cringey segments.
20 January 2024
Starts like any other cringey, largely pointless series of its ilk with random people meeting one another and being massively over familiar.

Traitors though actually shows real promise.

The strategy at play and the dilemma posed throughout is quite simply brilliant.

This premise of real people not knowing whether they are alliging at all points with friend or foe is alluring enough to carry us quite blissfully through to episode 4 without noticing how much time has passed.

We can shrug off the massive waste of time which is the poorly conceived tasks, overlook the times when basically everyone begins crying real tears over the natural progression of the game and we can just about tolerate Ms Winkleman.

Where we finally have enough and switch off is where Traitors starts overtly deceiving us in terms of the expectations that we have as far as the specifics of the show.

It's fairly addictive and hard to turn away from - up until the point where, having had the reveals reliably land at the end of each episode, we are suddenly forced to wait until the beginning of episode 4 for the reveal of who has been banished from episode 3.

Granted you can just skip to the next episode, but its at this point anyone with any standards or with anything to do (other than simply binge-watch hours of garbage) begins to get annoyed.

The final straw comes when two characters who didnt make it into the show proper are suddenly inserted out of nowhere. How is that fair? How does that make any sense? Why did any of the show's producers think that was a good idea?

This was the exact poiny I gave up and decided to simply google the results, turn the show off and vow never to invest any more time in any of this utter tripe again.

Looking back, it really is a total cringefest featuring basic extras.

The number of times the show cuts from some form of action or real life clash to a calmer scene does make me question how much of the suspense and the unfolding of the game to take at face value.

Chances are they are all just acting (poorly) the entire time.
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3/10
Not very good but there is an okay car chase scene at the end
26 December 2023
There aren't many particularly redeeming features of this snoozefest.

Sandler gives everything but comes up short.

Aniston gives very little and comes up shorter.

The plot is non existant. Just cliched Agatha Christie / Hercule Poirot drivel.

Avoid.

The worst thing about this movie is that at no point is it even funny. Never once will you find yourself genuinely laughing. So given the entire point of it is that it is a tonuge-in-cheek pastiche of a classic genre, the very least we might expect is some genuine comedy.

But no.

Someone got carried away with the idea of glitz and glamour, Monaco and picturesque Italy and took control.

This is the very antithesis of In Bruges.
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Mindhunter (2017–2019)
2/10
A virtuoso lesson in how not to mix sound down
26 December 2023
I have no idea how great this might have been.

Perhaps I am old school, but in no way can I watch something where the sound is so poorly mixed that it is literally impossible to follow the dialogue.

How in 2017 has the sound person got this so badly wrong? Is it some vain attempt to force viewers to turn on subtitles - which I never would do..?

During the dialogue scenes, of which there are many, haunting music is turned up to an 8, whilst the dialogue itself is down at around a 3 or 4.

I just cannot get my head around how such a schoolboy error could have occured in something, otherwise, so well made. Really infuriating.
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5/10
Too many plot holes. The movie's own mechanisms are not even properly observed nor abided by.
25 April 2023
Warning: Spoilers
Part of me wants to love this movie.

But the reality is that this movie kinda sucks.

Amy Smarts performance is incredible, in fact most of the cast put in stellar performances.

Kutcher does a decent, albeit flawed, job.

Eric Stoltz is at his creepy best, giving an unnervingly toxic portrayal of a sadistic child abuser.

Most of the performances are great, however it is Smarts that really stands out. A+ performance from her.

My biggest problem with this movie is not how far fetched it is, but how it sets clear ground rules and then proceeds to smash them into oblivion any time it suits the narrative.

That's just so annoying and a massive fail for any serious movie watcher.

The obvious points being the fact that no one outside of Evans social circle has their reality changed at all by events that take place (which completely goes against the premise of chaos theory) and the other clear failure being the scene where young Evan impales his hands in front of the teacher.

This is the point where I completely lost all respect for the narrative and distances myself from any further involvement or close scrutiny.

The story does not in any way support the idea that young Evan impaled his hands, in any of the supposed realities. It's just a cheap trick that is inserted to solve a problem.

It's a tacky way of making ends meet.

Its a major major plot hole, and one that all but casual viewers should find immensely aggravating.

We are also given no clue as to how this all started for Evan, or at what point he had his first blackout.

And he has regular blackouts, and blackouts which are a direct result of him shifting back to a different reality? No clear explanation as to which blackouts are which.. We are left guessing as to how this works within the framework of the rules loosely set by Butterfly Effect.

This starts to wear thin by the sorority scene.

So, let's get this straight, when Evan reads and focuses on an entry in his journal written following a blackout, he can move himself back to the point in time the blackout that prompted the journal entry occured.. okay, fine.

Except in the all important final sequence this isn't what happens, this rule is not observed in the slightest.

Instead, Evan uses a home video of his own birth to transport back to the point where he is about to be born. This makes zero sense.

I know this is one of the alternate endings but it is the one I watched most recently prior to writing the review.

The hardest part of Butterfly Effect to accept is just how incredibly great this movie could have been if just slightly more effort was worked into the plot.

The key areas are all covered - a great premise; fundamentally brilliant performances from a cast whom appear to gel effortlessly; a somewhat unknown but more than capable cast made of up not-yet-famous but suitably gifted actors.. the possibility for multiple different endings, mirroring the moral of the story; solid cinematography, editing, score etc..... and yet it is all for nothing.

Imagine if this movie had been delayed just long enough to fill the obvious plot holes, and they had released 3 or 4 differing endings.. all randomly selected throughout movie theatres.. viewers arguing over what happened, debating over what the ending was, confused as to just how great the movie was and what reality they had experienced during the showing.. just imagine how many people would have gone to watch this film multiple times upon release.

That would have been epic.

Instead we get this schtick.

The movie equivalent to noodles in tomato sauce.
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Villain (I) (2020)
2/10
Shockingly cliched, about as bad as a crime film could possibly get
2 February 2023
Not sure this film even deserves 2/10.

The entire film is so cliched with absolutely no plot twists, turns or anything even remotely imaginative happening from start to finish.

It's as if an avid Eastenders fan watched some crime films and decided to take all of the worst aspects of everything they had ever seen and compile them into this god awful drivel.

There are no visible connections between the characters ,we feel nothing but utter contempt for any of them, every aspect of the "plot" has been done countless times before to the point we can easily see each and every move the lead character makes a mile before it happens.

We are just not, at any point, encouraged to care one iota about any of the specimens in this entire story. You would be forgiven to praying for an apocalypse to strike the pub and everyone within a five mile radius. If Russia invaded part way through the story and annexed the East end of London, committing war atrocities left right and Centre, then having invested the time we had into this horrible movie, we would have been grateful of the turn of events. It's that bad.

Avoid.

Total rubbish.
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Axed (2012)
1/10
Awful with no redeemable qualities whatsoever
2 February 2023
Never have I been subjected to such ill thought out drivel.

The only reason to keep watching until the end is the sheer amount of unintentional comedy. Every now and then Axed becomes so bad it is actually amusing. Occasionally just as you think it can't get any worse, something even lower quality happens and you can't help but smile.

I will say it is entertaining, in the sense that how something so bad can actually make it to the point of completion is something of a success in itself.

It starts off badly with the opening scene, then we get some intrigue as we are momentarily confused as to whether this will develop into a thriller or a comedy, then it just gets worse and worse as the violence escalates and any semblance of plot is completely abandoned.

Crazy just how bad this film is yet you can't seem to look away. It's like a car crash. Definitely a lesson in there somewhere, but not one of any value.
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Glass Onion (2022)
2/10
Atrocious
26 December 2022
An Agatha Christie style whodunnit set on a lavish private Greek island compound featuring social media influencers might not have been a bad idea.

Sadly Glass Onion is not that.

It would have worked so much better if it had stuck to the more traditional tried and tested murder mystery recipe.

Instead what we are treated to is contrived, shallow, poorly thought-through trash.

The characters are cliché without being captivating, the acting is awful and the plot is so bad it's just plain bad.

Edward Norton seems unfocused and fails to pull off a role that merely requires him essentially being himself; an arrogant, rich prick.

Horrible performance which should mark the end of him ever starring in anything remotely major again.

Unless he is playing a cocaine addict then he is simply not believable at this point.

The most confusing performance though is by Daniel Craig, his American accent is inauthentic and unnecessary. Why they chose to make his character American in the first place is baffling when an English character would have fitted equally well, made his job easier and made his performance bareable.

Terrible all around.

Two words; contrived and convoluted.
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5/10
Clearly guilty
1 December 2022
Warning: Spoilers
Jason was on the wrong side of the road, with opiates in his system and likely sending text messages when he caused a head on collision causing the deaths of two other people.

How he can look anyone in the eye and claim this was simply a road traffic accident is beyond belief.

We saw glimpses of his delusional god fearing persona throughout the documentary..we also saw telltale psychological signs of guilt, not to mention enough evidence that proved he was to blame for the collision.. however it seems the jury did not pick up what the viewer surely did, in that here is a man so fiercely in denial of any guilt that he is willing to take to his grave the fact that his recklessness caused the death of two others.

Shame on him and shame on the prosecutor.

Frankly, I am appalled that he was found not guilty and the prosecution in this case must be utterly inept as to not prove beyond a reasonable doubt that what Jason did amounted to a crime.

The US "justice" system; ladies and gentlemen.

Perhaps there are parts of America, even in this day and age, where the face simply just fits..
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Grizzy and the Lemmings (2016–2023)
10/10
Brilliant kids cartoon
24 November 2022
This has gotta be 2022's Tom n Jerry.

The graphics are fantastic, the depiction of characters is perfect, the characters themselves are consistent and the theme plausible enough for all of the action and intricacies of the story to hang together.

Some of the reviews on here have made me laugh almost as much as Grizzy.

Adults need to understand the difference between a kids cartoon and a cartoon aimed at adults. GRIZZY & THE LEMMINGS IS AIMED AT CHILDREN.

So the criticism of every episode being the same is totally misplaced.

Children need consistency, this isn't South Park or The Simpsons, this is a simple kids cartoon where children need to know what to expect in each episode.

Every episode is supposed to be the same!

The lesson throughout Grizzy is that if only Grizzy and The Lemmings collaborated and worked together they would achieve their goal.

It is all about proving to kids that team work makes the dream work.

So for adults who are complaining this is boring, too bad.. this is not a cartoon for you - please get that into your head before commenting.

There are countless cartoons for adults at this point, but Grizzy is a classic aimed at kids, where in each episode the theme is identical but the details change and how the same story unfolds changes every time.

That's what young children need and what dials them in and aids focus. The last thing kids need is something complex where they need to follow a plot that evolves through multiple episodes.

The Creators of Grizzy have nailed it.

The imagination that goes into each episode, how the tremendous score carries all the action along and the subtle clues and hints as to what is going to happen next are borderline genius.

Easy 10/10.
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Sin City (2005)
9/10
Incredible and underrated masterpiece
16 November 2022
The more times you watch Sin City the better it becomes.

Everything about this film is just brilliant.

The characters are fanatically engrossing and the performances are flawless throughout. The storyline is gripping and the cinematography and overall feel of the film is absolutely classic early 2000s cinema.

It is a modern film noir where the plot continually thickens as the story progresses.

The only reason I cannot rate this as a 10 is because in parts it is just a tad too fantastical for my personal preference. But I only really love gritty, realistic stories so the various leaps of imagination required to fully invest oneself into this film exist in many many viewers - just not me.

I still love this film deep down, but I just can't bring myself to rate it 10/10. Very close to the perfect movie though, cannot recommend highly enough.
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Killer Sally (2022)
1/10
Typical of Netflix to drag this out when a 40 min documentary would have sufficed
16 November 2022
Why do Netflix always do this?

There is just enough material here for a full episode.

The fact that three episodes are presented to us means that irrelevant minor details are dragged out, pointless interviews which have clearly been filmed after many many takes are included, shots that could be omitted are elongated.. the whole thing is slow, dull and one long test of patience.

Skip the first episode.

Unless you have an interest in the world of body building circa 1988-1993 then the initial serving is completely drawn out and entirely irrelevant.

There is absolutely no good reason to include 95% of the info and details presented during episode 1.

Only at the beginning of episode 2 does the murder occur. So the first episode is nothing but a giant waste of our time.

I want to watch a murder documentary unfold, I could care less who was world body building champion in the late 80s.. seriously, no one cares.

Netflix have a habit of doing this.

We all know at this point that it is all about presenting something "new" and nothing about presenting something Of any substance or quality.

The fact is that Sally is a sad, pointless, utterly flawed character.

Even having got out of jail for a mailed on murder she continues to basque in her own self pity, refer to other people with utter contempt and blame everyone but herself for the killing of her husband.

Avoid this garbage. It is completely crass nonsense.
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6/10
Well produced, quite a slick episode but doesn't seem like a mystery at all to me
24 October 2022
Warning: Spoilers
Sad to say this does seem like a genuine suicide.

Nothing really stands out about this case that persuades the viewer that this was a murder.

Granted the family come up with multiple possibilities but this is understandable as they have lost a member of the family.

It could be explained as group think to an extent, with no member of the family wanting to cause conflict with the others by rationalizing and voicing any kind of opinion that the girl took her own life.

The shoes being taken off is relatively easy to explain. People in a poor state of mind do things like that.

When using logic, all evidence points to a spur of the moment suicide.

May she Rest In Peace.
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4/10
Bumbles along and ultimately leaves you feeling indifferent to the British justice system
14 July 2022
Warning: Spoilers
If the shoe was on the other foot and this was the more typical case of a male killing his female partner then it would certainly not have been framed more differently.

Victim shaming throughout the entire episode, never would this have been possible if the perpetrator was male and the victim female.

All along when listening to family and friends and supporters I was saying outloud "deluded". How they expected what was very obviously a murder to be squashed was just stretching reality.. until, it actually happened and Fri's murder gets overturned, without as much as a retrial.

Utterly flabaghasted and genuinely intensely sceptical of the British justice system at this point.

If roles had been reversed and the male had come home at 5am having been out drinking, got into an argument with his girlfriend, shook off a relatively minor attack which caused such insignificant injuries they didn't feature in the trial, then took out a knife and stabbed her to death, then proceeded to lie that someone else had done the stabbing and attempted to hide the knife then HE would be getting life with 20-30 years for killing HER and no one would bat an eyelid.

Not 13 years then get out of jail after 7 because he claims he was victim of an abusive relationship. Unthinkable.

This is equality in reverse. Very very worrying that a female can take a man's life and literally get away with murder because she retrospectively claims domestic abuse. Something is very wrong with this and needs to change.
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7/10
Incredible performance by Dicaprio. Disappointing ending, fails to fulfill its potential
14 July 2022
Warning: Spoilers
Dicaprio is unbelievably believable.

Only he can pull off acting whilst acting so perfectly.

At no point do we question any of his lines, actions or motives. He is brilliant from start to finish.

The subtlety with which he plays the scene where he is all but caught in the hotel room and convinces the FBI agent that he is secret service is truly a virtuoso performance, a scene for the ages which can be enjoyed aside from the film over and over again.

The problem with this film is that we are asked too hard to accept certain storylines. The major one being why, having fled the toilet of the plane and escaped on the runway, would Frank go directly to his mothers house?

That storyline just doesn't fit with the build up of his character and adds to the overall hastily written ending.

It's one of the few films that could have done with being 20-30 minutes longer.

There was no reason, having built the story up so carefully, to carelessly throw the suspense away with a hap hazard ending which does nothing other than tie up loose ends.

A real anti climax and overly disappointing ending to what was previously developing into a masterclass.
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21 Grams (2003)
4/10
Overrated. Underwhelming. Intensely self indulgent.
11 June 2022
This is certainly no Babel.

How anyone rates this above Babel is beyond me.

The performances are great, but would it have killed the writer to have put some narrative into the script?

Plodding, slow burning storylines are great when they are gripping. But this is just filler from start to finish.

It's almost as if they finished the film, realised how bad it was, took a lot of LSD and edited it. The editing and timeline is just all over the place, adding absolutely zero to the film in any way shape or form. Nine years on filmmakers were still trying to emulate the brilliantly edited Pulp Fiction. And failing.

It's really not worth watching.
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3/10
Incredible performance by Christian Bale. Film itself is complete garbage.
15 May 2022
The only thing in American Psycho that makes sense is Bale's performance.

Everything else is contrived, shallow, pointless, schlock horror masquerading as edgy, primal, subverted, dystopian black comedy.

Thoroughly predictable. Utterly contrived; neither shocking nor particularly comic.

Bale is incredible though, that much is obvious, and his character carries the entire production. In fact, all the major actors are fairly spectacular, there's not a bad performance in the film.

Such a shame then that the writers are more obsessed with making a Wall Street Clockwork Orange than they are producing something remotely original.

Massively overrated. 3.5/10 based on performances alone.
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Better Call Saul (2015–2022)
6/10
Great performances but loses its way
30 March 2022
Jimmy, Mike, Kim.. all amazing performances

Problem is, the little details.

So many things that happen are just not belivable. It fails to hold the viewers attention during season 3.

Season 1-2 are gripping but there is an under current that is missing.

Season 3 falls flat, at which point we give up.

We tried.

It failed.

Better writing would have made this the goat on Netflix.
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The Crew (2015)
8/10
Simply unmissable ~ A French Reservoir Dog Day Afternoon
17 February 2022
Taut gritty realistic crime tale.

Every single moment is as real as it gets and at no point are you forced to wonder if what you are watching could realistically happen in modern day Paris.

The most believable action crime film I have seen in a very long time.

No pretentiousness. No sass. Just pure unadulterated honest crime filth.

Loved every minute and will be watching again and again.

It might also help that I speak French but irregardless of whether or not you do, if you like gritty crime stories with no frills then you should absolutely love this one.
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The Keepers (II) (2017)
4/10
Slow and borderline boring. This could have been whittled down to 2 or 3 hours.
7 January 2022
So many useless details, and the way every last useless detail is plodded over and the gaps and space inserted between every single last thing is just excruciating.

Normally I am a big fan of a slow burner, but this documentary gives you absolutely nothing in return for your seven hour investment.

Sorry to say that Jane Doe is very difficult to watch, little she says is coherent and yet the documentary insists on going back to her over and over again. I know we are supposed to believe the victim but it's just impossible to take her account seriously. Her story seems too fantastic to be believable.

In fact, none of this story makes sense, and how it makes less and less sense over the pursuing 7 episodes is just as sad as a fifty year old unsolved murder.

Clearly this nun was no angel. The documentary is a bit of a cover up of its own, not excusing the Catholic Church in the slightest but this coverage is nothing like the whole truth. Clearly there are people featured in the film that are supposedly chasing the truth that are not giving us the full facts.

Very frustrating viewing.
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8/10
Well worth watching. Highly charged, does not let up throughout and delivers a great ending. Solid courtroom drama with ample dark comedy.
5 January 2022
One of the few films that remains rooted in the courtroom and does not lose its way.

Great performances throughout, notably Sacha Baron Cohen, Eddie Redmayne, Mark Rylance and Frank Langella as the Judge.

It is rare that a story that starts with as much pace and takes place in the confines of a courtroom has enough energy and vibrancy to carry it's message through to the end as effortless as this one does.

The ending does the entire story immense justice too, and is another rarity in that the story just builds and builds, bubbling away with no missed gear changes until we get a truly worthy ending.

As a viewer we are gripped throughout and feel that our investment over 2 hours is repaid in full and more by the curtain call.

Fantastic effort from the writers, the cast and the filmmakers themselves.
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Stay Close (2021)
2/10
Poor acting, poorly produced, poorly conceived.. Hollyoaks meets Netflix
4 January 2022
Cush Jumbo is a jumbo disappointment. Her acting in this is woeful. Her character is more fake than Santa. Impossible to take her seriously.

Nesbit does his best but the writing is just not sharp enough for him to dial in any charm and on occasion he can be found mumbling incoherently.

Unfortunately Stay Close seems to have been shot with similar setup, using similar camera angles and cinematography as Hollyoakes. That alone makes it a difficult watch. Even the soundtrack is a dead ringer for a low budget British soap.

The book itself might well be very good but the actors and the way Stay Close is shot and edited just makes it impossible to watch nor enjoy.

Really sloppy effort by all involved

Really really poor acting from top to bottom. Not a believable moment that doesn't involve Nesbit in the entire thing.
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2/10
Waste of time
31 December 2021
Complete waste of four hours.

Both lead characters rapidly drop off, as if they only have one good episode in them.

Too many plot holes and factual inaccuracies to recall.

Anyone would be forgiven for thinking that the cast and crew did not expect many viewers to watch all four episodes so simply gave up toward the end.

Final episode is pure trash. Even down to the shockingly badly choreographed action scenes.

Avoid.
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