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Reviews
Á köldum klaka (1995)
Points to the intertextuality of Icelandic and Japanese film elements
I saw Cold Fever when it was first released in the U.S. and have been (unsuccessfully so far) looking for it for about 5 years to see it again.
Some of the other comments have pointed to the way the Japanese and Icelandic elements--of folklore and spirituality, principally--weave together. I have always thought it was a beautiful homage to Kurosawa and perhaps other Japanese filmmakers, not just in the plot (which others have correctly seen as a "road movie") but in the whole pacing and look of the film--the colors, the composition of scenes, the attention to the characters. It's really too bad more people haven't seen it.
Hirata's enlightenment through his contacts with other characters who may be real, delusional (he is, in fact, fevered), or actual ghosts or spirits is compelling and thought-provoking for the viewer, who must also question what is "real," as well as what it means.