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7/10
faithful but not engaging
18 May 2005
I have seen most of the versions of this movie and am an avid fan of the book. This version is frequently praised for its accuracy and faithfulness to the book, especially its portrayal of Dantes' very intricate revenge schemes. In this sense, as a transcript of the book, I completely agree and do not fault the movie and, indeed, uphold it as the most gratifying version.

Despite its faithfulness, I felt completely emotionally detached. The movie lacks the emotional involvement and engagement that really bring the story to life and make it more than a recitation of events. The acting performances, while visibly adequate, do not generate real people (not characters). It is difficult to articulate what element was missing, but I felt disengaged, detached, and apathetic. Despite their flaws, I found all of the other versions to be more stirring and true to the spirit, if not the letter, of the book.

To conclude, I would recommend this version to a Dumas purist who wants to see a faithful film reenactment without those irritating changes common to film adaptations. However, to truly feel the emotional impact of the story, I would look elsewhere.
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7/10
accurate but lacking
11 November 2004
Warning: Spoilers
I am a fervent fan of the book and have seen most of its film adaptations. This version is alternately the best and the worst. *SPOILER* The movie practically starts from Dantes' escape; he escapes perhaps within the first thirty minutes of a six hour movie. We hardly meet the Abbe Faria. The rest of the film involves Dantes' elaborate revenge scheme. This scheme is remarkably accurate and is fully satisfying in its step-by-step depiction. This, for me, was the film's best aspect-- a reenactment of the book.

In other ways, however, I was severely disappointed by the film. Although I greatly admire Gerard Depardieu as an actor, Dantes and the film in general lacked true emotional involvement. I didn't feel the rage of Dantes, his connection (good or bad) with others, nor his gradual degeneration. With the exception of Maximilien/Valentine and perhaps one scene with Camille de Richardais, I did not feel at all emotionally invested in the movie. In this, even the rather deplorably inaccurate versions are, in fact, better movies, even if they are inaccurate adaptations.

In sum, see this movie if you're a fan of the book and want to see very accurate adaption. Except for the very end, it was remarkable in its faithfulness. The movie lacks emotional connection, however, and is not a great movie outside of its connection to a great book.
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6/10
good if you haven't read the book
8 February 2002
"The Count of Monte Cristo" is one of my favorite books so I was excited but wary to see yet another movie interpretation. I have to say that I was very disappointed. The glaring inconsistencies with the book were too shocking for me to enjoy the movie. I don't know what book the movie was based on but it wasn't the same one I read. Most movie interpretations change many small details and even several large points in the plot to hollywood-ize the movie. The changes from the book were so large, however, that ALMOST NOTHING was the same. Not only did they change the plot so much so that the themes changed, but they also altered several smaller points that would not have affected the movie. For example, Valentine is the daughter of M. de Villefort in the book, but, although this daughter isn't in the movie, the movie has Villefort's wife's named Valentine! This change accomplishes nothing besides irritating fans of the book. To be fair, however, my friends who hadn't read the book very much enjoyed the movie. Thus, this movie is pretty good as a movie as long as you forget that it's supposed to be based on the book. So my advice is to see this movie if you haven't read the book but avoid it at all costs if you have.
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