Reviews

The story of "Godspell" is not one of the Christ's Passion, it's not about the angst among his disciples or the sexual tension he had with Mary Magdalen. It's a positive story focusing on Jesus' teachings and parables, told in a lighthearted way, with some outstanding music and spectacular location photography (particularly in the song "It's All for the Best").

While the hippie-like costuming and the semi-clown makeup seem to outrage some folks, and are admittedly dated today, the movie should be looked at in the context in which it was created. Jesus, in the eyes of those in power during his life, was a radical extremist and a threat to the status quo. He taught lessons of love, empowerment, inclusion, justice--well, you get the idea. Hippie clowns were the logical vehicle to present those lessons at the time "Godspell" hit the big screen.

But when you get past the period set and costume design, and to the basic show, "Godspell" is a wonderful entertainment. First, and most often mentioned by everyone, is the amazing location photography. You have to see it to appreciate it. Next is the music. Although the most commercial song in the show is the repetitive "Day by Day," the one song that most people remember from "Godspell", there are many beautiful melodies. My favorite is "By My Side", the only one with the music NOT written by the composer, Stephen Schwartz. It has beautiful harmonies, and Katie Hanley does a great job on lead vocal. The rest of the songs are nearly as good, and all are quite singable.

About the cast: Victor Garber (Jesus) is the most recognizable today, although for years, until her untimely death, Lynne Thigpen would probably have been recognized by more people. Garber has had quite a successful theatrical career, and has appeared in supporting roles in many movies and TV shows. Ms. Thigpen, who was mostly known for her PBS shows, had an award-winning stage career, as well as being very successful on the small screen.

Sadly, David Haskell (John the Baptist/Judas) and Jeffrey Mylett are no longer with us. I won't list the entire cast, since you can find that easily enough (if you're reading this, you probably already have!), but I will say that they ALL sang very well and displayed personalities that made you want to get to know them. The passing of musicals as a staple of the movie studio probably prevented these talented singer/actors from reaching a broader audience. I hope that they've all found success on stage.

At the very least, I hope that they all know how their lively, engaging performances and beautiful singing have brightened our lives. It's been over thirty years since I first saw "Godspell" in the theater, and as I watched it yesterday on cable TV, I was reminded how much that movie meant to me.

And by the way, I'm not a Christian. But if I were, I'd like to be one as portrayed in "Godspell".

It's quite hard to photograph a stage play for television or the movies. Most times the finished product must, of necessity, do close-ups of some actor or small group of actors, while the entire stage picture is not visible. With "The Life and Adventures of Nicholas Nickleby" a monumental theatrical undertaking is transformed quite admirably to the small screen. Filmed at The Old Vic in London, the entire show--sets, costumes, lighting, music, and above all else, the acting and direction--are given an immediacy and intimacy that makes the audience member feel as though the show is being performed for them alone.

Charles Dickens works were, by and large, quite long, the original publication being serialized in newspapers and magazines. Rich in character and descriptive passages, with dialog sparkling with the many levels of society that Dickens portrayed, plot layered upon sub-plot and more sub-plot, it would have been understandable if the writers and producers were reluctant to try to bring such a complex novel to life. Certainly, movies are rife with misguided attempts to take 1000 page novels and turn them into 100 minute movies. Seldom do they do more than touch on the highlights of a novel, and then they often feel the need to add story lines that weren't in the original in a foolish attempt to make the production more acceptable to modern audiences. "Nicholas Nickleby" does it right. In nine glorious hours of high energy acting, the tale of Nicholas, his sister Kate, friend Smike, Newman Noggs, greedy uncle Ralph, and the delightful brothers Cheryble unfolds before us.

With a cast numbering more than 40 playing well over 200 roles, the show moves easily from the Nickleby clan's arrival in London to their ultimate happiness, with the usual collection of Dickensian hardships and triumphs along the way. Many actors will be familiar to audiences, although the names might not be so. Certainly, if you watch enough British television on A & E or BBC you will recognize several of the cast members, and Roger Rees, brilliant in the title role, has long been familiar to American audiences.

But pay close attention to the smaller roles, too. An old theater adage says "there are no small parts, only small actors." This show is a perfect example of quality acting from largest to smallest role. Had one actor not been totally on top of their game, it would have stood out badly. Watch the reactions on the faces of the people who are on the edges of a scene: totally involved in what is going on, listening all the time, creating a reality that is as complete as can be found on a stage.

"The Life and Adventures of Nicholas Nickleby" is as entertaining, involving, uplifting and exhilarating bit of theater as could be found. It's a joy to watch, and I, for one, am delighted that it is available on DVD. Go out and buy it today, and spend a weekend in front of your TV, entranced. I did.