Reviews

I was lucky enough to live as long as I have without seeing this POS movie. Now I can only hope any memories of this putrid movie's awful dialogue, twisted relationships and Elizabeth Taylor's over the top banshee screams will soon fade from my brain.

Everything from the script, costumes, musical score and direction were second rate. How Taylor, Caine and York, or their agents, thought this was a good career choice simply boggles the mind. As the movie unfolds, you begin to realize there isn't a single person you can relate to or even care about.

Lastly, who gives their serial cheating husband a going away party when he leaves to go live with his mistress???

I couldn't get past the scene of Dwight blasting away with a shotgun at his dead aunt's body in her coffin. His character has always had cringe-worthy traditions throughout the series but this was beyond distasteful.

Todd Packer getting his revenge by handing out laced cupcakes in order to sicken his former coworkers rounded out the grossness of this episode's sadistic and lame attempts at humor.

For me, Seasons 8 & 9 were the absolute worst. The producers should have made an effort to renew Steve Carell's contract. I always thought he left of his own accord to further his movie career. Come to find out, the producers never even bothered to extend his contract. BIG mistake.

This movie has recently been playing on Showtime in my area and I was interested in watching it because I am a fan of both Ryan Gosling and David Morse. I first became a Ryan Gosling fan after seeing him in The Notebook. I have to say his performance in this film did not disappoint. David Morse's performance was one of his best. After reading all the comments and replies here I just wanted to add some of my thoughts about the film and what I felt the filmmakers were going for.

First of all, I am not a fan of movies that are neatly bundled into a happy ending by the end of the film. I like those films that portray life as it really is and that make you THINK. The most memorable aspect of this film, indeed the most heartbreaking, is Gid's torment and loneliness in life. I don't think he was gay, just a lost soul looking for acceptance, friendship, indeed reciprocal love if you will, and a sense of purpose in life. Roy's character seemed to be looking for most of the same things. He had a father who wasn't there for him in life and a mother so bitter over the divorce that she was too busy trying to find love of her own to take the time to nurture her own son.

I found the comments regarding the relationship between Gid and Studebaker very interesting re: were they homosexuals? Just because two men form a friendship in life doesn't mean they are gay. To me, Studebaker's jealousy over Gid's interest in Roy is just a natural human emotion. Haven't you at times been jealous when a friend of the same sex showed interest in someone new? Does that make you gay? Also, it doesn't seem there was anyone else in the town who gave a damn about him (Studebaker) so any threat to that bond frightened him. Their friendship was most likely just that of two lost souls trying to get by in life. It made me think so much more of Gid that he did not pass judgement on Studebaker -- he cared enough about his well being to try to stop his drinking, to give him his insulin injections, to try to get a room for him at the shelter on that last bitterly cold night.

The scene in which Gid is hugging Roy and won't let go was very powerful. Roy, who had been told by others that Gid was gay, must have had that thought foremost in his mind and misinterpreted Gid's demonstration of affection. Perhaps Gid, remembering that Roy had just lost his father, wanted to show him that he is not alone, that there are people in the world who really care. Perhaps Roy reminded Gid of the boy who drowned and he was transferring his feelings of guilt over that tragedy into that embrace. For whatever the reason, Roy's embarrassment which quickly progressed to rage that Gid might be demonstrating some sort of homosexual intent, are a damning indictment of our society. Homophobia at it's worse.

The scene in the hospital at the end of the movie when Gid takes Roy's hand and places it on his forehead was very moving. Roy did not pull his hand away; instead, in this simple, gentle gesture, the filmmakers were showing us that Roy had overcome his fear of demonstrating affection toward another as well as overcoming any homophobic thoughts he might have had about Gid.

The acting was first rate all around. Compelling story line. Beautiful Montana scenery. Sound quality not the best but I would definitely recommend this film to others.