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Reviews
Triumph of the Spirit (1989)
Confronting the hard choices
Triumph of the Spirit is a film about people who have made choices in one of the most horrific situations--the Auschwitz death camp. Think of all the choices made by Salamo Arousch and those nearest to him. His sister Julie chooses to stay with her little girl rather than give the child over to her mother and thus get picked for the labour camp (somewhat curious that the SS officer doing the selection gave Julie the option of living). Avram refuses to join the Sonderkommando and is killed by the Nazis. Salamo chooses to box to keep his father alive a little while longer. Allegra chooses to believe her sister Helena who has chosen to make up a story about pregnancy. Jocko Levy has chosen to become a Kapo only to be tossed out by the Nazis when he is no longer healthy.
It was the magnitude of the choices that stunned me when I saw the film when it came out. The film presents us with an unrelenting series of situations and choices to be made. How would any of us have behaved if we had been in the same situation?
Triumph of the Spirit made me squirm because it showed me just how complex the Holocaust experience was for individuals who had to make life and death decisions. This is what lifts Triumph of the Spirit way above most other Holocaust films.
Escape from East Berlin (1962)
Is this history now?
I watched the Berlin Wall come down in 1989. This film brings back some haunting memories. The despair of people realizing that they are trapped in the cage called East Berlin. And what we know about the Stasi--the East German secret police--makes me cringe realizing how everybody was spied upon.
Yes, the movie has a happy ending. But, while 28 people found freedom through the tunnel, think of those who lived out their days behind the wall.
Escape from Sobibor (1987)
Surprisingly good
I first saw Escape from Sobibor on TV back in the 1980s. Now that I've bought my own copy, I have noticed things that I did not catch the first time around.
The film deals with some weighty issues which prisoners in Auschwitz also grappled with:
1. what sort of moral compromises did the prisoners have to make to stay alive in Sobiblor
2. where was God when this was going on
3. differences among Jews (eg. the differences between the Dutch, Polish and Soviet Jews in Sobibor).
Character development could be a bit stronger. For the 1980s, the film was fairly graphic (War and Remembrance was far more graphic even more than Schindler's List). In general, the film does raise some tough issues--more than some of the more well-known Holocaust films have.
The Wall (1982)
Worth seeing
I bought my own copy of The Wall after seeing the TV miniseries Uprising. Some 30 years ago, I read the novel upon which the film is based--a diary (modelled on Emmanuel Ringelblum's Notes from the Warsaw Ghetto) recounting the experiences of diarist Noach Levinson and his family--Dolek and Symka Berson (Dolek is Jewish--the anonymous reviewer described him wrongly as non-Jewish), Rachel, Mordechai, Halinka, David Apt, Rutka and Stefan Mazur and several others. Curiously, Noach Levinson is absent from the play and movie.
Filmed on location in Warsaw, The Wall shows horrific scenes of Jews being moved into the ghetto, loaded on the trains to the death camp of Treblinka. One scene shows hundreds of Jews receiving bread and marmalade for reporting for "resettlement". The uprising scenes show Nazis being killed by bullets, Molotov cocktails.
The characters are somewhat one-dimensional--no real development of them is given here (unlike the book). Rachel is a militant from the start, Halinka is an airhead all the way, Dolek simply drifts along.
Amazing how the film is relentless in portraying the horrors of ghetto life and the deportation. However, the dating is garbled in parts--deportations to Treblinka begin in April, 1941 instead of July, 1942. This is not an insignificant issue since the death camps were not operative until late 1941 and 1942--Treblinka did not begin operations until July, 1942.
Somewhat curiously, no attention is given to the party allegiances of the ghetto underground which united Zionists, socialists, communists and other groupings.
Still, for somebody wanting an introduction to the Warsaw ghetto, this might be the appropriate film.