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4/10
A Nice Story, But Not the Tolkien Classic
9 November 2011
Warning: Spoilers
In making the movie, the creator decided he did NOT want to make a movie to please loyal fans of The Lord of the Rings. Rather, he was more concerned about maximizing its commercial appeal. In that regards, the three movies - The Fellowship of the Ring, The Two Towers and Return of the King - are successful. It tells a tale loosely based on the Tolkien classic. However, so many of the most basic facts are either eliminated or changed that by the time the Fellowship is formed -- beyond the names of the characters there is little resemblance to the trilogy created by J.R.R. Tolkien.

The most egregious distortion is how Sauron was vanquished and The One Ring acquired - yes, the basis of the entire movie. The last alliance of Elves and Men came about after Sauron's forces had finally been driven back from dominion of Middle Earth and back to Mordor. A long and brutal siege of the evil wizard's tower, Barad - Dur ensued. In the end, Sauron himself came out.

Perhaps the director had a problem envisioning what kind of battle must have transpired, but the greatest of the alliance battled Sauron up the slopes of Mount Doom, the volcano which forged The One Ring - Elendil, Isildur, Elrond among them. The director belittled the magnitude of the battle by having Isildur make a lucky swipe with a sword that cut off Sauron's fingers, thus separating him from the ring and making victory possible.

Of course, if that were the case there would not have been a resurgence of Sauron. As anyone who has read the book knows, Sauron was beaten by force of arms, will, magic the full essence of what made the combatants great. Elendil's sword was broken when he fell upon it. Indeed, had it been shattered as they showed it would never have been reforged. Which is why Aragorn was able to carry it with him -- but that is among the more minor liberties the director took with his perversions.

Isildur then cut the finger with The One Ring from Sauron's hand. The nature of the ring was that, in order to gain dominion over very powerful races, Sauron allowed the greater part of his strength flow into the Ring. Without it, he was diminished, but not killed. If being separated from the Ring vanquished him, then how was he able to come back? And wouldn't it have a much greater impact even on such a being as Sauron, to face the heir of the man who actually "slew" him, than the one who got a lucky shot.

From that one major and totally unnecessary change, the connection between the movie and book was altered to such an extent that it was no longer the same.

The other travesty was the failure to show the passage of time. It seemed that from the opening scenes of the party and Bilbo's farewell, and Frodo learning the secret of the Ring and his flight from the Shire, that perhaps a few months had passed. Quite the contrary, it was about 20 years that passed and Frodo used the Ring frequently. It's difficult to understand why the Ring had such an incredibly powerful hold.

The list of unnecessary changes, omissions, senseless additions (Elves at Helm's Deep?) goes on and on. The director wanted to make the movie his own and capitalized on a popular title to do so.

In and of itself, I suppose the movies do weave an acceptable yarn. However, for anyone who truly loved The Lord of the Rings, it is an unwatchable obscenity.
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Alien 3 (1992)
1/10
Weak Plot Makes the Movie Silly
6 November 2011
Warning: Spoilers
While neither Alien or Aliens, the commercially successful predecessors, stand up to scrutiny, they had enough to give audiences all the requirements of an action, science fiction monster movie. Alien 3 begins with the question: How did the Alien eggs get on the ship? By not answering, the producers expect the audience to shrug along with Ripley and turn the brain off.

Somehow two eggs get onto the ship from Aliens. The organism laying parasites spew acid that causes an electrical fire. Even though these ships put the crews to sleep for journeys that can last weeks and months, what has to be an extremely sophisticated computer system cannot: 1) Detect alien organisms running amok on the ship; 2) cannot put out the fire at the first hint; 3) cannot isolate the fire (or the organisms) so that it stays in the hold area where it had to have started; 4) can only eject the sleeping crew (instead of waking them to deal with the fire); 5) the life boats are just hunks of metal that do not have auto pilot capabilities.\

You are also expected to believe that the egg denizens must be free ranging because the eggs only open when a likely subject is near. It's almost as if the producers, writers, director were unaware there were two movies before this one.

Ripley is the only one to survive the crash onto a planet that is a prison colony for extra chromosome criminals. Granted, she's been through a lot, but she immediately adopts a "I'm going to do what I want, when I want so f*** you" attitude and disobeys the warden's order to stay in sick bay. She is then surprised when no one does whatever she tells them to do.

From start to finish, Alien 3 is a weak, poorly constructed rip off of the earlier two movies. It was designed as a payday and nothing more. There is absolutely no need to watch this movie to understand Alien 4: Resurrection (better than this one, but not by much) so it should just be avoided. Alien 3 isn't even bad enough to laugh at while watching.
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9/10
A Fantastic Surprise
5 November 2011
As someone who knew Doris Day primarily through her early 60s romantic comedies, I watched Love Me or Leave Me mainly because I couldn't see pairing her with James Cagney. Right from the start, it is a gripping film. The writing is excellent and performances incredible. I was also thrown by the classification as a musical. Make no mistake: this is not lighthearted fluff, but a potent drama with Doris Day revealing why she was a recording star.

Her portrayal of Ruth Etting is done superbly, as a small town woman, but with big city wiles. She is happy to use the James Cagney character (Marty Snyder) to propel her career as long as she can keep him at arm's distance. When he finally pushes back, she loses control of her life.

I found the entire film fascinating, from acting, singing and just how one attained fame during those days as a singer. (Selling records was only a small fraction. Besides the clubs it was the compositions of the songs: piano, horns, strings -- all very nicely done.)

Love Me or Leave Me is one of the great surprises I've enjoyed watching the presentations from Turner Classic Movies. Powerful, taut and supremely enjoyable with a bit of a surprise ending, it is well worth watching -- and is far from being a "Chick Flick."
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8/10
One of Three Grimes True West Depictions
5 November 2011
The Spikes Gang is a very good western that shows what probably happened to a good many youngsters who struck out on their own in the expanding west. It is one of three westerns that Gary Grimes starred in that gave a darker and truer view of life in the old west for teenager. The others are The Culpepper Cattle Co., 1972 and Cahill, U.S. Marshall, 1973.

Lee Marvin plays a wounded bank robber, (Spikes) on the run from a posse, whom three teens find (Grimes, Ron Howard and Charles Martin Smith) and nurse back to health. The three youths, small community and under the heavy hand of discipline, become enthralled with Spikes and soon strike out on their own soon after he departs.

After a series of misadventures, the youngsters meet up with Spikes again, who, against his better judgment, takes them under his wing.

The Spikes Gang is a fast paced movie and seems to play upon the anonymity of three teenagers, ill-prepared for a brutal and unforgiving way of life. The one drawback to the pace is that it does not give a good sense for the passage of time, but is effective in emphasizing the few sparks in mundane lives.

As part of the Grimes Western trilogy, one can get a good look at an overly romanticized part of history.
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