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Saw 3D (2010)
2/10
The Final Chapter Falls Flat (Spoiler-Free Review)
29 October 2010
Warning: Spoilers
"If it's Halloween, then it must be Saw" We've heard this tag line repeated over the years, and it's no surprise another Saw film has popped up into cinemas. There is, however, a catch to this installment: it's the final chapter. As a loyal fan of the series, I was excited last year with Saw VI and saw it as the perfect opportunity to end the series. Sure there were a few unanswered questions, but I didn't think it was worth another film to get the answers. Obviously, the producers disagreed with me and not only went for a seventh installment, but also gave into the latest 3D phenomena to cash in some bucks.

Financially, the producers put themselves in a nice position. There were tons of movie-goers paying to see Saw 3D. As far as credibility goes, the producers threw it out the window. Saw 3D is, without a doubt, the worst installment in the series. It's bad…really bad…and I can't stress that enough. Not only does the film deliver a ridiculous plot, but it also fails visually, leaving movie goers with empty wallets and a short-coming 3D experience.

Saw VII…excuse me, I mean Saw 3D…tells the story of Bobby Dagen, a Jigsaw survivor who makes profit from his grisly experience by writing books and televising interviews on television. He also acts as a counselor to surviving Jigsaw victims, guiding them towards psychological recovery. Life seems good for Bobby, until he is thrust into a horrific game where the goal is to save his wife before the timer hits zero. Meanwhile, Detective Hoffman hunts down Jill Tuck, seeking revenge over the events of the last film.

There's a lot going on in Saw 3D, and you honestly never get bored with it. There are eleven traps (the highest in franchise history) and the Hoffman and Jill story line is presented on the side. The problem, however, is that we've seen this all before. We've seen someone go through a series of tests against a timer, we've seen gruesome traps, and we've seen the now predictable twists. Not only is the material in the film recycled, it's poorly made. The plot is ludicrous, the acting is horrible, the traps lack creativity, and the 3D looks cheap and isn't utilized at all (pretty disappointing considering it was shot with 3D cameras).

Tobin Bell, whose character died in Saw III, is in the film for an estimated five minutes, possibly even less. Carey Elwes, who played the infamous Dr. Gordon in the original Saw is back this time around, but also has very limited screen time. It's a shame that a majority of the main characters are pushed to the side for Bobby Dagen's game, which in essence, turns out to be a waste of time. The traps are boring, the shock value has completely disappeared, and you ultimately don't feel for any of the characters in the film. All of these cons, along with the cheap 3D, make for a horrible film that shouldn't even bear the Saw title.

It's even difficult putting the blame on some of the film makers. Director Kevin Greutert was forced to return since Lionsgate had a clause in his contract for another film. He was set to direct Paranormal Activity 2, but was pulled in to Toronto a week before the filming of Saw 3D. He attempted vigorous re-writing of the script, but it proved to be difficult since a majority of the sets were already built. Greutert tries his best to salvage the film, but it ultimately falls into pieces due to the production and incoherent story line. Producer Mark Burg and writers Patrick Melton and Marcus Dunstan should be ashamed for giving into 3D and crazy fan theories online.

Overall, the only positive thing about Saw 3D is that the franchise is finally over. It's run its course, and while I expected the film to be poor, I didn't expect it to come to this. After following the franchise for six long years, I honestly feel betrayed and cheated after the final twist. The Saw franchise started with an interesting concept and ran with it, but it fell flat on its face at the finish line.
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Alice in Wonderland (I) (2010)
8/10
You'll Never Want To Come Out Of The Rabbit Hole
5 March 2010
"You're absolutely Alice, I'd know you anywhere."

Whether you love him or hate him, you have to admit Tim Burton is a visual genius. His films always have enough wild artistic imagination to keep audiences satisfied, and sometimes he can actually tell a decent story when he puts his mind to it. It wasn't a surprise when it was announced he would tackle Alice In Wonderland because the project always had his name written all over it. Now that it has finally arrived, audiences are eager to drift away into another world and leave reality behind them. Does Burton's latest effort give audiences the wild ride they are expecting?

Absolutely.

Tim Burton's Alice In Wonderland is an incredible work of art that captures you from the first second the film starts until the very second the credits end. Once you enter the theater, you surrender yourself to Burton's fantasy universe. If you're fortunate enough to see the film in IMAX 3-D, you'll be blown away by the expansive presentation and depth the film gives to the viewer. This is one of the best IMAX 3-D presentations I've come across in a long time. The film uses up the entire IMAX screen throughout the course of the presentation, so we're not subject to the 'switching' of aspect ratios during the movie. The images are crystal clear and sometimes feel like they're right in front of you. The audio was just mind-blowing and it really presented the soundtrack well, especially since some of the music in this film is incredibly well done. Trust me, it never disappoints. Now, if you're seeing the film in a conventional theater in Digital 3-D, you should still have a great time. Hell, even if you saw it without the 3-D, the visuals are sure to take your breathe away. You'll forget your in the movie theater, and you'll feel as if you're along with Alice for the ride.

Don't worry though: the visuals aren't the only good thing about this film. The performances are spot on. Johnny Depp was perfectly cast as the Mad Hatter. His performance should stick with audiences for quite some time. Depp brings such a wide emotional range to the character that audiences will surely feel his humor, sadness, happiness, and his down right creepy chaotic state of mind. Mia Wasikowska was also perfectly cast as Alice. Burton made the right move by choosing someone who isn't insanely popular, but talented enough to bring the innocence of Alice to life. Wasikowska does an incredible job of developing the character from an unsure depressed teen, to a confident and optimistic adult. Helena Bonham Carter and Anne Hathaway also did a great job playing the Red Queen and White Queen respectively. Even Alan Rickman does a great job with his brief cameo appearances as the Caterpillar.

Now, while the film was insanely fun and felt like a genuine adventure, it does have one flaw worth noting. This flaw, which may not come as a surprise to many, is the story line. I was optimistic with the story, especially since this film focuses on Alice's return to Wonderland. But something about it was just off. It was a little corny at times and at other moments it wasn't completely coherent. The story also doesn't do justice to Carter's Red Queen character: she's so viciously evil, yet her main opponent is just her sister, The White Queen, who lives on the opposite side of a huge valley. By the third act, you go back and fourth between these two castles so much that you feel you want to explore other parts of Wonderland, but you don't get to. I feel as if they should have abandoned The White Queen, and just focused on rebelling against the sinister Red Queen. Finally, the story suggests everything is destined in some way...which doesn't leave much for the imagination.

The overall product, however, was great. Without a doubt, audiences will have a fun time being sucked into Burton's twisted world. As movie-goers, we always ask for a film that will take us on a crazy adventure, and this film does just that. Even though there are some weak plot points, the film does such an incredible job of capturing the viewer that you can forgive Burton for his poor story choices. For the last two hours I was in Wonderland with Alice, meeting some crazy-ass characters. By the time I got out of the theater, I forgot it was 2:00 AM in the morning. When I drove away from the IMAX cinema, I wanted nothing more than to jump down the rabbit hole for a second run.
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The Wolfman (2010)
6/10
Definitely Has The Thrills...But It Needs A Better Story.
27 January 2010
Warning: Spoilers
Written: October 7, 2009

While I was waiting in line to see Paranormal Activity last Friday, I was invited to an early screening of a 're-imagining of a classic horror film'. Today, I took my invitation and went across town to get to the early screening. I didn't know what the hell they were going to be showing us. Many were hoping it would be A Nightmare On Elm Street or The Wolfman. I thought that either would be too good to be true. Every seat was filled up in the theater, and I was sitting next to some film critics and some film industry big-shots. After an hour of waiting in my seat, a lady came up in front of the screen and announced that we would be among the first to see The Wolfman. Everyone in the theater cheered loudly, and one guy even stood up and held a fist in the air screaming. I'm sure he made a mess in his pants due to his excitement.

So this is my review of what I was shown. There may be some minor changes done to the film before its theatrical release, but I doubt its anything that would alter my review.

'The Wolfman' Review The film is a remake of the 1941 horror film of the same name. The central plot follows Lawrence Talbot (Benicio del Toro), a man who re-unites with his father (Anthony Hopkins) after learning his brother has been brutally murdered. Talbot, who has had a distant relationship with his family, decides to stay home in order to discover what happened to his brother. As he gets deeper into his 'investigation', he unravels secrets from his childhood and crosses path with the werewolf, which eventually bites him and makes him a target.

Let me start off with some of the positives of the film. The performances in the movie were absolutely fantastic. Benicio Del Toro, Anthony Hopkins, Hugo Weaving, and Emily Blunt all delivered and really brought their characters to life. It's always good to have great performances in a horror/action film. Everything seems genuine and all of the characters are very engaging. The set pieces and cinematography are all beautifully created. There's a lot of eye candy in this film just as far as the sets are concerned, and I really love the atmosphere this film created. The visuals I saw were pretty cool, although some of them were still in progress. I imagine the visuals will be awesome when the film is released next year. The music is also pretty unique and memorable. I rarely comment on the score of a film, but this one really had some great music.

Some other things that impressed me were the action sequences and the 'kills'. The action sequences are pretty exciting and they'll keep you at the edge of your seat. Just when you think it's safe... something crazy happens and mayhem ensues. The 'kills' are also pretty awesome. The werewolf in this film is pretty insane, so expect to see a lot of blood, gore, and human body parts flying around all over the place. The violence, along with the dark atmosphere, really gave a suspenseful experience.

While the film had lots of positive sides to it, it also had its fare share of negative attributes. The one thing that aggravated me the most was the pacing of the film. It starts off slow to introduce the characters and setting, and then all of a sudden it kicks to high gear. After it has some fast scenes (which sometimes feel as if you just skipped ahead and missed something entirely), the film will go back to a slow pacing. What I'm trying to say is that the film's pacing was pretty inconsistent. The pacing stems off and creates other problems, such as poor story elements. I feel as if some of the mysteries in the film were just solved by adding a few lines to the script. The writers probably said amongst themselves:

"So, how does this happen?"

"Umm...I don't know, let's just add this line or sub-plot"

The story even forgets to answer some questions that may have been burning in your mind, and when you leave the theater you wonder why these questions were never answered (you can blame the writing and fast-paced scenes for that). Emily Blunt's character also seemed to be useless, and was just added to give off some romance. Finally, the ending wasn't that great. I wish it gave off more of a conclusion, but the ending just wasn't for me.

Overall, The Wolfman is a fun horror/action film. The acting is great, the sets and visuals are awesome, and the action sequences are pretty cool. There are also some pretty nice kills in this one for all of you blood/gore fans. While the film can be fun, the plot suffers from the film's inconsistent pacing, which eventually leaves some plot holes. Trust me, the trailer makes this flick seem a lot cooler than it actually is. Just eat your popcorn and leave your mind at home...it's just brainless fun.

Overall Rating: 6/10
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Saw VI (2009)
9/10
The Game Finally Comes Full Circle
23 October 2009
I can remember walking out of Saw V last year, and I hate to say it...but I was pretty disappointed. The film just didn't deliver the goods. It's narrative and so called twist made the walk to my car a living hell, and I thought to myself: "They're going to mess up Saw VI". In my review for Saw V, I stated that the Saw blade was getting rusty and dull. It just wasn't the same as it used to be, and the shock factor that made the films so suspenseful was absolutely gone.

Here I am a year later. After waiting for what seems to be decades, I finally got out of the midnight opening of Saw VI. It's difficult to give a sentence that accurately describes what I'm feeling right now, so I'll just say this: HOLY F***ING S**T!!! It seems as if the year-wait paid off, because Saw VI is easily the best of the 'second trilogy' in the Saw series.

What makes Saw VI such a smarter film is it's ability to play off the strengths of its predecessors. The film knows its destination, so we get a much more solid story this time around. There has been a lot of build-up in the previous installments, and it's happened for a reason: The pay-off is in this one. It's really incredible how everything in the plot came together so perfectly. All of the events that have occurred thus far have demonstrated a "Domino Effect" -- every character in the series is relevant, and one character's actions can change the entire course of the story and lead to something else. Any questions brought up in the previous installments are cleared up in VI, so we finally get a solid conclusion (I really don't know what the hell they're going to do for Saw VII). When you look up the plot for Saw VI, it seems so simple: Special Agent Strahm is dead, and Detective Hoffman has emerged as the unchallenged successor to Jigsaw's legacy. However, when the FBI draws closer to Hoffman, he is forced to set a game into motion, and Jigsaw's grand scheme is finally understood.

Trust me, there's a lot more going on in this film than this. But one thing's for sure: Jigsaw's grand scheme is finally understood, and that's what mattered most. All of the pieces of the puzzle come together, and you remain on the edge of your seat because you have no idea what's going to happen to these characters. The plot takes dramatic twists and turns that will have your jaw hit the floor. If you're like me and you're a fan of these films because of the stories, then Saw VI will go beyond your expectations.

As for the hard-core Saw fans who are in it for the traps, don't worry: Saw VI is without a doubt the most gruesome of them all. They really raised the bar with this one in terms of the amount of violence shown on the screen. I'm amazed the MPAA didn't give this film an NC-17 rating, because the traps (along with the cinematography) really bring out the gore. The film received an 'X' rating in Spain though, so I'll let you imagine how violent this one is.

Overall, Saw VI was incredibly well done. The story and pacing was perfect. The acting from the main cast (Tobin Bell, Betsy Russell, Costas Mandylor, Shawnee Smith, and Peter Outerbridge) was great. The traps were disturbing as hell. And, most importantly: a hard-core Saw fan left the theater with a smile on his face. Saw VI Director Kevin Greutert (editor of the first five installments) really did an astounding job, and while I don't like the fact the series is continuing next year, I hope he's involved with the future installments.
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