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6/10
If you can ignore the poorly executed comedy and superfluous subplots, you might like it.
7 March 2023
The main plot was good, if unoriginal, but the screenplay was bloated with terrible subplots that never would have made it past a good script doctor. But therein lies the problem: the director and screenwriter are one in the same which tends to be a conflict of interest when it comes to editing a screenplay. Although this was adapted from a short story, even if it was a faithful adaptation (I haven't read the original work), it should have been a leaner story. Or maybe this director added in several unnecessary subplots and story elements. Was he under pressure from Netflix to spice it up? Was the director trying too hard to overcome the cliché plot of a ghost needing help to solve his own murder? Was the original work never meant to be a comedy?

This is what I'm talking about. The entire viral video/social media fame subplot and the Wizard Clip subplot both should have been abandoned which would have shortened the film by 30 minutes. Clocking in over 2 hours was too long and these subplots only dragged the story.

The film has tonal issues between the family drama and the comedy fare. This is a problem of both directing and some uneven casting choices. Anthony Mackie, a good dramatic actor, has no comedic chops at all; he was a terrible casting choice-- if the director was going for comedy or even comedy-drama. David Harbour and Tig Notaro, good comedic actors, had their talents wasted by playing it too straight; that was terrible directing. (Although Harbour's final dramatic scene at the lake was beautifully poignant, that was one of only 2 bright spots in the film).

Faith Ford's comedic performance was the other bright spot in the film and it would have been nice to see her in an epilogue, since her subtle performance was the really the only good comedic performance in the movie. Jennifer Coolidge's slapstick performance (jumping out the window in terror) was so out of place with the tone of the rest of the film that it's jarring looking back at it. This was not a slapstick comedy type of film although it feebly attempted to be in one or two awkward places.

In short, this movie fails as a comedy but if you can ignore the poorly executed comedic elements and superfluous subplots that only serve to extend the runtime, underneath it is a good basic story.
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10/10
The most fun I've had since Thor: Ragnarok
17 September 2022
This was the most fun movie I've watched, maybe since Thor: Ragnarok. This is an unabashed laugh out loud comedy, but with a lot of heart. And it ends on very high notes (including the final post credit scene) unlike Ragnarok does. (Not saying L + T is better than Ragnarok because that film was epic in scope and I possibly prefer it, if only slightly more so).

In the previous Thor films, I honestly didn't think Chris Hemsworth and Natalie Portman had good on-screen chemistry, but that changed here. Wonderful chemistry between them. I'm glad they fixed that.

The screenwriting is probably this film's strongest aspect for me. Taika Waititi & Jennifer Kaytin Robinson nailed the plot, the structure, the dialogue, and the pacing. Taika Waititi's comedic timing shined in directing. I loved the reoccurring gag with the screaming goats.

Finally, that 80's rock n roll theme and the gorgeous end credits. This really dialed up the fun to 11. It's that vibe that I hoped Wonder Woman '84 was going to bring but failed miserably to deliver.

As I'm getting older there are few films I will spend the time to rewatch, but 10/10 I will watch this again.
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Valentino (1951)
10/10
Criminally underrated
5 September 2022
This is a criminally underrated classic that I stumbled upon on YouTube. The script is extremely well written and tightly plotted. There isn't a wasted scene or spoken word of dialogue in this. The pacing is brisk and the film flies from one scene to the next. The dialogue is some of the most romantic dialogue you'll find in a film without being too mushy. The chemistry between Anthony Parker and all of his female co-stars is spicy. The dancing scenes add a lot of fun. I was unfamiliar with Rudolph Valentino and this film made me curious to seek out more information, So I learned that this is a very fictionalized account so I wouldn't recommend it as a biopic. That being said, for a fun, and sad, romantic love story of a film I honestly can't recommend this film enough.
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She-Hulk: Attorney at Law: Superhuman Law (2022)
Season 1, Episode 2
10/10
The hilarity ensues
26 August 2022
Episode 2 is a good story, moving the characters forward at a good pace, and has brilliant, crisp comedic screenwriting by Jessica Gao, who also wrote some of the best Rick and Morty episodes. Hilarious directing by Kat Coiro who has experience directing comedic television (Modern Family, It's Always Sunny in Philadelphia). Tatiana Maslany is just perfectly cast. These three ladies make a great team and I'm in love with their work on this show. <Chef's kiss> I love the message of forgiveness and a shot at redemption for Abomination in this episode, only to see that he may have screwed that chance up by the end, lol.
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10/10
Faithful adaptation of the comic book character
20 August 2022
If you have Hulk rage over "wokeness" then let it go and enjoy the show because She Hulk pre-dates wokeness by a few decades.

I read some of the first She Hulk comics in the early 1980's. I was the kid who gravitated towards comical and cartoony-character comic books like Archie/Jughead, Scrooge McDuck, and wise-cracking superheroes like Spider-Man which has always been my favorite. I was not a big Hulk fan, and most of my Hulk exposure was from the melodramatic 70's TV series- I just thought BB was a sad, tragic character. So I was confused when I first came across the comic book because She Hulk was completely different than the Incredible Hulk. She wasn't a tragic character, she wasn't always on the run, she was comfortable in her own skin, she didn't really have dueling personas, she was in control of her transformation, and she was FUN.

She Hulk, Attorney at Law is exactly the character as I remember her and I love it.

There's a lot of bad reviews that don't even realize She Hulk is old school. So they wrongly mistake her as being a product of "woke culture". Sue Hulk was always different than Hulk in exactly the ways that are being portrayed in the show. It's called parity of characters, and that's what makes characters interesting. Parity is what makes a lot of things interesting: sports, fighting video games, even ro-sham-bo. I don't like getting slapped in the face with woke culture myself, but She Hulk pre-dates woke culture by a few decades and is true to itself.
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Predator 2 (1990)
3/10
2022 Retrospective Review
8 August 2022
So with all the love for Predator 2 I've been seeing lately in the wake of the release of Prey, I decided to give P2 another viewing since I always thought it was bad. Last time I watched it was around the time it came out on VHS. Maybe I missed something?

Well I can affirm that it is indeed bad. The over the top explosion and gun violence obligatory of 90's action against the backdrop of the war on drugs... The cliché federal agents versus local cop jurisdiction tensions... The blatant satirical media element with the clownish Morton Downey Jr. ... The horrible/cheesy 2-dimensional cardboard character acting... It's all just very bad. And when you compare it to Prey, it's a joke. I like Prey a lot but after watching P2 it seriously makes Prey look Best Picture Oscar-worthy. Notwithstanding the direct comparison, Predator 2 is purely terrible on its own merits just as I remember.
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Prey (I) (2022)
10/10
Watch the Comanche Dub version
7 August 2022
Warning: Spoilers
The Comanche dub version changes some of the subtitled dialogue compared with the English audio. The English audio dialog was too colloquial; it sounded too contemporary and literal, as if it could've been spoken in 2022 instead of 1719. The Comanche dub also pulls you into the movie more, and it improves the acting performances and the aesthetic of the film. It gives off a sort of an Apocalypto vibe. Bad or good accents have a big effect on a film. (Think Harrison Ford as a Russian submarine captain in K-19 The Widowmaker with his unapologetic American accent). I enjoyed Prey considerably more in Comanche dub than English audio.

One criticism I wanted to address: I've read some early reviews/comments about "Comancheria", that the Comanche were horse riding peoples occupying the flatlands of Texas/New Mexico/Oklahoma, aka "Comancheria", not on foot in mountainous woodlands. They seem to think the setting was supposed to be Appalachia (it was filmed in Alberta, Canada) and therefore it isn't historically accurate. Obviously this is a bad take because this takes place in the Northern Great Plains in 1719, probably in northeastern Wyoming, which is entirely historically accurate and consistent with the range of Comanche in the early 1700's. And they did not all have horses in 1719, especially in the north at that time, horses were much more scarce than they were in the lower Great Plains. Anyway, six minutes into the film it tells you specifically that this is in the Northern Great Plains in 1719. These critics seem to know everything they know about the Comanche exclusively from John Wayne films.

There are many other bad takes I've read such as the typical boring "Mary Sue" complaints. These critics don't recognize that this is essentially a David and Goliath story. David didn't defeat Goliath with brawn, but with his ingenuity, which is how Naru defeats the Predator. By the way, that's also how Arnold defeated the original Predator; his strength wasn't enough to win, he had to rig some elaborate traps. And in the end the Predators actually killed themselves in both films.

The last bad take I want to address that I keep hearing about is that the Predator has a "code of honor" and Prey breaks that code several times. These critics are referencing a so-called canon in comics and books but not any of the movies, because none of the movies portray any code of honor. First of all, comics and books are irrelevant; any future writer or director can ignore them; it only matters what's on film. The Predator is a trophy hunter and a thrill seeker. There is no honor in hunting game for trophies, just like there is no honor in humans hunting lions or tigers or bears or elephants for trophies with rifles from 500 meters while dressed in camouflage and hiding from a stealth position. If the Predator had honor, it wouldn't use stealth armor. That's why Taabe shouts, "Cheater!" when the Predator turns on its stealth armor during their battle (in the dub version). In the original Predator, it discarded its stealth armor only because it malfunctioned. It then fought Arnold hand to hand after sizing him up because he found Arnold to be worthy of a fight; but that wasn't a code of honor, that was just adrenaline and anger; it was ticked off. And when it lost the fight, it decided to nuke them both- very dishonorable! The Predator in Prey fights a bear but the bear loses track of it because of the stealth armor. I don't find that to be honorable. It fought the bear because the bear was worthy of a fight like a bull is worthy of a matador. Lastly, to highlight the fact that the Predator has no code of honor, Prey features French trappers that trap and skin animals. Skinning buffalo for their furs is not honorable, just as Predator killing animals for their skulls is not honorable. But when Naru says a prayer for one of the buffalo spirits, that was a display of honor that we never see with Predator. That scene firmly establishes that the Predators do not have a code of honor.
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Blown Away: Episode #3.10 (2022)
Season 3, Episode 10
10/10
Bring on Season 4!
4 August 2022
Warning: Spoilers
An excellent finale to what I think is the best season so far. Congratulations to John, and to Minhe - I couldn't have chosen a winner so I don't envy the judges! Every single competitor this season was highly technically skilled and so creative. I hope Netflix greenlights season 4.

I wanted to acknowledge Nick Uhas again as a great host. His dad jokes were well-delivered, his critiques and compliments were honest and sincere and often relatable to the average viewer's perspective, and he was never afraid to contradict the expert evaluators. His words of encouragement to Minhe at the end of the competition - whether scripted or not - was beautiful to see. So if there is a season 4 (or another "special"), I hope Nick Uhas is hosting it.
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Blown Away: Episode #3.7 (2022)
Season 3, Episode 7
7/10
Fake Elimination Round
2 August 2022
Warning: Spoilers
This is the now-obligatory fake elimination round that we see in pretty much all reality TV game shows. Usually it comes later in the game and when there's a team-up, or when the challenge is something deeply personal, or when a charity or big sponsor is involved with the episode. It's still a good episode and at least they pick a winner if not a loser.
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Blown Away: Episode #3.8 (2022)
Season 3, Episode 8
1/10
Legit elimination or woke save?
2 August 2022
Warning: Spoilers
This is the first elimination that I question whether it was legitimate or if the producer of the show intervened for a specific outcome. I couldn't make a decision myself because I liked everyone's piece, but based on what the evaluators themselves said: Minhe's piece seemed like the least liked amongst all 3 evaluators, specifically targeting the color palette and the concept itself. They all liked Dan's piece and really only questioned the crack in the rondel. And the guest evaluator really loved both Johns' pieces. So I feel like if it really came down to Minhe and Dan, then Minhe should have been eliminated, not Dan, based on what the evaluators were telling us. And this leads me to believe that the producers intervened on the final outcome here by saving Minhe just to have a female Asian in the final 3 rather than all males in the final 3. My suspicion is further grounded in the flagrantly woke atrocity that was the Christmas special, so I wouldn't put it past them to do this.
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Blown Away: Episode #3.1 (2022)
Season 3, Episode 1
10/10
Color me impressed!
23 July 2022
As a fan of the show, I've seen the two previous seasons (including the dreaded Christmas special), I can honestly say that this episode showcased the best pieces in the final presentation of any single episode thus far. Every piece demonstrated outstanding technical skill and/or concept design and it was hard for me to choose which one was the best. Even Claire's piece was very technical and the blue bird was so cute. Compare to previous seasons, there was always one or two competitors that clearly didn't belong in the competition. This season will be a tough competition and I'm looking forward to what they all come up with.
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The Gray Man (2022)
8/10
A preternatural Netflix film compared to most
22 July 2022
CIA assassin Sierra Six (Ryan Gosling) vs private contract killer Lloyd Hansen of Hansen Government Services (Chris Evans) is a familiar spy vs spy genre story complete with a McGuffin and an innocent child-hostage for added incentive. Although the plot is extremely thin, the film is expertly shot and directed by the Russo brothers (Avengers: Infinity Wars and Endgame), with fun banter between Gosling, Evans and Ana De Armas, the additional gravitas of Billy Bob Thornton, and an excellent score. There's also a pretty expensive-looking 10-minute action sequence mid-way through taking place in Prague that's almost worth the price of admission in itself. If you're a Netflix subscriber, this is the content you're paying for -- with a supposedly $200 million budget -- so watch it and get your money's worth.
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Cobra Kai: The Rise (2021)
Season 4, Episode 10
10/10
Impressive Fight Choreography
21 July 2022
These final 3 episodes in particular have had some very impressive fight (and kata and kama) choreography and stunt work. They really upped the ante compared to earlier seasons and I'm looking forward to seeing them take it to the next level in season 5.
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1/10
Written and directed by AI?
27 June 2022
This movie was written and directed by AI, or it seems that way; it's soulless and shallow. Everyone involved completely phoned it in. Kevin Hart, Woody Harrelson and Kaley Cuoco aren't the least bit funny without a good script, they're nothing more than hams, and a bad script and poor directing only exposes them. The plot is a mess, the romantic subplot is a failure, and the business dream subplot is unrewarding. The film student action scenes and iPhone cinematography styles are a patchwork of gags ripped from much better films and far better directors of the past 20 years. Solid SKIP.
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10/10
Is Sam Raimi the best MCU director?
26 June 2022
Warning: Spoilers
This film was full of surprises. Sam Raimi did a terrific job combining suspense, horror and comedy to this Marvel entry. The corpse Doctor Strange was simultaneously horrifying and hilarious, that's what Sam Raimi does best. It was a bold move to make Scarlet Witch a villain following Wanda Maximoff's popularity in WandaVision, and simulating her self-sacrificial death (is she really dead? I don't think so!), so I have to hand it to the writers. I was worried about Marvel's foray into mysticism, because I didn't like Moon Knight very much. But with great directors like Sam Raimi, Taika Waititi, and James Gunn at the helms, I think there's nothing to worry about.
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Obi-Wan Kenobi: Part VI (2022)
Season 1, Episode 6
9/10
Call the police!
22 June 2022
Warning: Spoilers
Hayden Christensen stole the show! What a spectacular performance for such an iconic character. He brought new depths to Darth Vader: made him darker, angrier, more hateful, more sinister and more powerful than ever before. Thank you, Hayden!

Overall I enjoyed these last two episodes. However, the writers completely skipped over showing how Obi Wan restored his strength - and that's par for the course as this series has had some amazing blunders and oversights in the script. It would have been appropriate if Qui-Gon helped Obi-Wan in this regard, imparting some wisdom and teaching him how to regain his focus. But instead the writers cheaped-out and used Qui-Gon like a party trick as a way to close out the series, and that's just sad. I have to say, not a deeply talented writing team here.
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Floor Is Lava (2020– )
8/10
1st Season is fun; 2nd not so much
21 June 2022
I really enjoyed the first season. But n the 2nd season, they added unnecessary and anti-climactic complications of the "Exit Pass" and the "Volcano" final round as some sort of competition gameshow cliché to have a final round. I wrote up a longer review about the problems with season 2 on the first episode of season 2. Suffice to say, they've managed to suck the fun out of it.
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Floor Is Lava: Return of the Virzi Triplets (2022)
Season 2, Episode 1
1/10
Dump the Exit Pass and the Volcano!
21 June 2022
In season 2, they've added the unnecessary and anti-climactic complications of the "Exit Pass" and the final round, aka the Volcano. Unfortunately, these completely unnecessary complications make season 2 a whole lot less fun than season 1.

Each player is required to acquire an Exit Pass before they can exit the room. This requires the team to fully cover every obstacle in the room to reach all 3 passes. The problem is that reaching an exit pass is anticlimactic. It slows the game down to a crawl. It reduces instances of teamwork when some teams split up intentionally just to get to the exit passes. Prior to exit passes, in the first season, the game was focused on individual players or teams determining for themselves what the easiest path was to the exit in the shortest amount of time. The decisions the teams made were natural and more exciting and fun to watch.

The Volcano is the mandatory head to head final round after the 3rd team is eliminated. It seems like this was only added as a cliché of the physical competition gameshow genre. So even if the first team scored a record time and the 2nd team was mediocre in the first round, the mediocre team could still win the $10,000. Nobody wants to see the mediocre 2nd place team get lucky and snatch a win this way. To make things worse, while the various rooms rotate with each episode, the show always ends with the same boring Volcano. ((My recommendation to the producers is, if you must have an extra round, make it a bonus round only for the winner of the first round to compete for a grand prize, where they are only competing as a team versus obstacle course, not versus the 2nd best team.))

I enjoyed season 1 and recommended it to friends and family for some mindless entertainment. But so far I'm enjoying season 2 considerably less than the first season, and after watching only two episodes of season 2 I think I've seen enough!
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Obi-Wan Kenobi: Part V (2022)
Season 1, Episode 5
10/10
WTH I LOVE REVA NOW
15 June 2022
Finally I'm eagerly anticipating the next episode! The first four episodes were okay not great, and *Star Wars needs to be great all the time*. This episode was outstanding. Part V brings us the Anakin flashbacks, lightsaber duels and Darth Vader badassery that I have been waiting for. What wasn't expected was Reva's character becoming better fleshed-out and less two-dimensional. What's still missing is Obi Wan badassery, Qui Gon Jin, and scenes with Ben and Luke. If this all comes to fruition in Part VI in a satisfying way, then maybe I'll hold this series up to the same esteem I have for The Mandalorian despite the first four episodes being "mid".
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7/10
A more fleshed-out Hercule Poirot
30 March 2022
Compared to the previous film, Murder on the Orient Express, this delivers a more fleshed-out, humanized Hercule Poirot, and a more interesting and easier-to-follow murder mystery plot. We get to see some of Hercule's backstory which provides a thread of his personal motives through the film right to the very end credits, which is fine storytelling. The murder mysteries are more interesting and the suspects and their relationships are easier to follow, which makes this film more enjoyable and not any more predictable: the resolution was dramatic and surprising. Overall it is a gorgeous, well-made, well-acted film, and I think it should have been at least Oscar-nominated for Best Costume Design and Best Production Design. Much of the bad reviews are clearly no more than woke cancel culture gripes against some of the cast and not to be taken seriously as honest reviews of this film. This was better than Murder on the Orient Express and I hope Kenneth Branagh makes another Hercule Poirot film.
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Deep Water (I) (2022)
6/10
More erotic than a 90's Madonna video
19 March 2022
A hot and heavy, not-so-bad erotic thriller set in the beautiful suburbs of New Orleans. Ana De Armas is alarmingly hot and she IS the erotica in this erotic thriller. It's hard to watch Ben Affleck's character as Affleck gives an appropriately dispassionate performance playing the biggest cuckold in cinematic history. The young daughter (Grace Jenkins) is adorable, serving as an anchor to realism for the characters and the viewers. But the surprise performance goes to Tracy Letts as the nuisance neighbor and aspiring novelist.
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East of Eden (1955)
10/10
Rollercoaster ending
15 March 2022
Warning: Spoilers
I almost didn't finish watching this film, it was so depressing and I didn't see the point. But in the last 15 minutes or so was an emotional rollercoaster that really paid off. Between Cal bringing Aron to their mother out of spite, a confused Aron running off to war, the hilarious unsympathetic nurse juxtaposed over the drama that had me unexpectedly laughing for the first time in this movie, Abra's plea to just let Cal love him and love him back, and those final words and that kiss that sealed Cal's happiness... oh man, I was balling, "I hate Steinbeck!" How could I possibly give this less than a 10?
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3/10
Justin Lin please retire
12 March 2022
Justin Lin jumped the shark with this steaming pile of trash and should retire from filmmaking. Roadrunner cartoon vehicle physics, God mode characters who can dodge bullets and kill an entire platoon of soldiers with a single burst of AK-47 gunfire, ridiculous hair, phoned-from-home CGI, tires screeching on dirt roads, cardboard characters, eye-rolling dialogue, lazy writing and plotting. Everyone involved with this movie from the actors to hair dressers to the sound department to the producers to the craft service should be ashamed of it.
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Cabaret (1972)
7/10
A meandering musical character study
3 March 2022
This film has its place in Hollywood history but it's a solid early 1970's production that fails to stand the test of time and it isn't a particularly splendid musical, either. There are no great dance numbers or songs. The music and choreography is in no way contemporary to 1970, instead it reflects the era which the film takes place and is exactly what you'd expect to see in a cabaret in early 1930's Berlin. Contrast this with a musical like Chicago where the music and dancing is more contemporary with just a touch of 1920's Chicago. Many interesting characters against a backdrop of the rise of the Nazi Party but it simply doesn't pull together into a cohesive story so much as it is a character study. That said, the characters are, at least, interesting. I loved Liza Minnelli in this, she gave a memorable performance as a helplessly hopeful, happy-go-lucky, whimsical starry-eyed dreamer. She absolutely deserved her Oscar. I was truly shocked at who won Best Actor, though, I mean you've got to be kidding me.
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Free Guy (2021)
9/10
A Sneaky Sweet Surprise Ending
27 February 2022
This movie is sneaky. It's a video game movie with a great romance interwoven into it that catches you by surprise at the very end. Half-way through the movie, I was ready to rate this film a solid 7: it's a high-concept fantasy/sci-fi film with mashed-up elements of Truman Show, They Live and Tron. There are some good laughs throughout, and online multiplayer game tropes can be spotted in the background like Easter eggs. It's fun but silly and overacted with a shaky plot. By Act III, however, I was in solid 8 territory: fun cameos appeared and the stakes got higher as the NPC's became self-aware. But the very end of this film slapped me in the face and I realized it was a sweet romance all along; how did I miss that? All that eye candy and Easter eggs and over-the-top fantasy had me distracted like a magician's sleight of hand and that's why I'm giving it a 9. I like to be surprised. Speaking of surprises, Ryan Reynolds, the Bob Hope of Generation X who always pretty much just plays himself in everything, gives us one of his most heart-felt performances; and that's ironic because he plays a character with artificial intelligence. And Jodie Comer is a great up and coming actress who has already won an Emmy for Killing Eve.
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