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6/10
Disappointing
7 March 2024
I expected more with all the critics' reviews (that were probably hyped in a poor movie season). The movie was too long, with unfocussed direction, odd narrative shifts and confusing battle scenes. The CGI in the arena fight was cringy-bad. After all this, the director clearly pointed the way to another sequel. Ho hum. It's interesting that Hollywood is plowing so much money into films that require you to have read the book before in order to understand what all this noise is about. Without knowing the book, this would be an incomprehensible film. Actually, the director's attempt to make it as true to the book as possible has made it less of a film.
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Baier is very self-absorbed
15 November 2021
There's an awful lot of "myself" in a Bret Baier newscast. Plugging his Grant book which was presumably mostly ghost-written; bragging about new set on this show, which I suspect was done to please him; several shots of him playing golf with hot-shots, etc. I also cringe at most of his interviews, which are always "gotcha" attempts to make him look good. I long for the quiet humility and humor of Brit Hume again.
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The Irishman (2019)
3/10
Major Disappointment
7 December 2019
Hard to believe Scorsese directed it - it lacks pace, energy and humor. The few climactic scenes have no build-up of suspense, so there are no thrilling pay-offs to them. The whole thing reminded me of one of these sports champions who are old but come back for one more contest. and when it happens you realize that he's over the hill.
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10/10
Ralph Richardson's Acting Masterclass
13 March 2019
Warning: Spoilers
I think Ralph Richardson's greatest movie role is in The Sound Barrier, but his last scene in The Four Feathers is an acting tour-de-force in which he convincingly moves through five different mood changes. This involves spoilers from now on. He is Capt John Durrance, in this scene blind and invalided from the war. At the scene begins he is anxious and hopeful that his blindness may be curable. The doctor arrives and tells him it can't be, and he shifts to feigning agreeable acceptance of the news (during which the script allows him a mesmerizing recital of a short Shakespeare speech). The doctor begins reading a newspaper account of the war. At the news of his old regiment's success, he shifts to ecstasy; but as the doctor reads on, Durrance realizes that an old rival, whom he had blamed of cowardice, has been the reason for the success and has outdone him in bravery. The camera watches his face as he deepens into disillusionment and final understanding of his relationship with his rival. Then he recovers into a graceful acceptance of his fate as the scene end. An essential scene for any student of film acting.
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Q Planes (1939)
10/10
Essential Comedy
1 March 2019
As a confirmed Ralph Richardson fan, I can say that this is one of his best performances. I watch it happily avery several years or so and always come away delightfully entertained.. I've probably seen it ten times and I always laugh at the same bits.
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The Blob (1958)
2/10
Just Awful
6 July 2018
I don't begrudge anyone's fond memories of seeing this years ago but, please, this movie is really bad. It's the kind of movie that would go well on Mystery Theater 3000 or whatever that show was where these guys in the front row make rude remarks about the movie on the screen. To have someone say that this was good sci fi must mean that that person had never seen something like the original Day the Earth Stood Still. That was good sci fi.
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10/10
Anti-clichés (contains spoilers)
18 February 2016
(Contains spoilers): What I like about certain scenes in the movie is the way they turn certain film clichés on their heads, with unexpected results. The most obvious one is when Serge's sister's head comes out of the basket, instead of Agathe's, which we are led to expect. Another one is when Gustave is accosted by the police in the lobby and accused of the crime. The expected follow-up is that the accused will stand there and try to talk his way out of it, but Gustave unexpectedly hightails it. Another more subtle one is the scene in the prison when Gustave is serving mush. When he serves it to the ferocious-looking convict, we expect that guy to go into a rage, a la the guy in the prison mess scene in "Stir Crazy", but the convict likes it.There are probably more of these things that other people can spot. Then, on top of those are the references to other films: Jopling cracking the ice from under Gustave on the cliff, a la "North by Northwest", and the cable car transfer, a la each least one Bond movie. All in all, a totally funny movie that has to be seen many times to get all the funny bits. (How about the gas station with the big "FUELITZ" sign over it!
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Ikiru (1952)
10/10
Brilliant Film
5 April 2008
Warning: Spoilers
Most summaries of this film fail to mention its savage indictment of the hierarchical, hidebound, and bureaucratic nature of Japanese society. (A manage, awaiting promotion, is reminded that he has to wait for several other managers to die.) It is this bureaucracy that has made Watanabe into a useless drone; in earlier life, he had energy and hopes. At the end of the film, officials at his funeral argue about who should get credit for the park; it is only the common people who understand that Watanabe made it happen.

There are memorable images in the film. The opening sequence of the bureaucratic runaround is brilliant, with the Department of Pest Control being shown as a man with a flyswatter. And, in the restaurant, when Mr Watanabe, having realized how he can at last live, staggers downstairs, a chorus of young women above sing "Happy Birthday"; of course, they are singing to a young friend coming upstairs into the shot. The film's final shot has (a resurrected?) Watanabe looking down (from Heaven?) with satisfaction at the completed park.
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