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tonyazici
Reviews
Scream (2022)
Good production values, great story telling, poor/uninteresting story
I am a fan of the Scream franchise, and reboots bore me because, as stated in this movie "no one buys it". I didn't know what to expect here, and like many reviewers on the site, I had low expectations. But the reviews here seemed to be very strong so I made the trek to the theater. Well, I wish I hadn't.
This is not a bad movie. It look more expensive than it is; the production values are outstanding. Direction is great (big fan of Ready or Not) and the cast is better than the mostly mediocre early 2000s PG-13 horror movies that dipped heavily into CW TV pool. However with all that decency behind technical values, the movie feels like another boring, gasp, predictable horror movie and it certainly does not feel like a creative or imaginative Scream 're-quel'. Bringing the old crew so they can be cardboard cut outs of their original selves (Sidney and Gale look bored; I thought at some point Sidney was going to roll her eyes) doesn't homage make. I thought the Dewey bit was strong though.
One of the other things that bothered me most was the kills. With the exception of a few, they were quick and not interesting. The fighting back we expect from clever victims were just not present.
The biggest bother for me was the screenplay. While full of clever banter, it just didn't make sense most of the time. Espcially in the 3rd act - it was rushed (maybe because it made so little sense) and it approached the action as if two simultaneous battles in the last bit were not happening in the same space. I assume when killers chase someone, they can also hear other loud shenanigans happening in the same setting/space (that impact their plans).
Couple of other examples of dumbassary:
I don't think people without superhuman strength can lift grown man - with two knives no less- especially after you find out that they were half the size of said grown man. Oh and when I suspect a family member might be cut up by a murderer, I don't just sit and continue watching TV, especially if I am the kind of person that gives horror movie advice to others in a movie that is all about cleverness, but maybe that is just me.
P. S. While competent, I didn't see as much potential in Sam character as the next Sidney (as a lot of professional critics had stated). I am not familiar with Ms Barrera's work but I felt that other actors were stronger in general. I am rooting for Ms. Ortega to have a bigger role in the sequels. Her character seemed more like a force to reckon with.
Wonder Woman 1984 (2020)
What happened here?
Same director, same crew as the original Wonder Woman and we get this bloated embarrassment? The first movie was such a bright spot in the awful slew of Justice League movies.... I thought finally the tide will turn for DC comics. Finally a woman showing how well they could be done. Well, i was swiftly put in my place yesterday. The storyline had plot holes bigger than Donald Trump's ego, all the amazingly talented actors were underused (maybe except Pascal totally hamming it up and doing a great job), random floating Wonder Woman in the air scenes, the tacky Hallmark Christmas movie-inspired end scene (no doubt added recently to coincide with Xmas release), gratuitous celebrity sighting, incoherent third act (the lasso can transmit audio).... The freshly announced third movie better make up for this POS that feels like it was directed by Zack Snyder - arguably the worst director working. Is the solution selling the DC comics to Disney? They know how to make a decent comic movies without the caricature CGI prevalent in all justice league movies.
Last Girl Standing (2015)
Great premise, let down by tired 'twist' and genre tropes
You always wonder what happens to the final girl and we occasionally get sequels where they are fighting a bigger, badder version of the big bad. But what happens after the big bad is actually dead? This movie does a take on the same premise with a brilliant concept... set the girl forward in time, with a job, new mundane life respectably afraid of making friends, etc. Well, the set up is indeed brilliant but then the movie falls off the rails mis second act. I suspected the ending when the movie started and prayed all throughout that I was wrong. I was not. Low budget does not, for once get in the way here (the top three leads are very capable actors) even if it does impact technical values of the production. It is the poor third act and pedestrian genre tropes that the movie falls into... Could have been so awesome. Danielle Evon Ploeger and Brian Villalobos strand out, even if the story eventually let's them down.
What Keeps You Alive (2018)
Brilliant idea and cast, let down by mediocre script
Without giving anything assay, let me just say that this could have been an amazing movie. The cast, the story and the early on twists are just brilliant. But then someone had to back this all up with well-developed second and third acts, which sadly never happens. Either way, the cast is worth the price of admission. Faint whiff of of The French movie High Tension but that is not a bad thing at all. Too bad then you will want to fast forward to the end to see what happens.
Blood Vessel (2019)
Campy fun, if a bit handicapped due to plot, budget issues
A very unlikely group of allied forces survivors run into a seemingly deserted Nazi ship in the middle of Atlantic Ocean, only to find... stirgoi. The poster and the name tells you what this is so I don't it is a spoiler when I say vampires.
Despite plot holes the size of Donald Trump's ego and budget the size of his.... brain, this movie is campy fun, if you set your expectations low.
High production values given the budget, a decent ensemble makes this surprisingly enjoyable, even if the ending is predictable. So, stop complaining and just enjoy watching for Alex Cooke's Teplov steal the show from his higher billed co-stars. A star will be born soon, I think.
Amulet (2020)
Well-crafted, artfully-directed horror/thriller
Despite its slow pace, this is a beautifully produced fare, with exquisite acting by all three leads and artful direction by Garai. There were a few cringeworthy choices for camerawork (trying a tad too hard for an artsy European feel) but overall, the clever build up, the allegory (if a bit too tody and preachy) at the end was saving graces for what could have been a trope-y wrap up. Very 'Hereditary' ending.
The Rental (2020)
Good acting, nice build up but ultimately predictable
Unlike most of the 'go some place, get terrorized' fodder out there (and there ar thousands it feels like), this one has decent character development, great actors and very nice technical production values. What it falls victim to is the genre tropes - got running in the forest, etc. It feels like as if someone had a great idea and just could not be bothered by finishing it with the excitement and enthusiasm that ignited the whole thing. I love what Joe S does with high concept, low budget fare and this one is a near miss. Nice first feature by Franco and it is always awesome to watch Alison Brie (oddly, it feels like her character in this is an extension of the one in GLOW) and Dan Stevens, even if it is in a movie that ultimately forces the question 'Why did I even rent that?'
Relic (2020)
Confusing, confused and plain dull
Technical credits, acting all above competent but the writing, pacing and direction leave much to be desired. The movie starts out well, but swiftly dwindles down to by-the-numbers, PG-13 scares by way of direct-to-video blumhouse fare.
The entire time I was watching this, I was asking myself 'What is Emily Mortimer doing here? How much is her mortgage that she'd agree to do this? Maybe she is friends with the director or the producer? Charity?' She is so talented. Kudos to producers though. She was the only reason I rented this. So they win. Unfortunately, the movie is uninspired and ultimately a waste of time and money.