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Wild Geese II (1985)
3/10
Could have been a masterpiece....
20 October 2013
Warning: Spoilers
This movie is the saddest failure in film history. You have to know that legendary film producer Euan Lloyd accepted to make the film in despite of the fact that insurances refused to cover Richard Burton. It was an ultimate proof of courage and loyalty to a friend, sadly rewarded by a tragedy : Richard Burton died one day before shooting. Burton, before dying, was very enthusiastic about the filming of "Wild Geese II. Something he would have never been if it was to act in an illogical story where he's not the leader anymore (the final movie). Actress Ingrid Pitt is also very clear : it was supposed to be the new big production starring Richard Burton. So it's ridiculous to imagine that Burton would have played the role played by his substitute Edward Fox (who plays his brother in the film) : it's true in only a few scenes. Most of Richard Burton's dialogs are in fact delivered by Scott Glenn, who plays the leading mercenary in the final version. The sniper is definitively NOT a role invented for Burton to take in account the fact that he had difficulties to walk (he had a surgery on his spine at the beginning of 1984) : it was in the book ! But reliable sources effectively claim that Burton would have been the sniper. But if Burton plays the role of Edward Fox, he's not the leader anymore and the story is ridiculous (like in the shot movie). So : where is the truth ? In fact Burton would have been the sniper in the first part of the movie. If you re-watch the film, you can see Edward Fox limping like Burton would have done it because of his surgery : Faulkner meets the Lukas' at EBC in London, the second interview between Glenn and the Lukas was in fact the continuation of Faulkner's: Burton's Faulkner would have accepted the mission of course and then hired immediately Haddad in London to help him. They exchange in London the funny dialogs about Faulkner's leg that you hear in the final movie when they come back to Berlin, after that they fly together to Berlin. All this is not in the book and was found out to let Glenn handle the action scenes (with still Burton as the logical leader of the mission). So in the script, in Berlin, Glenn jogs around the Spandau Prison under Faulkner's protection (hidden as a sniper somewhere in a building). Faulkner reports to Kathy at the stadium, then again Scott Glenn-Haddad visits the barracks for a closer observation of Spandau. When he leaves, some people try to kidnap him. In the final film he's kidnapped, but here Faulkner (still the sniper) shoots to save him, Haddad manages to escape but Faulkner not (because of his leg) and is quickly found, taken, violently interrogated and left for dead on the highway. You understand also that if Faulkner doesn't meet Reed-Henry at the hospital, it complicates unnecessarily the story. Unnecessarily because Burton could have played these scenes without a problem (except his limping, he was at his peak) and it's the leader of the mission who has to talk to the key characters who could help to organize the escape. Faulkner would have then re-met Kathy and explained to her that he has to be forgotten a little after these assassination attempt that he survived and goes to Bavaria before he meets again with Haddad in Munich. From there, the 3 of them (Faulkner, Kathy, Haddad) go back to Berlin. Faulkner is for one last time the sniper in the Turkish alley : he asks Haddad to lead Stroebling's men to that place and the final shooting is in the movie. From that very moment : if you let Faulkner keeping on being the sniper, the colonel Faulkner isn't the leader anymore and lets Glenn handling the dialog scenes. A nonsense that you can experience in the final version : Glenn delivers very poorly his dialogs and makes the movie look like a slow TV-movie, Burton would have set all these scenes under high tension. Again : re-watch those scenes, all of them are decisive and superbly written for an actor like Burton. On the contrary, Glenn would have attacked alone the warehouse towards the end, while Burton would have taken the lead on the accident's site. In fact, from the moment they return to Berlin, Glenn would have played almost exactly (except in the Turkish alley and in Austria at the end)the role of Edward Fox (who just took Burton's clothes and nothing else). That second part of the movie would have been very close to the novel. Of course : many scenes would have been far more spectacular. The helicopters that you see on the poster drawn for the movie starring Burton are absent from the final film but would have appeared towards the end : before the attempt to free Hess, there was supposed to be a massive operation of the British army (a simulated reaction to a Russian invasion, a training, but at a large scale in the conditions of reality, where the army has to evacuate British families from Berlin and so on...). It was Reed-Henry's idea to help the mercenaries to take advantage of that confusion during their own rescue operation. All this disappeared. But you could find many other examples like that by reading the book. Carney's novel is a masterpiece wonderfully respected by Reginald Rose. I really hope that this review helped you to imagine the pure masterpiece Euan Lloyd was about to deliver along with Richard Burton, Reginald Rose and Roy Budd (his music for that film is one of the most powerful themes ever composed in cinema history).
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Stars 80 (2012)
10/10
Best comedy of all time
4 November 2012
This is a true masterpiece. The filmmakers proved that you can still create an original and never-seen-before concept for the big screen. Two producers close to bankrupt try to find a last idea to escape their financial problems : find as many ex-stars from the 80's as possible to make concerts all over France... Most of these stars are known only in France (except Patrick Hernandez and Sabrina) but I think you can enjoy the movie even without knowing them all. True : if you lived this period, then the film becomes fascinating. A real cult movie. But you might also do the travel backwards : from the movie on going back to explore this incredible decade. All the stars are acting as themselves : that gives to the film this amazing impact. The worst are acting OK (most of them to be honest), the best are stealing their scenes (Jean-Luc Lahaye, who was a superstar in France and even had a TV-show to help poor children and wrote a all time best-seller about his childhood). The main duet is fantastic : Richard Anconina is one of the most natural actors of french cinema and Patrick Timsit launches every dialog like a bomber, they even manage to be very (very) moving towards the end. There's just one scene (at the hotel) that seems to be directed by french ed wood Max Pecas, all the rest is pure genius. I was convinced this could become one of the greatest hits in french cinema history. Sadly it's becoming a flop, completely unexpected and undeserved.
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