Reviews

The front cover is enticing enough; what a great cast Aldert Pyun has assembled here: Rob Lowe(Waynes World, Tommy Boy), Burt Reynolds, Ice-T(Surviving the Game), and Mario Van Peebles(New Jack City). This looks as if it could be an above average action thriller...right? Wrong! It becomes apparent - about five minutes into the film - that Pyun has blown most of his budget on the cast. What's left is an incoherent thread of a plot. The action sequences - filmed mostly in slow-motion, with an irritating soundtrack playing in the foreground - are laughable at first, but inevitably become maddeningly pointless. Some free advice: don't judge a film by its cover!

This movie - one of many early 1980's movies used as vehicles for the likes of Rob Lowe, Andrew McCarthy, Judd Nelson and Matt Dillon - conveys many distinct qualities, which countless teen films of late seemingly lack.

What is immediately evident, is the way in which the director skillfully juxtapses the moody atmosphere with the hilarious antics of the Ivy League school boys. Regarding this movie from the point of view of intertextuality, a number of other texts immediately spring to mind: 'The Graduate', 'Animal House' and J.D. Salinger's 'Catcher in the Rye'. Lowe (The Outsiders, Youngblood, Oxford Blues), and McCarthy (St. Elmo's Fire, Mannequin, Catholic Boys) turn out meritable performances: one being the typically egotistical teenager(Lowe), and the other(McCarthy)conveyed as the naive, withdrawn 'new boy'. Jacqueline Bisset is, as always, aptly cast as the sultry seductress who, with an overbearing husband (Cliff Robertson) and a subsequent case of neurosis, seeks contentment in the shape of a teenage boy. Other striking performances come from - at the time, unknown actors - John Cusack and Alan Ruck.

'Class' is dark and moody at times, and the direction and setting conveys this aspect of the film aptly: the fight between Skip(Lowe) and Jonathan(McCarthy) takes place in the woods outside the school on a cold, grey afternoon during the fall. In contrast to this, there is the bright lights and bustle of New York City, where Jonathan embarks on a mission to apparently gain his manhood and 'save face' with the other students(here, there is that connection with the students in 'Catcher in the Rye' taking weekend trips to New York and the character 'Ackley' who is always boastful of his conquests with women). The film further depicts the antics of the school boys; for example, the incident at the neighboring girls' school and Jonathan's initiation on his first day. 'Class', like 'Oxford Blues', 'Youngblood', 'The Breakfast Club', 'Catholic Boys' and 'St. Elmo's Fire', to name but a few, is the quintessential movie for teenagers; it has depth and feeling, as well as displaying good comical dialogue.

This film is simply 'Class'.

'The Supernaturals' is one of the most sinister horror films to come out of the 1980's. The location for this zombie flick is aptly used: somewhere in the 'sullen backwoods' of America. We are, at first, introduced to a regiment of Confederate soldiers who are forced, by the Union forces - the 44th - to walk across a section of woodland laced with mines. The entire regiment are blown to all four points of the compass, with the exception of Jeremy, a young boy dressed as a confederate. He, along with his mother, exhibits a seemingly unearthly power, which consequently saves his life. Fast-forward to the year 1985: a troup of U.S. soldiers - the 44th division - are on manouvers in the same backwoods. Little do they know what atrocities befell the original regiment of the 44th - until they unwittingly camp upon the same cursed ground. Radio contact fails, troops begin to disappear during their routine watch - all hell breaks loose, as the past catches up with the members of the 44th. The woods serve as an appropriate setting for this creepy horror movie, and there is - despite previous reviews - enough gore to keep the average horror fan entertained. However, what makes this film stand out from other zombie films, is the tight plot and the faultless directing. The use of the mist-shrouded woods, the 'seemingly' disused underground bunkers and the ancient stone cottage - now a haven for the long-dead - create an eerie atmosphere. The sharpened tree branches see members of the 44th staked - vampire fashion. Mawell Caulfield (Sundown: The Vampire in Retreat; The Boys Next Door; Gettysburg: Waxwork 2: Lost in Time) shines, as ever, in this horror masterpiece!