TSOTSI (2005) Set in South Africa, against a background of inequality and HIV, Tsotsi (played by Presley Chweneyagae), an unemotional small-time gang leader, develops an understanding of, and tries to grasp, family, belonging and caring for others. The unlikely catalyst for his redemption is a baby he finds in the back of a car he steals.
Director Gavin Hood engages our empathy and challenges our prejudices without stooping to Hollywood sentimentality. The film is filled with muted colours, swelling to golden tones as Tsotsi discovers his emotions.
The story's secondary theme is the understated but powerful role of women, typified by Terry Pheto as Miriam. She cares and nurtures, and makes beauty out of very little, including mobiles from broken glass; she quietly challenges the male-generated violence of the film.
By the end of the film the audience is moved by, and involved in, the narrative, and our awareness of the complexity of South African society is extended. This includes the soundtrack, featuring township music and a cameo role by Kwaito star Zola, the sparse dialogue in many languages, for which English subtitles are not obtrusive, and the scene-setting affluent and township locations. Tsotsi is a very convincing winner of the 2006 Oscar for Best Foreign Film.
Director Gavin Hood engages our empathy and challenges our prejudices without stooping to Hollywood sentimentality. The film is filled with muted colours, swelling to golden tones as Tsotsi discovers his emotions.
The story's secondary theme is the understated but powerful role of women, typified by Terry Pheto as Miriam. She cares and nurtures, and makes beauty out of very little, including mobiles from broken glass; she quietly challenges the male-generated violence of the film.
By the end of the film the audience is moved by, and involved in, the narrative, and our awareness of the complexity of South African society is extended. This includes the soundtrack, featuring township music and a cameo role by Kwaito star Zola, the sparse dialogue in many languages, for which English subtitles are not obtrusive, and the scene-setting affluent and township locations. Tsotsi is a very convincing winner of the 2006 Oscar for Best Foreign Film.
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