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patrickduncan609
Hair:Fair,
Playing Age: 40 +
Eyes:Blue
Full Equity Member
Tel:0044 7834 774330
FILM :
Geoff (Security) in Jumpers (by Colin Bateman) Dir : Konrad Jaye/G&H, Bob Huffam
Major Perkins in Warshots, Dir : Heiner Stadler/Eclipse
Waiter in Divorcing Jack Dir : David Caffrey/Scala
Sandy in Gun, Dir : Konrad Jaye/Raw Nerve
M.C. in Silicon Valerie Dir : John Simpson/Black Star
Fidil in Home Dir: Philip Young/Lab Productions
Boss in Bill�s Birthday Surprise
Dir: Anna Hinds/Northern Visions
Perinzo in The Pitch Dir: Philip Young/Lab Productions
Marty�s Dad in Sleeping with Prostitutes Dir: Philip Young/LabPro/NIFC/DV8
TELEVISION :
Lord Marshall in Tudors (season 4, 2010), directed by Dearbhla Walsh.
Patrick the Agent, in How Low...? Reality Check, Dir : Steve Lennhoff /RTE / Stirling.
Lord Dunleith Aristocrats Dir : David Caffrey/BBC
Giles Lloyd Brookside Dir : Bruce McDonald/C4
Officer, an officer in Black Adder Dir : Martin Shardlow/ BBC
Luke Jones Bergerac Dir : Robert Tronson/BBC
Earl Farrow Black Adder II Dir : Mandie Fletcher/BBC
Various Comedy Roles Alexei Sayle Show Dir : Marcus Mortimer/BBC
Sound Recordist Bad Company Dir : David Drewry/ BBC
Co-pilot Runway One Dir : David Drewry/ BBC
RUC Man in So You Think You've Got Troubles Dir : Colm Villa/ BBC
THEATRE :
Bertie Rodgers in Schooled to a Foreign Voice Dir : Roma Tomelty/ Edinburgh/Tour
Captain Zuniga La Tragedie de Carmen Dir : Ion Caramitru/Opera N I
Sam Sausage in Mugs and Money, Dir : Colin Carnegie/Centre Stage
Abanazar in Aladdin, Dir : Michael Poynor, Arts Theatre, Belfast
Fred/Norman/Corporal/Major in JusticeDir : Joe Devlin/Point Fields
Dublin, Glasgow & Belfast Tour
Captain Julyan in Rebecca, Dir : Charles Nowosielski/Lyric
Rosencrantz / Priest in Hamlet Dir : Charles Nowosielski/Lyric
Sparkish in The Country Wife Dir : Noel McGee, Lyric Theatre, Belfast
Christopher Wren in The Mousetrap, Dir : John Fernald. St Martin's Theatre London West End.
Husband in Underwood's Finest Hour Dir : Alistair Goulden, Lyric Hammersmith
Duke of Ephesus in The Comedy of Errors Dir : Peter Farago/OCSC
Cambridge Arts, UK & USA tour
Hugh (lead) in Hugh Dir : Charles Duff / Boundary, Man in the Moon, London
Paris in Troilus & Cressida Dir : Keith Hack/Norwich, Oxford and tour
de Guiche in Cyrano de Bergerac Dir : Nigel Sheinwald and Matthew Francis/Oxford
Algy in The Importance of Being Earnest Dir : R. Swinton/ Tour
Byron/Dr. Allen Three New Doug Lucie Plays Dir : Doug Lucie/ Edinburgh
Lieutenant O'Conner (lead) St Patrick's Day or The Scheming Lieutenant, Dir : Colin Carnegie
Lyric Minifest, Belfast
Jack Hart in Right Again Barnum Dir : Colin Carnegie/Centre Stage/
Arts Theatre Belfast & tour
Major-Domo in Ariadne auf Naxos, Castleward Opera
Reporter in The Evangelist, Dir : Colin Carnegie/Arts
Captain Hilary in Henry Joy McCracken, Dir : Colin Carnegie/Arts & tour
Maurice Duclos Fallen Angels Dir : Colin Carnegie/Europa, Festival
American Sailor (Pinkerton�s mate) in Madame Butterfly, Castleward Opera and Grand Opera House
Squadron-Leader 'Gloria' Swanson in Terrence Rattigan's Flare Path, Dir: Colin Carnegie, NI tour.
RADIO :
Captain Loftus The Curragh Wrens Dir : Pam Brighton/BBC
Henry Erskine A Flag Unfurled Dir : Roland Jaquarello/BBC
Robert(lead) Robert of Sicily Dir : Micky McGowan/BBC
Hoskuld Viking Legends Dir : Kathryn Baird/BBC
Knight/Servant Ogier the Dane Dir : Micky McGowan/BBC
Sir Richard The Words are Strange Dir : Eoin O'Callaghan/BBC
Kyrle Daly The Colleen Bawn Dir : Eoin O'Callaghan/BBC & Live
David Flyaways Dir : Michael Quinn/BBC
Sir John Not an Inch Dir : Pam Brighton/BBC
Scottish Sergeant/ The Man from God Knows Where Dir : Pam Brighton/BBC
Drunken English Major
Father Sophie's Journal Dir : Jane Cassidy/BBC
Grant/English Officer The Hungry Road Dir : Jane Cassidy/BBC
VIDEO :
Queen's University Tutor Appraisal, Northern Bank Working Practices, Graduate Management Programme, Probation Office, N.I.Housing Executive Employment Practices, Prison Service Lay Visitors, B.T. Phone-wear, Avoiding Litigation through Risk Management in Psychiatry
ADVERTISEMENTS :
Club Orange, Harp, Wellworths Supermarket (lead), Job Training Programme (lead), First Trust, Ards Shopping Centre (feature), Bank of Ireland, Health & Fitness
SKILLS :
Strong tenor singing voice, facility for accents (R.P.,German, native Irish, colonial), Horse riding, Driving, Swimming, Diving, Tennis, Squash, Football, Cricket, Disco dance.
Reviews
Song for a Raggy Boy (2003)
Men may cry.
An outstanding film from Ireland that is playing to strongly moved and even angry audiences in many parts of Europe as well as competing at the box office in its own territory favourably with such more obviously commercial movies as Intermission and Veronica Guerin. It has won either jury or audience awards at Ghent, Copenhagen, Cherbourg and Slovenia festivals. It tackles the tough and difficult-to-film subject of child abuse and manages to uplift your emotions before devestating and dashing them. All the performances, particularly those from Iain Glen as the sadist priest Brother John and from John Travers as the lead boy Mercier are outstanding and achieving widespread recognition, and many people think this is Aidan Quinn's best role ever. Skillfully and humanely handled by director Aisling Walsh, the film has more conviction than others in its family of films such as The Magdalene Sisters or Conspiracy of Silence and deserves to be seen anywhere it hasn't yet received a distribution. Anyone still interested in honest, highly moving drama or anyone whose youth was not a bed of roses will appreciate this film. An unusual film in that, just possibly, men may cry at it.
9 Dead Gay Guys (2002)
More hard-on than right-on!
Byron and Kenny find themselves in a Greek tragedy of horrendous proportions as the gay guys that the cynical, drunken one of this Irish pair of 'working' lads has persuaded his more innocent friend to make money from start dropping dead. Ripped clothes and rent boys are in evidence as the lads start looking for the loot in the orthodox jew's bed, and they need a tool as big as two cans of Red Bull to get there. Luckily one is endowed with good fortune! The twits stumble through plot twists amid a succession of caricature characters and the film looks like South Park in live-action Brixton. Since every sensibility is deliberately offended, it reminds me of the attitude in Stephen Pickles' brilliant book of the pre-AIDS eighties, 'Queens.' No visible dicks may upset gays more than seeing themselves portrayed for laughs, but the lads are quite engaging, and humour not pornography dominates. It has won at gay as well as straight comedy film festivals (notably Montreal and Dublin) and the anxious straight critics needn't worry that they ought to be offended for their gay sisters. It's a tease: there are a couple of good twists about stereotypes near the end, and one of the lads realises he is enjoying the sex with men, while the other goes home to his mammy. In other words the film's biggest stereotypical statement is less about queens, dwarves, vicars, fat women, minicab drivers or black men than it is about Irishmen!