Reviews

Of course, Airwolf was one of the premier action shows of the 80s and was more believable than the sugar-coated antics of Knight Rider and A-Team, because it was set in the world of espionage and Stringfellow killed LOADS of bad guys when he battled them in The Lady. The series started off as a spy thriller with Airwolf duking it out with Russians, German terrorists, war criminals, renegade US agents and hardened mercenaries. If I remember rightly, ITV showed these episodes on Friday nights at 7pm back in November '84.

When the 2nd season kicked in, they moved it to an afternoon Saturday slot. This is when a new co-pilot Caitlin was introduced. She wasn't bad, and they still did good intrigue episodes such as the gripping thriller Moffatt's Ghost, Fallen Angel and HX-1 (Once A Hero was a spectacular actioner), but gradually, the series became cornier, as the Airwolf team began helping out ordinary people and there were some soapy stories such as String falling for a rock singer. They also started using stock footage in some episodes, more so in the third season.

The 3rd season got off to a cracking start with the menacing Horn Of Plenty. Richard Lynch did a good job as the manipulative Van Horn and Caitlin proved she could be a bad*** as well. Other top episodes were Airwolf II, Annie Oakley and Deadly Circle, but as I said before, they started over-using stock footage from previous series and the stories were becoming slushy. Despite this, Airwolf was arguably the best action-packed thriller on the small screen during the Reagan era.

Airwolf, the movie that launched the hit TV series, is a fast-paced political thriller, set in the mid-80s when the Americans were at odds with the Libyans. Unlike the pilots for shows such as The A-Team and Knight Rider, this is quite a dark affair. The inventor of Airwolf, Dr. Charles Moffatt, is a psychopath. Despite being a genius, he is clearly unbalanced - just watch the scene where he tests out Airwolf's devastating weaponry on the control tower. He originally built the hi-tech, hi-speed bulletproof chopper for the FIRM, a CIA-type organization who specialize in cases involving national security, but after the control tower massacre, defected to the Libyans and started performing aerial missions for them. Michael Coldsmith Briggs III, codename Archangel, is a head of the FIRM and one of the few survivors of Moffatt's slaughter. He tries to persuade Stringfellow Hawke, Vietnam veteran and ace pilot, to go to Libya to retrieve Airwolf, but he will not do it, unless the FIRM try and find his brother, an MIA in 'nam. Eventually, String goes to Libya with his best friend Dominic Santini and his girlfriend, a FIRM agent, is also on the same mission.

Airwolf is a character piece. We get to know Stringfellow Hawke as a bitter young loner who likes attracting eagles with his cello playing. He has a tragic history as both his parents died when he was 12, his fiancee was killed in a car crash and his brother went missing in action. His friend Dominic is a very cheerful father figure, ready to help String whenever he can, but he can be a bit talkative. Archangel, on the other hand, seems a bit shifty. Later on as the series progressed, he was seen as a true blue good guy, but in this film, he is another typically shady government operative, determined to get the job done and willing to sacrifice the lives of those under his command. It's good to see Hawke punch him in one sequence, because he ate his dog's steak!

British actor David Hemmings is suitably creepy and cold-eyed as Moffatt, but of course, the main highlights are the scenes with Airwolf. When that classic Sylvester Levay tune plays, you know you're gonna have some action. The beginning demo sequence, when Dom and String steal the Wolf from the air base and the explosive desert battle / confrontation are top notch. This was a show that put the likes of Knight Rider in the shade, thanks to solid characters, terrific action and engaging stories.

Forget the recent laughable FX travesty starring Eric Bana, watch this gripping TV movie which was the pilot for the long-running series. Credit must be given to Kenny Johnson for straying from the comics (which featured the Hulk fighting mutant super-villains) and bringing in a more believable premise. Despite the slight name change, David Bruce Banner is just as tormented a character as his comic book namesake. As Bruce Banner in the comics is haunted by the abuse he suffered from his father, David Banner is disturbed by the fact that he could not save his wife in a car crash, which drives him into investigating what factors can trigger human strength at times of stress. Of course, he injects himself with too much gamma radiation, and whenever angered, his body and muscles expand, his clothes rip and he turns into Lou Ferrigno, wearing a bushy wig and painted green. After he first becomes the Hulk, David wants to find out why and how it happened, with the help of a scientist friend. He sets about finding a cure, only to be hindered by nosy reporter Jack McGee.

The Incredible Hulk certainly has its moments. Bill Bixby gives intensity and emotion to his beleaguered character, and Susan Sullivan is solid as his only friend Dr. Elaina Marks. But the best sequences involve the presence of the Big Green Man. In terms of physical shape, Ferrigno was at his peak here and he was excellent as The Hulk. Unlike the bloated, badly drawn movie Hulk, this Hulk is mean, convincingly hard and capable of violence, but he also has a heart and tries to save innocent people.

Taut thriller, in which laconic detective Frank Bullitt is given the unexpected task of protecting a gangster Johnny Ross, who is set to testify against the mob. When the killers get Ross and he dies in hospital, Bullitt makes it his no.1 priority to get his man and this is when he realizes just exactly who are the bad guys.

I first saw Bullitt when I was 11, and that car chase blew me away, but I didn't really get the plot. I now understand it, after several viewings and despite the implausibilities, this is what makes it a top-notch thriller and more rewarding than present-day fare. Peter Yates handles the suspenseful sequences (the second assassination attempt,the airport chase) efficiently and the procedures of a proper police investigation are mostly followed. Bullitt may dress and drive in a peculiar way, setting the template for future movie cops, but he thinks things through first. McQueen is perfect as the dour, but effective 'tec, as is former Man From UNCLE Robert Vaughn, cast against type as a corrupt politician.

I've just seen Bad Boys tonight on C4. It's a very funny, action-packed adventure with some hilarious lines from Will Smith and Martin Lawrence. Yes, the acting is bad, we've seen it all before in movies like Beverly Hills Cop and Lethal Weapon and there is no plot, it's just the two cops chasing bad guys and swopping identities, but as this is a Bruckheimer flick, it's the action which really does rule. No CGI cr*p. Best scenes are the hotel shootout, two car chases and the final raid. There is the comedy, such as:-

SMITH : This is Mike Lowry. Why don't you whip it out for her, big boy?

LAWRENCE : Yeah, on your forehead.

I hope Bad Boys II is just as good. Makes XXX and The Fast And The Furious look like a pair of computer-generated kids' dolls.

After making his mark playing vicious characters in NIGHTHAWKS, THE HITCHER and FLESH + BLOOD, Rutger Hauer plays the hero in a solid action thriller,set in LA. While it is not as slick as the first LETHAL WEAPON movie, it is still quite witty and entertaining. Gene Simmons gives an understated, menacing performance as the terrorist and there's some good action.