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8/10
Keep LoTR Out of the Mind and Go For This Movie
13 December 2014
Warning: Spoilers
While reviewing the movie it is difficult to compare it (or the whole Hobbit series) with the book and the previous franchise 'The Lord of the Rings.' The movie has too many deviations from the book unlike LoTR. But that is acceptable. On one hand, LoTR, the book, had all the material available for the movie thus giving very less chance to deviate from the story. On the other hand, you have to add up a lot of creative imagination to make three movies out of a little over 300 pages book. So you have to deviate from the original story and twist some of the original facts. For example, Azog was killed by Dain's father long before the Hobbit journey began. He was never part of the book but is the main villain in the movie.

Hence it is not befitting to inspect if the movie justifies the book or not. Of course, the question remains – then why was there a need to create three movies? Personally, I think there was no need. And if there was too much craving to create three movies, there could have been another option – make one for Hobbit, one for Gandalf, then for Aragon, and perhaps one for the Elves. Wow, now that is four movies. I am not sure if this is a good or bad celluloid idea but I would love watch complete films about especially Gandalf and Aragon.

Having said that, I have to point out that this movie doesn't feel like stretching too much or boring. From the beginning it stays interesting and keeps you clung to the seats. Or on the edge of the seat like my friend was sitting through out. That is only possible if you do not go to this movie with the idea of LoTR in mind. It does not have a grandeur of LoTR but it does deliver what one can expect from Hobbit. The movie ends with an emotional touch of familiar Hobbit, down-to- earth, expressions.

In a small scale though, but Peter Jackson's touch is quiet alive in the movie. The 45 minutes war scene is very well carried through by keeping focus on individual interests. Thorin and Azog, Legolas style of fighting with Bolg, secret caring between Kili and Tauriel, etc. etc. The formation of the armies carries the same signature of the last series which is worth watching. Thranduil looks spectacular sitting on the elk.

On the downside, besides Bilbo reaching back home safely, there is nothing shown of what happened to the other characters. Bard and Dain simply disappeared at the end. It wasn't clear who throned the Lonely Mountain after Thorin died. Beorn had a very little role of rather few seconds. And it is understandable that Dwarfs are warriors and can kill enemies almost double their size but children killing orcs and goblins is bit too much of bravery show. If this is the last of the Middle-Earth saga, the link between the end of the Hobbit series and LoTR beginning was rather weak.

I will still wait for the extended version which is supposed to be 30 minutes more. Hopefully, that will have some answers. Needless to say, if you are a Tolkien and Peter Jackson fan, or even like classic war movies, this movie will not disappoint you.
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5/10
The Great Ridley Scott Touch is Missing Here...
7 December 2014
With the advancement of creative world and growth of technology, the great directors and actors feel the need to jump into the realm of old scriptures and gods. And why should they not? They have the money, resources and already available audience to deliver whatever the previous makers lacked in rendering. Mel Gibson, Russell Crowe, Darren Aronofsky, Christopher Spencer were all succumbed to this desire. So what stops a director of brilliant motion pictures, such as Blade Runner and Alien, to adore the gods with his own innovations?

There is nothing wrong in doing so, especially, when you want to praise 'thy lord' with the best available resources you have. The problem becomes when these resources get more praise than 'thy lord.' And this is the ill-fate of this movie. Spectacular visuals, detailed imaginativeness of the Egyptian palaces and Hebrew slums, as well as convincing special effects of war scenes, especially Ramses chasing Moses and the party. I am also of the mind that it was a right choice to make movie in 3D. Screening of magnanimousness of Egyptian structures, cities, armies and the plagues of god would not have been possible otherwise. Unfortunately, the very core of the story is submerged under all of these elements.

The movie lacks in every way that motion pictures are mainly known for. Lack of emotions failed to bind the audience to the story. The story itself is quite straightforward. We all know the story anyway but the Ridley Scott touch of Gladiator has apparently escaped from this narration of history.

It is difficult to relate to the characters when the whole persona is represented by Hollywood cast. I can understand that you cannot sell such high budget movie by putting it on the shoulders of unknown non-Hollywood actors. But give me a break here. Not every actor is made for every character. Except Ben Kingsley, of course. Don't get me wrong, Sigourney Weaver is also a great actor but can you imagine her as an Egyptian queen. I think she got this role only for the old time sake (Alien resonance, I believe).

Even bigger joke is John Turturro playing the character as a pharaoh. I can't even imagine him besides being an FBI agent or a con artist. But the saddest part is Christian Bale is not very convincing in his role. Remember the feeling that 'no one else can play this role better than Bale?' Unfortunately, this feeling is also awry here. Anybody could have played Moses. Or for that matter, even better.

Joel Edgerton, on the other hand, met the needed expectations of a tyrant pharaoh's character. In some parts, I could see him overwhelming Bale, with his exaggerated volatile expressions. Just what he had done in a scene to Leonardo DiCaprio in The Great Gasby.

If you compare this movie to Martin Scorsese's The Last Temptation of Christ you will see where this movie lacks and will understand that you certainly don't need great technologies to narrate a great biblical episode. Besides the visuals, the originality of Egyptian and Hebrew hostility is greatly missing in this movie.

I'd rather recommend to watch it on TV when it comes there. It will help you to sleep.
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2/10
Don't Waste Your Time...
30 November 2014
I literally had to force my eyes open during the movie. My friends kept asking me if we can leave the movie in the middle. This is how boring and slow this movie is. I really find no reason to divide one book into two movies besides money in few pockets, of course.

Some people argue that you had to split the book into two movies to develop the characters but I dare to ague. If you cannot develop a character in one scene for a two hours movie then there is something wrong with your direction, Mr. Lawrence. The movie lingers on the same subject again and again. They keep talking about the same thing. Repeated dialogues between sisters, with Gale, with Finnick, with team from Panem, with President and Heavensbee. How to make Katniss a rebel kind? Wasn't she a kind from the beginning of this series? What is the need to keep telling her that she is the face to the revolution? I think it was made pretty much clear to her in Catching Fire. But somehow every character in the movie felt the need to convince her that she has to lead a revolution. Come on now. How much prepping up does Katniss need?

On the brighter side, the movie has really done well in special effects, creating cityscape and spectacular visuals. Showing gradual decline of the Pita's health is also a smart move. But in spite of that, movies has failed miserably to keep the audience engaged. This is because the story just refuses to advance. Some sequences are unnecessarily prolonged, even the action sequences. When everyone is running to find shelter why is it necessary for the cat to stay behind thus stretching the scene. Suddenly, in the middle of revolution saving the cat became high priority.

The movie has too many flaws. In an advanced world with top class weaponry two fighter planes have to circle around multiple times to hit a target. Now, the target is not one person. It is a huge hospital building for crying out loud. When you are forcing an enemy to broadcast a message in your favour isn't it a good idea to record the message, edit it and then broadcast it. Not that you give him every chance to say anything on a live feed. I am sure, in a technically modern world, this wasn't a difficult thing to do. And where is this war going on that everyone keeps talking about like a cheap play on the stage. But there are hardly any scenes of war. On top of that, there is a confusing love story between Katniss, Gale, and Pita. What is with her obsession of saving Pita? She is not even sure if she love him or not. When everyone is planning to revolt against Capitol she doesn't mind endangering the mission by only talking about how to save Pita. Focus girl.

Besides the special effects, other good thing about the movie is Philip Seymour Hoffman. The man just doesn't stop to impress me with his subtle improvisations in acting. In a room full of actors he can simply steal all of your attention. I am not sure how much he has completed the second part but he might be the only reason I will risk my reputation to watch it.

In conclusion, movie is just waste of time and money. Do yourself a favour and watch something else.
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6/10
Horrible Bosses or Moron Bosses
30 November 2014
I think the better suited name for the movie would have been Moron Bosses than Horrible Bosses 2. Movie does not have any more horrible bosses to deal with but this time the trio have themselves turn into their own bosses, trying to run a business they have no idea of and hiring staff based on looks than brains. And they are really moron bosses because they can manage to put the jobs of their own employees in danger.

The movie is quite hilarious but that is only because it runs on the age old cheap formula of comedy 'dirtier the jokes more the laughter.' The script lacks in many ways. The story itself is quite lame and predictable. I think the only reason the movie is made because the first one was a hit. So it was decided to create the second part.

The first part dealt with something that audience could relate to. We know horrible bosses do exist in huge quantity. But Horrible Bosses 2 is just an average story where Nick, Kurt and Dale have turned into even bigger morons. Which is an unnecessary choice of lowering down the characters to get few more laughs. It seems losing the job in the first place did not do any good to their characters.

Another painful aspect of the movie is Christopher Waltz role is hugely undermined as villain. I am not even sure why Waltz had agreed for this role. But whatever was given to him he did his part very well and still remains, as always, the charming villain of our time. Kevin Spacey, Jennifer Aniston and Jammie Fox were also brilliant although they have very little to play. Chris Pine is average in his role.

Let not keep Jason Bateman, Jason Sudeikis and Charlie day out of the line. Their characters were moron but they still played their roles very well. My rating is only to the acting in this movie. Besides that, I am not inclined to give any rating to the direction and the story. They could have done much better than this. Especially, after seeing what Sean Anders had done in We're The Millers I am sure he could have written a better story here.

The chemistry between Jason and Jason and Charlie is kept intact from the first movie. That is a good part of the story. But jokes at some point become too gross. The subtleness of the previous movie is missing here except in few scenes.

The movie can give you one and a half hour of laughter but that's where concept of comedy ends. So if you are in for it and do not mind lewd jokes please go ahead and watch the movie but don't expect a brilliant story like the previous one. It ain't there.
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Predestination (I) (2014)
9/10
Don't Try to Find Logic
29 November 2014
Just when you thought the time travel plots cannot go beyond a certain limit, here comes another movie that takes time travelling to another level. I thought this is it with time travelling when I last watched Looper but Predestination has certainly crossed that mark.

Now, I have read many comments that the movie is illogical but then time traveling in itself is an illogical subject, you know that. So if you are planning to watch this movie leave your logical mind behind and enjoy the sheer beauty of the philosophy that lies behind this movie. There is no point in picking up a pen and a paper and start drawing a timeline to find out the starting point. Just as no one can answer the question what came first chicken or egg. One of the starting quotes of the movie.

The movie is not illogical in delivering the message that no matter how hard you try you cannot change the future. Even time travelling cannot do that.

I don't want to write about plot of the movie because even the slightest information about the movie can be giving out too much. So my recommendation is to go and watch the movie before reading too many reviews. The movie has too many twists but they are well connected which are only interesting if you find them yourself. But I can tell you the movie is beyond sci-fi or thriller genre.

The movie is governed by a very strong script which I believe is the prerequisite of such genre. The vicious circle of chicken and egg. The movie stays interesting right from the beginning till the end and even after that it leaves many interesting and confusing thoughts. How do you find a person who has no history?

Ethan Hawke and Sarah Snook gave a very powerful performance which, I think, is one of the reasons to make this confusing story understandable.

I remember The Spierig Brothers from Daybreakers. But this movie hits a higher mark than their previous one.

So my recommendation is go and watch the movie. Just one word of caution - the story runs faster and you may be left behind if you get distracted too often. Switch off your phones.
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Gone Girl (2014)
4/10
Too Many Loose Ends
15 November 2014
Warning: Spoilers
I have not read the book so I cannot compare this movie with the book. But judging from the fact that Gillian Flynn has also written the screenplay of the movie I trust that the movie has done justice to the book. Which might not be a very good thing to say about the book because I wasn't very impressed with the movie.

Please don't get me wrong, I like David Fincher's works. He picks up off-the-line subjects and execute them very well. Sometimes he also leaves loose ends. Loose ends are not bad because sometimes they get the audience to think more than what the movie is trying to convey. Unfortunately, this movie has too many loose ends and turns. The movie starts as a psychological thriller then turns into a treasure hunt with well-planted clues which are easily understandable; then into a war between a smart psychopath wife and a clueless husband. In the end, the movie turns into a common hate story of a husband and a wife.

What surprises me in the movie is that the wife is a smart psychopath, the philandering husband also gets there gradually, being smart. But the general public, media and FBI are just dumb. How is it that FBI is not able to understand that a man gets enough time to go to his father's house to burn the diary but does not have enough time to burn it completely and still leave pages which can get him caught? How it is that FBI cannot find the missing wife? Now I am not a detective but I do know the general modus operandi of any detective agency - keep a tab on the previous acquaintances of a missing girl. Might not be a bad idea to pay a visit to one of her ex-boyfriends and Viola, there she is, living a good life. Found and case closed. More surprisingly, when the missing wife has decided to come back nobody even wants to re-look at the clues that she had planted against her husband. After all, everyone had started to doubt him. The list does not finish here. How come the camera at Desi's house can only catch her alone, evidently tortured. But there is no video of Desi actually torturing her. But no one wants to ask these questions to the wife. Only a few questions and FBI just lets her go. How come doctors forgot to check her so called bruises which she was supposed to have when her husband was supposedly dragging her?

So there are too many loose ends. Is it that the makers of the movie think that the general public both within the movie and out of the movie is so dumb? Within the movie, the general public thinks of the husband as bad guy when the wife is missing. But when she is found nobody is questioning her motives and now the poor-dead-ex-boyfriend is a bad guy.

On top that, there is a supposedly smart lawyer (Tyler Perry) who is of no help to the husband besides making few funny comments.

On the good side, Ben Affleck and Carrie Coon still managed to be convincing. Rosamund Pike is Okay. But that's the only good part I could see.

All in all, I am a little disappointed with David Fincher. Se7en, Fight Club and The Curious Case of Benjamin Button were really good movies and had given its audiences lot to think about. Unfortunately, this movie does not do that besides giving message that every man is a sex maniac and women are psychos. What surprises me the most, the book and the movie are getting good ratings.

These are only my opinions but if you still want to watch it please go ahead. After all it is your money. It does have few funny moments.
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Interstellar (2014)
10/10
Nolan has outdone himself
9 November 2014
I am a big fan of Christopher Nolan. But when I went to watch this movie I had my own fears. Nolan's yet another foray into a different genre. Is he turning into those superstar directors who make commercial blockbusters? But I was happy to find that Christopher Nolan has outdone himself once again. I am not saying that Inception or Memento were lesser in anyway but this movie really stands out. He has surprised me to come up with yet another strong subject and still manage to control it with a strong script.

The movie keeps you on the edge throughout except for first few minutes. Once the movie picks up it remains interesting till the end. I am usually afraid of such space thrillers which can leave you with open ends. Another fear that I developed while watching the movie. But I proved to be wrong again. Interstellar managed to convey the message with very clear words. It does not leave you with open questions.

I think Nolan knew what he wanted to be communicated and was able to do so by keeping the authenticity of the movie. No use of green screen can be challenging but when you have to communicate with audience on a complex subject you have to be truthful to yourself and to the movie. His choice of staying away from unnecessary technological tools (3D, green screen and CGIs) keeps the mood of the actors and thus giving a chance for audience to get involved.

Besides Nolan's work, Matthew McConaughey has done a brilliant job. Background score is amazing and very befitting. The emotional connection between a father and his daughter is also maintained very well.

I also like Nolan's faith in the audience. His belief that people are looking for challenges and they want to see more than just simple stories is one reason why he can take challenging subjects and still keep them interesting for people like me.

And finally the words from Dylan Thomas' poem really speak the philosophy of the whole movie. 'Do not go gentle into that good night, old age should burn and rage at close of today, rage rage against the time of the light.'

With all these elements Nolan has still managed to deliver a commercially successful movie. This is one of those 500 movies which you should watch before dying.
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