Taking a high-school film class definitely isn't what you would call an in-depth class when it comes to being preparing me to successfully analyze and critique films. However I felt with The Dreamers, it didn't even take a high school film class for me to realize that about half way through the movie I was bored to tears.
I've seen many a review citing mis-en-scene and the camera work as the pillar and a base holding this film up. Well that's fine. However, it can be the most artful movie created, however if it doesn't hold the attention, then it has nothing.
My main problem with this film is that it went NOWHERE. Michael Pitt meets up with two Parisians, befriends and moves in with them. From there, a bit of character growth occurs between the trio of actors, however the plot of the film never takes off. It felt more like the plane stalled in the hangar. After a bit of sexual intimacy and growth between the three, the director seemed like he was out of options and opted for a bit of moral conflict. Well this would've been fine had he intertwined it with the character growth. This was not the case as he basically threw the three into the apartment the first half - then for the second half had them debate beliefs and moral standards, all while making it seem as uninteresting as possible.
I wasn't watching for the mis-en-scene or the camera angles, so I'm willing to concede whatever it is you believe about it to be true. However when it comes to being able to sit through the entire film and it's entertainment value, bring a magazine or something to fiddle with. Because it's a long 2 hours.
I've seen many a review citing mis-en-scene and the camera work as the pillar and a base holding this film up. Well that's fine. However, it can be the most artful movie created, however if it doesn't hold the attention, then it has nothing.
My main problem with this film is that it went NOWHERE. Michael Pitt meets up with two Parisians, befriends and moves in with them. From there, a bit of character growth occurs between the trio of actors, however the plot of the film never takes off. It felt more like the plane stalled in the hangar. After a bit of sexual intimacy and growth between the three, the director seemed like he was out of options and opted for a bit of moral conflict. Well this would've been fine had he intertwined it with the character growth. This was not the case as he basically threw the three into the apartment the first half - then for the second half had them debate beliefs and moral standards, all while making it seem as uninteresting as possible.
I wasn't watching for the mis-en-scene or the camera angles, so I'm willing to concede whatever it is you believe about it to be true. However when it comes to being able to sit through the entire film and it's entertainment value, bring a magazine or something to fiddle with. Because it's a long 2 hours.
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