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7/10
Might revive a troubled genre
23 November 2014
Of course the zombie movie genre actually is one that has least of worries surviving a troubled movie market. Yet artistically it has seen little ingenuity off lately. Luckily the Norwegians decided to step in to turn the tide of ever more formula driven boring slaughter and slashing gore. If all zombie flicks would be adding as many original ideas as this one the genre wouldn't be facing imminent death by boredom. Let's hope the next one is even better. And let's hope that the producers will be brave enough to not give in to US inspired hypocrite 'moral' in aspiring to broader audiences. A doubtful moral that would probably threat depicting the metaphors for the deplorable human condition that zombie movies are all about. And one that would most likely kill the brilliant final scene of this one.
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The Machine (I) (2013)
3/10
No artificial intelligence, nor any of the other kind
9 October 2014
Warning: Spoilers
I agree with a review here that something has gone amiss with the IMDb review scores. This title should not have ended up 6.1 (currently, October 9, 2014). Usually 6.1 means palatable, easy to watch, might reasonably entertain you. This does not. What good acting might have been enjoyed has been cut to pieces in post production which rendered a potentially entertaining story in rushed unrelated sequences that quite simply annoy. In scifi we suspend our disbelieves maybe even more than in any other genre, but the AI/tech depiction is–apart from a somewhat credible reference to the Turing test–so blatantly stupid and crude it fails the story completely. Just one example: the scientists are clever enough to repair human brains into functional AIs, but are too stupid to figure out how these humanoids are communicating?! The plot and characters are far too predictable to be entertaining. On top of that the acting is rather more annoying than emphatic–especially in the case of the protagonists Ava and Vincent. And could the screen writer who made up evil guy Thomson please start acknowledging that his audience might actually have a brain? The bad character should be interesting, multidimensional. Instead Thomson is flatter than a steamrollered pancake. "Blade runner for a new generation"? Please, at this rate Blade Runner will do fine to convince new generations to come.
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