As another reviewer commented, I missed quite a few lines of dialogue because everyone in the audience was laughing so loudly (myself included), and that goes to show one of the greater strengths of the Coen brothers' new film. It is really truly ridiculously funny. The humor is broad at times, often dark, often quirky and bizarre, and may not appeal to an audience that cares for more routine humor and straightfoward punchlines or pandering to the lowest common denomenator. Much of the humor comes from the Coens' trademark dialogue. As usual it is immaculately manicured, beautiful to behold, and hilarious to hear: their use of colloquialisms, slang, jargon, accents, dialects, archaic language, and just plain funny words that one may or may not have ever heard before is simply tremendous. And when put into the mouths of capable character actors those words work magic on my funny bone.
The casting, again as usual, is awesome. The whole cast pulls off the not so easy task of creating consistent caricatures whose absurd actions they have to make sense of.
However, my favorite part of the film was the highly stylized narrative style. It felt more like a fable or moral tale than any kind of story that one is supposed to take as seriously realistic. The film is set in Mississippi, but presents itself as more of an imagined caricature or archetype constructed of various images and anachronisms that add up to some vague notion of "Mississippiness", rather than an actual earthly location. Whatsmore, the obviously allegorical qualities of the principle characters make for some delightful religious and literary symbolism, that treads the fine line of parody: seeming at once oddly serious but with a healthy dose of dark parodic humor.
All in all I recommend this movie rather highly. Mainly because it is so different from the formulaic, prepatterned, pandering drivel that constitutes the majority of mainstream comedy film. It is nice to see a screwball farce that is not afraid of being misunderstood, that does not have to follow the lead of whatever popular trash came before it, and that is willing to at least attempt to conflate broad low-brow humor with intelligently crafted structure, content, and satiric wit.
9 out of 10...I hardly ever stopped laughing.
The casting, again as usual, is awesome. The whole cast pulls off the not so easy task of creating consistent caricatures whose absurd actions they have to make sense of.
However, my favorite part of the film was the highly stylized narrative style. It felt more like a fable or moral tale than any kind of story that one is supposed to take as seriously realistic. The film is set in Mississippi, but presents itself as more of an imagined caricature or archetype constructed of various images and anachronisms that add up to some vague notion of "Mississippiness", rather than an actual earthly location. Whatsmore, the obviously allegorical qualities of the principle characters make for some delightful religious and literary symbolism, that treads the fine line of parody: seeming at once oddly serious but with a healthy dose of dark parodic humor.
All in all I recommend this movie rather highly. Mainly because it is so different from the formulaic, prepatterned, pandering drivel that constitutes the majority of mainstream comedy film. It is nice to see a screwball farce that is not afraid of being misunderstood, that does not have to follow the lead of whatever popular trash came before it, and that is willing to at least attempt to conflate broad low-brow humor with intelligently crafted structure, content, and satiric wit.
9 out of 10...I hardly ever stopped laughing.
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