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8/10
breath taking
18 July 2007
I stumbled upon this movie last week and just happened to finish it yesterday. Have to say, out of those loud, CGI filled films and those typical LGBT movies i've watched recently, "The Chinese Botanist's daughter" is a pleasant treat.

The story starts with Min Li-a half Chinese half Russian orphan who lives in the post war period of China. She's going to intern for one of the best Chinese botanist there is. And once she arrives she notices that her internship is not going to be easy. The professor is a much perfectionist person with short temper-which would be shorten a lot more when it comes to untraditional behavior. But despite all that, during her stay in the exotic garden, Li finds herself attracted to An-the botanist's daughter. Their bond grows stronger and their love blossoms alongside this beautiful landscape. However things turn ugly when Li has to marry the botanist's son in order to never leave the garden (so she could live with An after her intern ends). And the conservative society has very little place for the both of them.

The story seems solid enough, nothing extremely special or stand out here but it's soft while intense, exotic yet tender, traditional yet manages to has very different feeling. Its visual is absolutely stunning and full of desire. I have seen so many "oriental landscape" embedded films but not many comes close to be this sexy and spiritual. Of course this was filmed in Vietnam and not China but it's hardly an argument here. The director definitely has eyes and heart. The acting flows well, the characters come out quite naturally. The girls really are victims of their times, so it's sadden seeing them trying their best for love and survival. However, even though some scene can be more than cruel or brutal and makes your heart jump, it's strangely up-lifting in the kindest way. Once in a while this movie appears to be a little bit distracting with cut-away scene and long silent moment, but we all have taste and style i guess.

Of course, what's risky about this movie is that it's very cultural oriented. It's not that "if you're not Chinese, you won't understand". Surely one will know that "it was that way at that time in that country" but still, the culture aspect will make one with experience or understanding about China less depress than one who don't. Certain characters might appear two-dimensional and the cruelty shall frustrate the viewers. But it is a quite small factor, and if you're already interested, don't let this stop you watching. This is a great film that actually has style. Even if you're not a fan of LGBT films, The Chinese botanist's daughter has potential to be appealing to open-minded movie lovers. If you're against homosexuality...well, i can't see why you would wandering here and read my comment to this point. I know art can sometimes change the world and people's mind set but i'm not gonna try.
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Fingersmith (2005)
9/10
such pearl
18 February 2006
I had never read any of Sarah Waters' novels, or watched Tipping the Velvet. I only heard about Fingersmith when i was flipping through "The L word" websites. The storyline of Fingersmith interested me, yet i passed it away, thinking "Lesbian in Victorian period, that never ends well, i have enough of those lesbo series and movies that go no where"

However, during Christmas my local DVD store gave Fingersmith a discount, i brought the DVD, and my life has never been more colourful

This mini series deserves to be cherished and praised. The acting is so great that i call it rare. Sally Hawkins, Elaine Cassidy, Rupert Evans, Imelda Staunton, and many more that i can't name all, brought light and darkness to their characters. Just by a little gesture, a little look, a little touch, they made their characters real and as a viewer, i couldn't help it but take them home, keep them close.

Fingersmith, sets in Victorian area, is a story of Sue-a thief who loves and lives with her "Family" of pick-pockets. Little did she know that her fate is linked to Maud Lily-a somewhat shy, timid girl grows up in a Mansion miles and miles away. Maud's mother left her a fortune, but Maud herself can't touch it, unless she married. Worst of all, Maud's uncle makes sure she never will by keeping her prisoned in the house.

Enter Mr Gentlement, a charming, good-looking thief with a heart as bad as any. He wants Maud's fortune for himself, and in order to do so he sets Sue up as Maud Lily's maid, asking Sue to Persuade Maud to elope with him. as time goes by, Things would be simple, if Sue didn't fall in love with Maud.

And things would be simple, if the story was what i have just told. I do not wish to spoil, so i would like to stop there. But i can asure you that everything is twisted and turned before you can even aware of what has happened. Once it happened, you then question what would happen next. On top of that, the story is filled with passion unlike any others. There are no self-searching, sexuality questioning, "Oh my god do i like girls" moments, because the girls in Fingersmith are buried so deep in their own darkness that they barely be able to care. the story with such twisted plot moves as smooth as water, running passionately, but strangely calm.

Weeks have passed since i watched "Fingersmith", yet Maud's eyes still haunt me, and Sue's words still warm my heart "You pearl, you pearl, you pearl", she said. And such pearl it is.
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