Tonight was my first ever viewing of this film by Richard Lester. As the movie began, I was somewhat thrown off, as the editing is somewhat "jumpy" and the story is presented out of sequence, so it's rather like pieces of a puzzle coming together.
The film is both set and shot in 1967 San Francisco and does a beautiful job presenting what it was like there at that time (or, at least how I imagined things were, as I wasn't around at that time.) The first scene is just flat out bizarre: A dance for car accident victims being held in the lobby of a posh-looking San Francisco hotel. The guests all looking very mod yet rich and "establishment," many of them over 50. And the live band providing the entertainment is none other than San Francisco's own Big Brother and the Holding Company with Janis Joplin on lead vocals. There's a shot of an elderly woman in a wheelchair, dressed and coiffed beautifully, with her neck in a tortuous looking brace being pushed quietly through a service area on her way to the festivities and then a quick, jarring cut to James Gurley, one of Big Brother's guitarists, playing a psychedelic riff, then a quick cut back to the woman in the wheelchair, then back to the lobby floor festivities where Joplin is singing at the top of her lungs next to Sam Andrews playing guitar whilst well-dressed party goers (looking very decidedly unlike a typical Big Brother crowd,) boogie all around them.
What a way to start a film!
I was initially distracted, but soon enough the characters began to emerge and the story unfolded. The main characters include George C. Scott as a newly divorced 40ish doctor and the incredibly beautiful Julie Christie as a newly married 20ish "kooky" character who decides somewhere between Big Brother's "Road Block" and "Down On Me" that she's going to have an affair with the good doctor.
Despite the rather raucous and disjointed beginning, this film does have an interesting plot, as it turns out; one just has to be patient as it slowly and tantalizingly begins to unfold. Nothing is as it seems at first, and there are plenty of surprises in store.
Also featured in the cast are the wonderful Shirley Knight, who gives a powerhouse performance, and Richard Chamberlain in a very off-beat role for him.
I didn't know where the film was going for awhile. But I think that is one of its many charms: It's unpredictability. I would highly recommend this to anyone who appreciates something different and thought-provoking. 9/10
The film is both set and shot in 1967 San Francisco and does a beautiful job presenting what it was like there at that time (or, at least how I imagined things were, as I wasn't around at that time.) The first scene is just flat out bizarre: A dance for car accident victims being held in the lobby of a posh-looking San Francisco hotel. The guests all looking very mod yet rich and "establishment," many of them over 50. And the live band providing the entertainment is none other than San Francisco's own Big Brother and the Holding Company with Janis Joplin on lead vocals. There's a shot of an elderly woman in a wheelchair, dressed and coiffed beautifully, with her neck in a tortuous looking brace being pushed quietly through a service area on her way to the festivities and then a quick, jarring cut to James Gurley, one of Big Brother's guitarists, playing a psychedelic riff, then a quick cut back to the woman in the wheelchair, then back to the lobby floor festivities where Joplin is singing at the top of her lungs next to Sam Andrews playing guitar whilst well-dressed party goers (looking very decidedly unlike a typical Big Brother crowd,) boogie all around them.
What a way to start a film!
I was initially distracted, but soon enough the characters began to emerge and the story unfolded. The main characters include George C. Scott as a newly divorced 40ish doctor and the incredibly beautiful Julie Christie as a newly married 20ish "kooky" character who decides somewhere between Big Brother's "Road Block" and "Down On Me" that she's going to have an affair with the good doctor.
Despite the rather raucous and disjointed beginning, this film does have an interesting plot, as it turns out; one just has to be patient as it slowly and tantalizingly begins to unfold. Nothing is as it seems at first, and there are plenty of surprises in store.
Also featured in the cast are the wonderful Shirley Knight, who gives a powerhouse performance, and Richard Chamberlain in a very off-beat role for him.
I didn't know where the film was going for awhile. But I think that is one of its many charms: It's unpredictability. I would highly recommend this to anyone who appreciates something different and thought-provoking. 9/10
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