Reviews

I've been following this series for what feels like forever, and for me comparison to True Detective are inevitable, since both series are of the anthology format and deal in great part with the psychology of both the investigators and the criminals. I feel that The Sinner comes on top in this little contest in several key aspects, perhaps because some continuity is maintained by having the same main character. Over the seasons the show interestingly morphs from being a show about "the sinner" being the criminal (of the season) into being about Ambrose, and by extension, people in general.

I especially like the complex psychological and almost philosophical subject matter.

Season 1 is extremely good. The jarring nature of Cora's behavior and the inexplicability of her motives is excellently augmented by Ambrose's unorthodoxy.

Season 2 was a slight downtrend. But that's just because I'm not intho child actors and cults.

Season 3 is extremely intense and expertly left ambiguous as to let viewers make their own decisions. Chris Messina as Nick delivers a haunting, oppressive performance.

Backtrack starts off setting the mood. From the opening credits and first few minutes you know that Peter Bower (played by Adrien Brody) and his wife, Carol (Jenni Baird) are regaining their footing in life after some terrible incident.

Peter works in some psychiatric capacity, seeing patients. The weather is drab, the routine - taking it's toll, home life is yet in shambles. First cracks start to appear as odd occurrences, then things get progressively more inexplicable and Peter comes to shocking realizations, explanations to which must be sought in his past, back at his home town...

It is rather commendable that Backtrack manages to start off disguising itself as a psychology mystery, but slowly progresses into a cool detective.

I was not a fan of the cheap jump-scares, I would have liked Peter's confusion and anxiety communicated differently. I did, however, thoroughly enjoy the ghost story symbolisms of doors that just won't stay shut, pages that just won't burn etc.

Cinematography in Backtrack is very well done - colors and lighting always play well with the tone of scenes, especially the dark and shadowy beginning portraying hopelessness and brightness in the end signifying new vitality.

The classical score is also to be praised - it works well to accent the continually growing suspense of the story.

The unkempt Brody works extremely well as the morally crushed Peter Bower, definitely matured since the 2005s The Jacket, shining in key scenes like "saying her name" and "after confession". Honorable mention to Robin McLeavy's senior constable Barbara Henning, portraying sensible competence and also managing to be the damsel in distress when necessary.

Backtrack is not perfect. "Some characters were not developed enough" is a legitimate complaint. "That scene did not make sense/was unnecessary" is also an understandable criticism. Nevertheless, the movie does not bore, nor does it get tripped up by it's own flaws on the way of delivering a convincing mystery that always hangs by the last thread to make sense of it all.

8/10, would backtrack again.