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Hatchet (2006)
8/10
True Horror Has Returned!!!
1 May 2006
Warning: Spoilers
Wow! Hatchet premiered at the Tribecca Film Festival in NYC and it more than lived up to my expectations. Victor Crowley is a juggernaut! I've never seen a horror film with such gruesome kills; many done with his bare hands!!! He'd pull Jason Voorhees limb from limb without even breaking a sweat. Someone taught the secrets of a fine Scotch whisky to Kane Hodder because this man just gets better with age.

I'm not easily sold on high-speed character development, but within five minutes of meeting each, Marcus (Deon Richmond) and Marybeth (Tamara Feldman) could virtually leap from the screen with hardly a protest from the audience. Deon absolutely steals every scene he's in. Except, of course, the scenes he shares with Tamara. As the affable yet socially inept Ben (Joel Moore) chips away at the chinks in her armor, the palpably discernible barrier between "the local" and the "tourists" continues to fall away throughout the length of the film.

The elimination of cut-aways prior to many of the kills is an amazing feat of cinematography. Director Adam Green's concepts are executed flawlessly by Director of Photography Will Barrett. Whoever thought of teaming these two up with effects master John Carl Buechler is a genius.

Horror is back folks; a gleaming beacon shaped like a bloody hatchet. I, for one, will heed the warning and stay out of the swamp...
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7/10
What a dark little movie...
6 December 2004
Who wants to see another boy meets girl, boy falls for girl, happy joy tra-la-la. Who gives a crap?!?

How about boy obsesses over girl to the point of physical illness and drug induced escapism, girl comes back to boy, boy seems human again, girl eats boy's heart in front of him and laughs demoniacally? Sounds more like my speed. We've all been there; unrequited love rotting our insides, delusional thoughts, smart-ass friends, retarded cats... OK no cat. But we all know how living through pain can make life hell. Green digs into the very heart of pain in this film, pouring his personal demons out on-screen in an attempt to connect with us in a mere 90 minutes.

Nightmarish dating scenarios and unsympathetic friends give us a feel of realistic human relationships lost in most on-screen interactions; much of it confidently declared. Not an easy feat to impress upon a group of strangers sitting in a dark room watching you in 2-D.

Lots of subtle, dark humor may be lost on audiences viewing for the first time. Context is tantamount, and if you're not intent on the high-speed banter, you'll miss a lot. If you can keep up, however, the brazen wordplay between Adam and Steve is classic. See it twice.
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